Old Blood Noise Alpha Haunt ...

3.009,-

Alpha Haunt Fuzz - Highly-tweakable Fuzz Pedal with EQ. Alpha Haunt is a fuzz. OK that’s simple enough so far, but Alpha Haunt also has twelve (!!) highly interactive controls which mean things got a bit more involved now. Most of the fuzz buzzwords are here – huge and sustaining, gated and sputtering, mid scooped, mid boosted, bright, dark, clarity, utter lack of clarity and splatty. This is basically the fuzz motherlode being thrown at you and the whole pack is at your disposal. You are the alpha now. Highly tweakable fuzz pedal – endless worlds of fuzz at your disposal 3-band EQ sliders – perfect your place in the mix with full control over lows, mids and highs Clean blend via Enhance control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (9V DC, centre -, 2.1mm, ~30mA current draw) Building and expanding on the classic Haunt Fuzz, one of Old Blood Noise Endeavors’ first sonic excursions, the Alpha Haunt explores the vast variety of sounds you can coax from a single fuzz circuit. With its extensive control set, the Alpha Haunt gives the user the ability to dial in a wide swath of fuzz textures – from wide open overdrives, squashed sputters to wild disintegrating synthy textures. The controls that truly set the Alpha Haunt apart from the large fuzz pack out there, are the ultra-powerful 3-band EQ sliders, Enhance, Bias and Gate knobs. Found a nice foundational fuzz sound in there you like, but feel you could use more string clarity? Turn up that Enhance knob, and hear the sweet ring of your clean tone get blended in parallel to the fuzz. This feature also means you have a fuzz pedal that plays extremely well with bass, synth, drum machines or whatever you may feel like throwing at it. You’ve got the sound, but you need to find your place in the mix? Well, those three big sliders to the right should do the trick then. Bring up the treble for biting and cutting stings of fuzz, or bring up the lows and mids to unleash the sonic sledgehammer and bring down the house. Crave more unique textures than just straight up fuzzstortion? Bring up the Gate and Bias and hear your sound compress, sputter, scream and swell up like a monster trying to break free of its sonic shackles. Perfect for synth-like sounds, velcro-esque rips and sputters or crumbling lo-fi tones. You’re fully in charge now of your fuzz sound. So, take control, lay waste to your fuzz foes and create a new fuzzy landscape, reborn around the immense powers and possibilities within the Alpha Haunt Fuzz.

Old Blood Noise Beam Splitter ...

3.121,-

Old Blood Noise Endeavors Beam Splitter Automatic Triple Tracker Distortion The Beam Splitter is a single pedal meant to create a massive sound. It is three different takes on overdrive, voiced to work together perfectly. Two of them can be delayed in time, and all three can be run in parallel or split out to three separate sources. Beam Splitter takes a mono input and makes it wildly bigger than before. Things stretch in time and compress in dynamics, and a rich harmonic wash is achieved without sacrificing clarity. • Triple tracking overdrive/distortion pedal • 3 different parallel drive/distortion sections with individual gain and volume controls and adjustable delay and individual outputs o Purple – hard clipping distortion – the pedal’s core gain sound o Green – soft or hard clipping overdrive with the light and bright sound o Blue - transistor Overdrive - most neutral and reactive with a medium gain range • Offers triple-tracked drive tones with impressions of flanging, chorusing or broken vibrato, depending on the settings • Individually adjustable delay time on Green and Blue distortion sections • Feedback controls for Green and Blue distortion sections to add intense filtering or trailing delays depending on Time setting • Deviate Control for adjusting randomness of delay time variation in Blue and Green drive sections – for a more realistic sense of doubled players • EXP input – for controlling Deviate knob remotely • Relay bypass switching • Made in the USA • Powered by 9V DC PSU o (centre -, 2.1 mm, 150 mA current draw)

Old Blood Noise Excess V2 ...

3.009,-

Old Blood Noise Endeavors Excess V2 Distorting Modulator A Marriage of Distortion and Delay-Based Effects Way back in 2017, Old Blood Noise Endeavors released their first venture into Distortion aligned with Delay-based effects. Aptly named Excess, we all thought it was fantastically excessive enough back then, but along comes 2022 and Old Blood Noise are adding more switches. Despite this, the controls are actually dead simple, but the sonic potential is immense! Expanding on the original model, Old Blood Noise Endeavors continues their journey to revive and expand sought-out sounds of the 80s. With delay, chorus and harmonized fifths available, along with distortion in series or parallel configurations, Excess V2 unveils more unique tones and even more control, yet all in a smaller more pedalboard friendly package. Main Features: • Distortion and Modulation pedal • Three modes of modulation (Delay, Chorus and Fifth) each with Time, Depth, and Volume controls • Distortion section with control over Gain, Tone and Volume to access light overdrive through fuzzy distortion • Order switching to run Distortion into Modulation, Modulation into Distortion, or separate parallel paths • Soft touch switching and true relay bypass for each section • Expression jack to externally control Rate and Depth • Internal trimpot to set wet-dry mix of Modulation section • Made in the USA • Powered by 9V DC PSU (centre -, 2.1mm, ~125 mA current draw) Simply put, Excess V2 is two effects in one: a distortion and a modulation. The modulation takes the form of chorus, delay or pitch shifted delay and the way you route and engage them makes all the difference. Each mode has its own footswitch to engage or disengage the sound. We’re thinking about circuits from the 80s, 90s, today and a little bit earlier, all helping to create tones you’ve never thought of before! Excess V2 features three modes of modulation. Fifth is a harmonized delay and harmonizes the delay repeat up to a perfect fifth. When depth is turned up (adding delay repeats), those repeats continue to harmonize upward, creating rising fifths and octaves from your original note. Chorus offers a classic chorus, modulating the delay line to create swirling sounds. Delay is a short delay (up to 125ms) focused on comb filter, doubling, and slapback sounds. This section features three knobs, Mod Vol which controls the volume of the modulation, from zero to loud, Rate controls the rate or time of modulation (either the speed of the chorus LFO or the delay time of the delay) and Depth adjusts the depth or feedback of modulation (either the width of the chorus LFO or the number of repeats of the delay). The Distortion section also has three knobs. While Dist Vol controls the volume of the distortion, from zero to loud, Tone controls the high end of the distortion, from dark to bright. Gain adjusts the gain of the distortion, from bright and almost clean to heavily distorted. There are three ways of routing the effects in the Excess V2: • Mod 1st runs modulation into distortion, creating harmonically rich and sometimes almost out of control textures. Because the effects are in series, if either volume control is all the way down, you will get no signal.   • Parallel runs modulation and distortion side by side, which allows for clean modulated signal alongside distorted signal.  This mode has a natural volume boost due to the signals being added together. Blend to taste with the volume knobs and find some unfamiliar wet-dry textures.   • Dist 1st runs distortion into modulation, which is a classic way of routing these two effects, allowing for crisp repeats and modulations of your distorted sound. Because the effects are in series, if either volume control is all the way down, you will get no signal. Internally the Excess V2 has a hidden trimpot located above the expression jack that sets the mix of the modulation section. By default, it is set for a 50-50 mix of dry and wet, allowing for classic chorus and unity volume delay repeats. To increase the mix, turn to the right: this can go 100% wet (affected signal) for true pitch vibrato and strange delay textures. To decrease the mix for more subtle modulation, turn to the left: this can go 100% dry (unaffected) leaving only clean signal on the modulation side. For even more creativity, the Expression jack can be used to externally control the Rate and Depth knobs. To use it, plug an expression device in using a TRS cable (we recommend the OBNE Expression Slider or Expression Ramper) or any other expression device wired as TRS with tip as the voltage output.

Old Blood Noise Fault V2 ...

3.009,-

Fault V2 Overdrive & Distortion The Old Blood Noise Endeavors Fault is a stellar overdrive/distortion combo with a foot-switchable second gain stage and three band EQ. Now with the Fault V2, OBNE has taken all the goodness from the original pedal and carved out room for even greater gain ranges, voice control and additional clipping options. It’s simple and not an outside-of-the-box, whacky take on crunched-up guitar signal. No, Fault V2 does what it does - to provide the player with ample tonal and gain shaping options in a single package. Plus, the V2 pedal also excels as a clean boost and tweakable high gain distortion too. • Dual gain overdrive pedal - goes from clean boost to all-out distortion • 3-band EQ with sliders - delivers precise control over low, mid and high frequencies • Gain 2 channel - lets you go from light overdrive to heavy distortion on the fly • Boost switch - sets range of Gain 1 knob from clean to mean • Crush switch - add an additional post-EQ clipping stage • Relay bypass switching • Made in the USA • Powered by regular 9V DC PSU     (centre -, 2.1 mm, ~31 mA current draw) The Fault V2 Overdrive/Distortion is the drive you didn’t even know you needed. It can push your amp over the edge, provide a sensitive drive for a clean signal or act as an all-out distortion for your chugging rhythms, singing leads or noise experiments.  A Bypass switch turns it on and off. Volume makes it louder. Gain 1 sets the intensity of the first gain stage and Fault can go from light and sparkly, to tight and crunchy. Pretty sweet and simple, huh? Now on to the powerful tone sculpting 3-band EQ at the heart of it all. The Low, Mid and High controls each cut or boost their respective frequencies - scoop it, hump it, flatten it - whatever your heart desires. Low is a 100 Hz shelf filter, Mid is 500 Hz bell and High is 3 kHz shelf. Jangly rhythms, fat leads or chords with just the right amount of mid-push to see you push through the mix - it’s all in there! Gain 2 is activated by the Gain 2 footswitch. If it’s off or if the knob is all the way down, it does nothing. But turn the switch on and the knob up and you’ll find increasingly heavy distortion in a pedal you thought was only an overdrive. Gain 2 is highly interactive with where you’ve set Gain 1, letting you conjure a myriad of delightfully driven and distorted sounds. Add in the new controls - Voice (sets the overall tone of your drive heading into the 3 band EQ) and Boost (sets the range of Gain 1) and you get even more drive versatility. While the Crush control gives one final clipping stage right before the output. All of these options interact to form many different drive tones, from signal sweetening to aggressive distortion. Different levels of each will create different sounds, which when tweaked with the EQ can be further shaped. So just plug in, don’t be afraid to tweak and just rock out!

Old Blood Noise Haunt 19 Fuzz ...

2.562,-

Fuzz Pedal - updated switches and sonic improvements. Haunt Fuzz The Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From restrained and nuanced light fuzziness, to granular and biting saw sounds, many textures and character traits can be summoned up with this beastly fuzz pedal. Gated fuzz pedal – made for walls of ripping fuzz and unique spluttery textures 2 different fuzz modes – open or Compressed Clean blend via Mix control – retains string clarity and low-end response Made in the USA Powered by 9V DC PSU (centre -, 2.1mm, ~20mA current draw) The Haunt’s primary objective is to fight off your enemies with its gnarly grinding bite – or put your audience into sludgy, doomy ecstasy. Totally your choice, my riff-wielding friend. The Volume, Gate, Fuzz, Mix and Tone knobs give you access to a wealth of different dirt tones. From open, present and punishing sound to hyper-compressed and spluttery synth-like fuzz tones of doom and gloom. It’s all there and then some! The Haunt also has two toggle switches – Mode and Low. Mode switches between two combinations of silicon transistors. One is a lower volume, more compressed and harmonic fuzz (toggle to the left) and the other a louder, more open mid-range fuzz (toggle to the right). The Tone, Fuzz and Gate controls all respond in a unique way within each mode. So, mess around with it until you find exactly the fuzz you’re after. Low switches between a normal signal (toggle to the left) and a bass boosted signal (toggle to the right) and fattens the sound up a bit. Pair that bass boost with the clean-blend option of the Mix knob and you have a fuzz pedal that also plays extremely well with bass.

Old Blood Noise Pardner Fuzz ...

3.233,-

Old Blood Noise Endeavors Pardner Fuzz Textures with Versatile Effects Loop Old Blood Noise Endeavors presents Pardner - a whacky yet extremely versatile fuzz pedal with unique tonal qualities, providing a suite of gnarly drivenness at the stomp of just two footswitches. The pedal’s core fuzz voice gives resonant, warbling saturation with a synthy edge. Playing nicely anywhere in the signal chain and with a wide set of controls, this fuzz opens up new textures compared to your usual fuzzy go-tos. However, when paired with Pardner’s built-in clean to medium gain overdrive effects loop (“Lasso”), you can add further textures to this already otherworldly dirt device, plus you can rope in your own effects alongside the fuzz. Try an envelope filter, a reverb, another fuzz, anything you like! The Order switch also allows for different routings of the two sections or even for both in parallel, for a world of unheard-of tones. Rip a solo or some massive chords or heck, run your drums through it - we’re not here to tell you how to Pardner. Main Features: • Fuzz Pedal with Versatile Effects Loop • Voice toggle, Filter and Intensity knobs shape the gain and frequency content of the Fuzz • Treble, Bass and Volume controls for further tonal sculpting • Lasso section, with variable overdrive plus add any external effect via the Send/Return Loop • Order switch to route and set the order of Lasso and Fuzz effects • Individual soft-touch bypass footswitches for each side, with true relay bypass when both sides are off • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in the USA • Powered by regular 9V DC PSU (centre -, 2.1 mm, ~80 mA current draw – not included)