Avantone MixCube Passive Mini ...

3.999,-

While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Engineering Objective To build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions & revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected "industry-standard reference monitor" we began by replicating its basic size, function, and sonic character. We wanted to take it up a notch though... First, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base. Second, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Performance Objective Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. Amplification & Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.< Placement When positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz - 17,000Hz (useful musical range) Impendance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25" cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs) Weight: 7.13lbs (per monitor) Dimensions: 6.5" x 6.5" x 6.5"

ESI MoCo Passiv Monitor ...

814,-

Passive Monitor Controller with 2 stereo I/O MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors. "Fully passive" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4" TRS connectors, one with both unbalanced RCA and unbalanced 1/8" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4" TRS plus unbalanced 1/8" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out! Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume. Features 2x mono balanced 1/4" TRS input (input A) 2x mono unbalanced RCA input (input B) 1x stereo unbalanced 1/8" mini jack input (input B) 2x mono balanced XLR output (output A) 2x mono balanced / unbalanced 1/4" TRS output (output B) 1x stereo unbalanced 1/8" mini jack output (output B) selected high quality potentiometer for passive volume control A/B input selection switch L/R switch to swap left & right audio channels independent A and B buttons to enable and disable the outputs mono downmix button (mixes left to right channel and right to left channel) mute button to mute output signal instantly   Reviews and Testimonials:     The famous Russian rechnology review site ProSound/iXBT published a very detailed positive review of our MoCo written by Maxim Liadov. You can find the complete review in Russian language here.         Mike Metlay checked out MoCo for the March 2018 issue of RECORDING (USA): "The MoCo is everything you need in a basic passive monitor controller for a very reasonable price." - you can read or download the full review as PDF here.         Felix Thoma of popular german magazine Amazona reviewed MoCo and concluded: "The workmanship is good and the forward tilted surface is practical. For this price range, MoCo is highly recommended (...)" - read the full german language review here!         Online magazine Buenas Ideas (German language) wrote a very long and detailed review with comments like "ergonomic design" and "flexible connectivity" of MoCo. You can read the full german language review here.         In issue 10/2017 of Beat you can find a review of MoCo: "Two in and outputs each with added different connectors from minijack to XLR hardly leave any wish unfulfilled, turning MoCo into a recomended alternative (...)"    

ESI unik 05+ Studio Monitor ...

2.569,-

Professional Active Reference 5" Studio Monitor The uniK 05+ is the result of extensive development work performed in Germany, defining a new quality level in its class. With its new 5" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 05+ offers many improvements over our successful uniK 05 and will easily become an important part of your studio setup with its clear and strong sound image. What makes uniK 05+ unique? The uniK 05+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound. A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 05+ studio monitor features a real precision gain attenuator, instead of a simple volume control. The new design of the crossover ensures an excellent phase response and safe power limitation, driving the woofer and tweeter in phase for optimal step response. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction. Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications. Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch. And with it's copper color woofer cone and the high quality matte cabinet finish, it looks quite uniK, too! Features Biamp 2-Way Powered Speaker System Active Studio Monitor Speaker HF Driver: extremely low mass magnetostactic tweeter Φ49 x 26 mm LF Driver: 5" kevlar curved cone (magnetic shielding type) Output Power: 80W (HF: 40W, LF: 40W), 110W AC consumption power Frequency Response: 49Hz - 25kHz Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced) Crossover Point: 3.2kHz SPL: 101dB, Peak 104dB Input Connectors: XLR / TRS 1/4" combo connector, balanced / unbalanced Gain Control: -14 .. 0dB .. +14 Room Adjustments Control: Character: -6 .. 0dB .. +6; Low: -5 .. 0dB .. +5; High: -5 .. 0dB .. +5 Rear Bass-Reflex ventilation, optimized for near field application Ground lift switch Standby function, can be turned on and off Indicator: multi color LED on front panel, power on orange, standby red Feet: 4 pieces rubberized, adjustable height separately Working Voltage: AC100-240V 50/60Hz Dimensions (W x H x D): 190 x 265 x 210mm Weight: 4.4 kg

ESI unik 08+ Studio Monitor ...

3.090,-

Professional Active Reference 8" Studio Monitor The uniK 08+ is the result of extensive development work performed in Germany, to provide a professional active reference monitor that defines a new level of quality in its class. With its new 8" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 08+ offers many improvements over our successful uniK 08 and provides unique sound characteristics that allow this monitor to satisfy the highest demands in a professional studio environment. What makes uniK 08+ unique? The uniK 08+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound. A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 08+ studio monitor features a real precision gain attenuator, instead of a simple volume control. The new design of the crossover ensures an excellent phase response and safe power limitation, to drive the woofer and tweeter efficiently. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction. Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications. Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch. And with it's copper color woofer cone and high quality matte cabinet finish, it looks quite uniK, too! Features Biamp 2-Way Powered Speaker System Active Studio Monitor Speaker HF Driver: extremely low mass magnetostactic tweeter Φ49 x 26 mm LF Driver: 8" kevlar curved cone (magnetic shielding type) Output Power: 140W (HF: 70W, LF: 70W), 160W AC consumption power Frequency Response: 37Hz - 25kHz Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced) Crossover Point: 3.2kHz SPL: 105dB, Peak 108dB Input Connectors: XLR / TRS 1/4" combo connector, balanced / unbalanced Gain Control: -14 .. 0dB .. +14 Room Adjustments Control: Character: -6 .. 0dB .. +6; Low: -5 .. 0dB .. +5; High: -5 .. 0dB .. +5 Rear Bass-Reflex ventilation, optimized for near field application Ground lift switch Standby function: can be turned on and off Indicator: multi color LED on front panel, power on orange, standby red Feet: 4 pieces rubberized, adjustable height separately Working Voltage: AC100-240V 50/60Hz Dimensions (W x H x D): 252 x 352 x 319mm Weight: 8.1 kg

Genelec 8010AWM Aktiv Monitor ...

4.295,-

Ny minstemann i den velkjente 8000-serien. Genelec har produsert høyttalere for det profesjonelle markedet siden 1978 og er anerkjent for lage solide og høykvalitetsprodukter med en lydgjengivelse du lett kan like. Nye 8010 er minstemann i den velkjente 8000-serien og er bygget i samme solide aluminium som sine større brødre, og gir med sin 3" woofer hele 96dB SPL ved 1m avstand. 8010 er bygget på samme lest som velkjente 6010, men har fått nye Klasse-D forsterkere på 25W til hvert element og XLR tilkobling. 8010 har også fått Genelec's nye strømsparingsfunksjonalitet, dvs det sitter en sensor på inngangen som setter høyttaleren i dvale hvis det ikke er lydsignal inn etter 1 time har gått – høyttaleren bruker da kun 0,5W. Bak på 8010 er det flere velgere for enkelt å sette opp monitorene slik at de vil låte best mulig til ditt bruk, som blant annet følsomhet på inngangsnivå og bassdemping og mulighet for å slå av strømsparing (ISS).

Genelec 8030CPM Aktiv Monitor ...

8.295,-

Genelec 8030 5" kompakt monitor med x2 50W amp i solid mørk grå alu utførelse. Maks SPL på 104dB. When your project requires a powerful performance with no sacrifice in quality, the Genelec 8030C active studio monitor is designed to exceed your expectations. The 8030C, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8030. As strikingly stylish as it is sonically impressive, the 8030C features the rounded edges and colour-free, accurate reproduction of the rigid all-aluminium Minimum Diffraction Enclosure (MDE™). Every element of the design is crafted to perfect your listening experience. Precise on- and off-axis frequency reproduction is courtesy of the Directivity Control Waveguide (DCW™). Broad low-frequencies and high SPLs are delivered with a flow-optimised internal curved reflex tube and a maximised internal volume. And when you’re finished, Genelec Intelligent Signal Sensing (ISS™) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From professional studios to outside broadcast vehicles, the 8030C has been crafted to combine extraordinary power with absolute precision. Technical specifications    104 dB      47 Hz – 25 kHz (-6 dB)      ± 2.0 dB (54 Hz - 20 kHz)      Woofer 5 in + Tweeter 3/4 in metal dome + DCW™      Woofer 50 W + Tweeter 50 W (both Class D)      H 299 x W 189 x D 178 mm, with Iso-Pod™      5.0 kg      1 x XLR analog input

IsoAcoustics ISO-130 ...

1.149,-

ISO-130 Isolation stands for small speakers and studio monitors The ISO Stands is the latest generation of IsoAcoustics stands designed for studio monitors. The ISO Stands are an updated version of the popular ISO-L8R series and features a lower profile, new frame design and a newer version of isolator for improved performance. The ISO-130 isolation stands are the smallest stands within the ISO Stands family. Offering 14 variations of height and tilt, the ISO-130 will help you optimize the placement of your monitors and bring your tweeters to ear level. The IsoAcoustics patented isolation system provides superior isolation and decoupling from the supporting surface. The stands are biased to keep all energy in alignment with the listening position, providing greater clarity and focus. Specifications Dimensions Short Setting (WxDxH) 5.1” x 6” x 2.8 (130mm x 152mm x 71mm) Dimensions Tall Setting (WxDxH) 5.1” x 6” x 8.25 (130mm x 152mm x 210mm) Tilt up to 6.5 degrees Weight Cap 20lbs (9KG) Quantity 2 Stands (1 Pair) Optimize speaker placement and focus An important aspect of the speaker stand design is the ability to adjust the height and tilt angle of the supported speaker enclosure to optimize its position relative to the listener and eliminate soundwave reflections off the supporting surface. In a typical Desktop Audio Workstation (DAW) configuration, the listener is positioned 3 to 4 feet from the monitors with ear level approximately 20″ above the work surface. Raising and tilting the monitors to the optimum position can be achieved in these circumstances using the IsoAcoustics stands. Exciting the supporting surface The isolators manage the energy of the speaker to reduce vibrations resonating through the supporting surface to eliminate dissonant sounds in the listening area or joining rooms. Reducing internal reflections Internal reflections are vibrations reflecting back up the speaker cabinet which causes smear. Smear is a result of artifacts replicated in both channels which are perceived to be in the middle, causing the stereo image to collapse. The IsoAcoustics isolators reduce internal reflections to eliminate smear. The result is an improved stereo image of natural spatial sound.

IsoAcoustics ISO-155 ...

1.390,-

ISO-155 Isolation stands for medium sized speakers and studio monitors The ISO Stands are the latest generation of IsoAcoustics stands designed for studio monitors. The ISO Stands are an updated version of the popular ISO-L8R series and features a lower profile, new frame design and a newer version of isolator for improved performance. The ISO-155 isolation stand is 6.1” (155mm) wide x 7.5” (190mm) depth and is rated for monitors weighing up to 40lbs. Offering 14 variations of height and tilt, the ISO-155 will help you optimize the placement of your monitors and bring your tweeters to ear level. The IsoAcoustics patented isolation system provides superior isolation and decoupling from the supporting surface. The stands are biased to keep all energy in alignment with the speaker cones, providing greater clarity and focus. Specifications Dimensions Short Setting (WxDxH) 6.1” x 7.5” x 3 (155mm x 190mm x 76mm) Dimensions Tall Setting (WxDxH) 6.1” x 7.5” x 8.2 (155mm x 190mm x 210mm) Tilt up to 6.5 degrees Weight Cap Short setting 40lbs (18KG) Weight Cap Tall setting 35lbs (16KG) Quantity 2 Stands (1 Pair) Optimize speaker placement and focus An important aspect of the speaker stand design is the ability to adjust the height and tilt angle of the supported speaker enclosure to optimize its position relative to the listener and eliminate soundwave reflections off the supporting surface. In a typical Desktop Audio Workstation (DAW) configuration, the listener is positioned 3 to 4 feet from the monitors with ear level approximately 20″ above the work surface. Raising and tilting the monitors to the optimum position can be achieved in these circumstances using the IsoAcoustics stands. Exciting the supporting surface The isolators manage the energy of the speaker to reduce vibrations resonating through the supporting surface to eliminate dissonant sounds in the listening area or joining rooms. Reducing internal reflections Internal reflections are vibrations reflecting back up the speaker cabinet which causes smear. Smear is a result of artifacts replicated in both channels which are perceived to be in the middle, causing the stereo image to collapse. The IsoAcoustics isolators reduce internal reflections to eliminate smear. The result is an improved stereo image of natural spatial sound.

IsoAcoustics Stage 1 Board ...

1.119,-

Stage 1 Board Combo Portable isolation platform for Guitar/Bass Combo Amps, Stage Monitors & Subwoofers Superior isolation, sound clarity and consistency The Stage 1 Board Combo is a portable isolation platform that decouples guitar/bass amps, keyboard amps, stage monitors and subwoofers from the stage while improving the sound clarity and the bass punch in a performance. This portable solution will provide consistency in studio, at home and from one stage to the next. Specifications Dimensions (WxDxH) 25” x 10” x 1.85″ (63.5cm x 25.4cm x 4.7cm) Weight capacity 100lbs (45kg) per board Material Rugged ABS polymer Quantity 1 Board per box Same benefits, increased performance With built-in isolators, the Stage 1 Board Combo is a single unit that offers the same benefits as the previous Stage 1 Board when combined with the isolators (sold separately). The Stage 1 Board Combo includes grip tape which can be used to provide a stronger connection between the amp and the board. The Stage 1 Board Combo can accommodate a speaker up to 100 lbs (45 kg) in weight, giving musician’s consistency in their sound night after night, with added clarity and bass punch in their performance. Enjoy consistent results every time you play.

IsoAcoustics Stage 1 ...

1.566,-

IsoAcoustics Stage 1 isolators 4-pack For Guitar/Bass Combo Amps, Stacked 4-12 Cabinets, Stage Monitors & Subwoofers. Consistent sound from one venue to the next The Stage 1 isolators effectively eliminate the vibrational variables that touring musicians experience while playing onstage in a variety of venues and locations, enabling them to have consistent, clear sound night after night. Enjoy Consistent results with greater sound clarity and focus, every time you play. Awesome Sound. Stage to stage. Studio and home. The isolators are rated for up to 200lbs (90 kg) per set of four and are designed for equipment ranging from small bass combo amps to stacked 4-12 cabinets. Specifications Dimensions (WxH) 3.5” x 1.7” (90mm x 42mm) Weight Capacity 200lbs (91kg) per set of 4 Quantity 4 per box

Kali Audio IN-5 B Aktiv ...

3.690,-

Kali Audio IN-5 Black 3-veis Co-Axial studiomonitor med 5’’ basselement, 4’’ mid og 1’’ Textile Dome-diskant. 160W (80+40+40) Class-D forsterker. Svart finish.  Pris pr stykk. Project Independence Kali’s IN-5 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.   Performance Power. Detail. Soundstage. The IN-5 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.   Imaging We know. We keep harping on about the "hyper-realistic" imaging of the IN-5. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-5 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-5 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.   Clarity The IN-5’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 280 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 2800Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-5 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-5 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.   Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.   Easy Connections The IN-5 feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.   Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 80 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 160 W - LF Driver: 5-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 39 Hz - 25 kHz - Freq. Range (±3 dB): 47 Hz - 21 kHz - LF to Mid-Range Crossover: 280 Hz - Mid-Range to HF Crossover: 2800Hz - Listening Distance: 2.2 Meters - Max SPL: 112 dB

Kali Audio IN-5 W Aktiv ...

3.660,-

Kali Audio IN-5 White 3-veis Co-Axial studiomonitor med 5’’ basselement, 4’’ mid og 1’’ Textile Dome-diskant. 160W (80+40+40) Class-D forsterker. Hvit finish.  Pris pr stykk. Project Independence Kali’s IN-5 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.   Performance Power. Detail. Soundstage. The IN-5 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.   Imaging We know. We keep harping on about the "hyper-realistic" imaging of the IN-5. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-5 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-5 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.   Clarity The IN-5’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 280 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 2800Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-5 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-5 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.   Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.   Easy Connections The IN-5 feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.   Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 80 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 160 W - LF Driver: 5-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 39 Hz - 25 kHz - Freq. Range (±3 dB): 47 Hz - 21 kHz - LF to Mid-Range Crossover: 280 Hz - Mid-Range to HF Crossover: 2800Hz - Listening Distance: 2.2 Meters - Max SPL: 112 dB

Kali Audio IN-8 V2 B Aktiv ...

4.190,-

IN-8 V2 Black 3-veis Co-Axial studiomonitor med 8’’ basselement, 4’’ mid og 1’’ Soft Dome-diskant. 140W (60+40+40) Class-D forsterker. Versjon 2. Svart finish. Project Independence Kali’s IN-8 V2 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.   Performance Power. Detail. Soundstage. The IN-8 V2 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8 V2, the IN-8 V2 adds a midrange driver that surrounds the tweeter, and acts as its waveguide. In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 V2 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 V2 is extremely accurate and easy to mix on, and that mixes made on the IN-8 V2 will transfer wonderfully to other systems.   Imaging We know. We keep harping on about the "hyper-realistic" imaging of the IN-8 V2. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 V2 and LP-8 V2, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix.   Clarity The IN-8 V2’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.   Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 V2 and LP-8 V2 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.   Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 60 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 140 W - LF Driver: 8-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 37 Hz - 25 kHz - Freq. Range (±3 dB): 45 Hz - 21 kHz - LF to Mid-Range Crossover: 330 Hz - Mid-Range to HF Crossover: 3000 Hz - Listening Distance: 2.8 Meters - Max SPL: 114 dB

Kali Audio IN-8 V2 W Aktiv ...

4.290,-

Kali Audio IN-8 V2 White 3-veis Co-Axial studiomonitor med 8’’ basselement, 4’’ mellomtone og 1’’ Soft Dome-diskant. 140W (60+40+40) Class-D forsterker. Versjon 2. Hvit. _____ Project Independence Kali’s IN-8 V2 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed. Performance Power. Detail. Soundstage. The IN-8 V2 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 V2 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.   In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail. All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems. Imaging We know. We keep harping on about the “hyper-realistic” imaging of the IN-8 V2. What does that mean? When you listen to a stereo set of speakers, you’re hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording. Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you “see” each element of the mix in front of you, so you can hear exactly what happens when you make changes. 2-way systems with good waveguides, like Kali’s LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you’re not hearing the full stereo picture. The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You’re hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that’s present in the mix. Clarity The IN-8 V2’s total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8. The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter. It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimeter peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. Specifications - Powered: Yes - Amp Class: D - Power Config: Tri-Amped - LF Power: 60 W - Mid-Range Power: 40 W - HF Power: 40 W - Total Power: 140 W - LF Driver: 8-Inch Poly-Coated Paper - Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper - HF Driver: 1-Inch Textile Dome - Freq. Response (-10 dB): 37 Hz - 25 kHz - Freq. Range (±3 dB): 45 Hz - 21 kHz - LF to Mid-Range Crossover: 330 Hz - Mid-Range to HF Crossover: 3000 Hz - Listening Distance: 2.8 Meters - Max SPL: 114 dB

Kali Audio IN-UNF 3-veis ...

6.990,-

Kali Audio IN-UNF 3-veis studio monitor system. To satelitter og subwoofer. IN-UNF er eit 3-vegs, ”full-range”, studiohøyttalersystem som er designet for små rom der man enten på grunn av romakustikk eller naboers toleranse må holde volumet nede. IN-UNF gir deg referenselyd av høgste kvalitet og godt med ”headroom” på en armlengdes avstand. Systemet består av en bassenhet og to satelitter. Bassenheten anvender to stk. 4,5-tommer element, og satelittene anvender samme mellomregister/tweeter-enhet som finnes i Kalis hyllede IN-5 og IN-8 studiomonitorer. USB, optisk, 3,5 mm og balanserte Jack innganger. Hele systemet får plass på skrivbordet og gir samme full-range, uforvrengt lytteopplevelse omtrent som et par IN-8 på standard lytteavstand. Fleksibelt og enkelt. Bassenheten kan plaseres vertikalt f.eks bak en laptop eller skjerm, eller horisontalt f.eks som monitorbase for en skjerm. Kali Audio’s IN-UNF  is an ultra-nearfield desktop studio monitor system. It’s designed to be used in small spaces where the ability to get loud is limited, either by room acoustics or the tolerance of neighbors. The IN-UNF presents full-range audio at reference levels at .8 meters, or about arm’s length. The entire system sits on your desk, and provides the same full-range, low distortion listening experience as a pair of IN-8s at standard listening distance. Flexible setup options allow users to easily integrate the IN-UNF in their existing deskscape; the bass unit can be placed vertically to sit behind a laptop or display, or horizontally to be used as a monitor riser for a display. The IN-UNF consists of three main pieces: a bass unit and two satellites. The bass unit houses two high-excursion 4.5-Inch woofers as well as the amplifier and other electronics for the system. The two woofers are horizontally opposed, so no net vibration is transferred to the desk or to anything sitting on the bass unit. The two satellites use the same coaxial midrange and tweeter as Kali’s acclaimed IN-5 and IN-8 studio monitors. The architecture of this element has been praised for its excellent stereo imaging capabilities. At the close range of the IN-UNF, the intimacy and detail of the stereo image is unrivaled. You’ll hear a more engrossing, lifelike picture of your mix than you’ve ever heard before. The bass unit also features a variety of inputs to meet all your audio needs. Via the USB-C connector, which supports 24-bit resolution and 48k sample rate, you can connect computers, phones, and tablets without the need for an outboard interface or DAC. Optical and 3.5mm inputs provide support for both digital and analog connection to consumer devices like game consoles and receivers. For connection to standard pro audio devices, stereo TRS inputs are provided. The IN-UNF is uniquely tuned for its role as a desktop speaker. The desk is accounted for as an acoustic element of the system, solving some of the problems that are typically presented with putting speakers on a desk. DIP switches are provided to account for the position of the system in a room, and for you to dial in bass, mids, and treble to your preferences. The IN-UNF is part of Kali’s 2nd Wave product family, utilizing low noise-floor technology, upgraded drivers, and an advanced limiter circuit to maximize output and fidelity while keeping noise to a minimum. Specs: - Powered:Yes - Amplifier Class: D - Power Configuration: 2-Channel, Each Channel Bi-amped - HF/Midrange Power Per Channel 60 W - LF Power Per Channel 100 W - LF Driver: 4.5-Inch Long-Excursion Woofer - Mid-Range Driver: 4-Inch Optimized Profile Paper - HF Driver:  1-Inch Textile Dome - Frequency Response: (-10 dB) 39 Hz - 25 kHz - LF to Mid-Range Crossover:  280 Hz - Mid-Range to HF Crossover: 2800 Hz - SPL: 85 dB Continuous at .8 Meters with 20 dB Headroom - Max SPL: 103 dB Stereo Inputs - USB-C (Digital) - Optical (Digital) - 3.5mm (Unbalanced, -10 dBV) - TRS (Balanced, +4 dBU) In the box: - IN-UNF Bass/Input Unit - 2 x Midrange/HF Satellites - 2 x Satellite Stands - Power Cable - USB-A to USB-C Cable - Quickstart/Setup Guide

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