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Wampler Pinnacle Distortion ...

2.850,-

Wampler - Pinnacle Distortion Det snakkes ofte om "the Brown Sound", en lyd som Eddie Van Halen har bitt synonym med. Pinnacle pedalen er Wamplers Brown Sound pedal. We all know that the distinguished tone chaser sometimes needs extreme gain, sometimes needs mild overdrive… sometimes needs something that does both of the above and everything in between. The Pinnacle not only does that, but it also brings the most convincing "Brown Sound" to be ever heard in a pedal! With two separate styles of gain structure, a powerful mid contour (from scooped to mid hump) control and a control that squeezes out every ounce of tone from your guitar, you’ll notice that the Pinnacle is called that for a very good reason. Although extremely versatile the Pinnacle is well known for giving the "Brown Sound", the tone and style of distortion made famous by Eddie Van Halen. Zeke Clark (Van Halen’s longtime renowned guitar tech) played through a pinnacle and this is what he had to say: "I’ve played tons of pedals that promised that "Brown Sound"… this pedal NAILS it better than anything I’ve ever heard or played."
Wampler Plexi-Drive Deluxe ...

2.490,-

Wampler - PLEXI DRIVE DELUXE Based on the classic Wampler Pedal “Plexi-Drive”, the Plexi-Drive Deluxe builds on the foundation of the original and gives you considerably more control to shape your tone. With a 3 band active EQ and additional brightness control, the Plexi-Drive Deluxe takes a huge step forward into the modern era of pedals. Complete with the perfectly voiced pregain booster, you can achieve almost any Plexi tone from virtually any amp. Since the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: Jimi Hendrix, Led Zeppelin, Cream, and AC/DC helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall® into rock legendary status. The Plexi-Drive Deluxe is a direct descendent of the Plexi-Drive Standard but with a few upgraded features. Like the original, the Plexi-Drive Deluxe’s unique gain structure can cover everything from Vintage ’68 style Plexi tones to the all out massive rock tones of a JTM-45® cranked to ten, or even eleven. With the addition of an all-new active 3 band Bass/Mids/Treble EQ stack – you can now have even more tonal control. With the bass boost option, you can emulate the feeling of the low-end thump of a 4×12” cabinet (or two) at the flick of a switch and can allow you to dial in your low end at lower volume gigs or at bedroom volume levels. To compliment this, we also added a bright switch to add high end sparkle – which makes changing from bright to dark guitars (and amps) a breeze. The Plexi-Drive Deluxe also features a one knob, pre-gain boost soft click switch that is voiced like “that ‘valve’ screaming green overdrive with pronounced mids” – to help push your leads into thick creamy overdrive. The Plexi-Drive Deluxe will fill your M sound void and give you the crunch, response, boost and feeling that your rig begs for. Whether you are playing sold out shows or rocking out by yourself – the Plexi-Drive Deluxe will take your tone and allow you to create your own flavor of rock! Your search for the perfect versatile M.I.A.B. (Marshall® in a Box) can finally be over.
Wampler Plexi-Drive Mini ...

1.620,-

Wampler - Plexi-Drive Mini Man hører ofte uttrykket "Amp-in-a-box". Dette er antagelig en av de bedre overdrive-pedalene i denne sjangeren. Dessuten har de lykkes å klemme inn denne store lyden i en liten og pedalbrettvennlig størrelse. First there was the Plexi-Drive. Then there was the Plexi-Drive Deluxe. Now Wampler Pedals brings you the all new Plexi-Drive Mini. Brian has managed to cram an improved version of the original Plexi-Drive circuit into a miniature housing and even added some new features. Since the early 60’s, Marshall Amplifiers® have led the way in rock tones with legendary crunch and punchy bass response. Early rock legends such as: Jimi Hendrix, Led Zeppelin, Cream, and AC/DC helped in creating some of the most iconic rock tones ever and catapulted Marshall® into legendary status. Like the original, the Plexi-Drive Mini’s unique gain structure covers everything from Vintage ’68 style Plexi tones to the all-out massive rock tones of a JTM-45® cranked to ten, or even eleven… The all-new Mid Boost circuit switch, never featured on any previous Wampler Plexi style pedal, creates a powerful throaty tube-like boost by tweaking several gain stages of the circuit at once. The combination of these switches with the Tone and Gain controls offer impressive tonal flexibility from a mini pedal. Many players love to run Tumnus, Clarksdale and other OD type pedals into the Plexi-Drive or Plexi-Drive Deluxe. For the Plexi-Drive Mini, Brian implemented gain stage and EQ changes within the mid boost circuit to achieve a similar response - the result is astounding, and with masses of gain on tap, things are about to get loud! The Plexi Drive Mini also features our special Bass Boost switch which emulates the tonal difference between a 4x12 and 2x12 speaker cab.
Wampler Ratsbane Distortion ...

1.790,-

Wampler - Ratsbane Distortion Mer klassisk Distortion krets enn denne skal du leite lenge etter. Dette er Wamplers versjon av en 70-talls pedal brukt av blandt annet David Gilmour. If you are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then you’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings. The full, dynamic range, and sheer sonic force of this circuit is what makes it a true king amongst distortion pedals. Turn the distortion control all the way down for a deep but powerful gain booster. Crank it up and you will find rich harmonic overtones and a throaty, fuzz-like distortion. The "secret sauce" for this circuit has always been the filter control. Turn it counter-clockwise to cut straight through the mix with precision and high-frequency attack that lets your tone soar with absolute clarity. Turn it clockwise to filter the top end, for a warm, buttery, yet clear tone. This natural full-range distortion, mixed with its unique filter control, delivers a classic cranked tube-amp sound that crosses genres and generations of music. In typical Wampler fashion, Brian improved the circuit’s flexibility by adding two new switches. The Gain switch offers three distinct choices. In the middle gives you the "stock" gain for this pedal. Flick it either right or left for 2 additional turbocharged gain stages you can play with. The left position offers a firm, yet smooth boost in gain, whereas the right delivers an insane level of creamy distortion. The Voice switch subtly alters the compression and clipping of this pedal. It tightens the distortion to be more manageable with greater levels of gain, while rolling back some of the fuzz qualities, to deliver a modern, high gain distortion.
Wampler Terraform DSP ...

3.250,-

Wampler - Terraform Modulation Wampler er ikkje kjent for modulation, men når dei velger å gjøre det, gjør dei det med stil!  Terraform er fullpakka med alle Modulasjonseffekter man behøver, i mono eller Stereo. 8 Presets, Midistyrbar og inngang for Expression pedal. When Wampler decides to jump into the multiFX market, they do it in style. 11 custom designed effects blocks, from Flanger to Phaser, Chorus to U-Vibe, Harmonic Tremolo to Envelope Filter, you know everything about it is going to be perfect. In one incredibly small package, you can control any of the 8 presets via midi, you can assign an expression pedal to control ANY of the main five controls, you can run it in full glorious stereo or keep it in mono... you can even split that mono signal to route some effects to go before your drive pedals, or amp gain, and have the rest follow behind or in your effects loop! When you put the Terraform into your rig, you know that not only will you get that legendary Wampler tone, but you will get the most easy to use, hugely versatile and best sounding collection of modulations you could ever want!
Wampler Tumnus Deluxe ...

2.360,-

Wampler - Tumnus Deluxe Tumnus Deluxe er en videreutvikling av Wamplers umåtelig populære pedal Tumnus. I denne versjonen kan du velge å spille med buffret eller true bypass signal. Dessuten er EQ´n forfinet med aktiv Bass og Mid-kontroll utover den treble-kontrollen som sitter på originalen. With the Tumnus Deluxe, Brian has set a new standard. Thanks in large part to the design’s articulate-sounding buffer, all of the clarity, punch, and detailed breakup of the original Tumnus are still there. But if you prefer the sound of true bypass performance, just hit the switch on the side of the pedal for uncolored tonal purity. Brian also injected the Tumnus Deluxe with a level of tonal flexibility not previously available on this style of drive. Active bass and mid controls, as well as a regular treble control (the same as the pedal it was inspired by), encourages you to sculpt the tone from this pedal to the demands of your rig. Whether you’re boosting a driven amp or another pedal, using the pedal as a stand-alone overdrive, or crowning it your "always on" tonal sweetener, you’ll find the Tumnus Deluxe’s wide-ranging controls make it much more than just another clone. The Tumnus Deluxe delivers all the string-to-string clarity, high-headroom output, and amp-like breakup that made this style of overdrive pedal so iconic. But its 3-band EQ will enhance your tone with warm low end, instantly identifiable midrange, and just the right amount of top-end sparkle. Unlike some other similarly voiced pedals, the Tumnus Deluxe has enough tonal control to perfect your sound through any rig. The buffer inside the Tumnus Deluxe sounds so good, you might just find it enhances your tone whether the pedal is on or off. But Wampler knows that some players prefer the clean signal path of true bypass operation. With the Tumnus Deluxe’s side-mounted buffered/true bypass control, attaining that uncolored sound is as easy as flipping a switch.
Wampler Tumnus Overdrive ...

1.680,-

wampler - Tumnus Overdrive En fantastisk overdrivepedal som også anvendes flittig av folk som behøver en bra treble-boost. Dette er en kloning av en av de mest myteomspunnede overdrivepedalene på markedet.  There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.
Wampler Velvet Fuzz Pedal

2.380,-

Wampler - Velvet Fuzz De mest omtalte og elskede Fuzz-tonene i historien har vært skapt gjennom å spille en tradisjonell Fuzz gjennom et stack på fullt volum. Denne tonen har Wampler gjennskapet i Velvet Fuzz gjennom å stacke en Fuzz med en "amp in a box" krets. Resultatet... magi! Looking back through history of great fuzz tone, there have been some truly outstanding examples - in particular, the tones that have been achieved by running a fuzz into a screaming stack. The kind of tones that are just earth shattering in their depth, aggression and smoothness. We took the base tones from a very famous Wampler Pedal (one that has the characteristics of a famous stacked, EL34 driven, amp) and decided this was the best foundation to build the perfect fuzz and deliver it in a unit that sounds as good as it feels powerful. With two completely different clipping options (not just the basic silicon or germanium option like most) you can achieve those classic fuzz big tones that compresses massively across the bottom or you can tighten them up and have it respond more like a distortion. With this you get all of the tone with none of the side effects. Some people say it sounds like a fuzz but feels like a distortion, so yes, you CAN have the best of both worlds. If you are a fan of the tones of the players like David Gilmour or Eric Johnson (and let’s face it, who isn’t), then it could be that the Velvet Fuzz is the pedal you are looking for. Welcome to a new world of thick as a brick, wall crumbling and window shattering fuzz. Velvet Fuzz.
Warm Audio Foxy Tone Box Fuzz ...

1.720,-

WA-FTB Foxy Tone Box - Gitarpedal Fuzz Foxy Tone Box er eksakt gjenskapt etter den mest ettertraktede og elskede Fuzzpedalen gjennom tidene. Liker du 70-talls fuzz-soundet med Billy Gibbons og Peter Frampton eller noen av dagens frekvente fuzz anvendere, Adrian Belew, Nine Inch Nails og Beck f.eks, så er Foxy Tone Box helt rett for deg. Foxy Tone Box er bygget på New Old Stock Fairchild-komponenter med 100% analog, helt diskret signal gang som i originalen. _____ THE RETURN OF A LEGEND: INTRODUCING THE FOXY TONE BOX The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds, and look of the original…without having to pay crazy vintage prices! SERIOUS ATTENTION TO DETAIL The specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild germanium transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth! FUZZ IT UP Just like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet! To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else. -Faithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal path -Premium components used throughout, including the NOS 2N3565 germanium Fairchild transistors found in the original circuit -Uses carbon resistors, germanium 1N34A diodes, and premium film capacitors -True bypass operation -Gold-plated PCB pads -VOLUME, SUSTAIN, and FUZZ knobs -OCTAVE SUSTAIN switch for engaging the octave-up effect -1/4" Input (INST) and Output (AMP) jacks -Blue LED power indicator -Groovy vintage enclosure covered in orange velvet -Powered by 9V battery or standard 9V DC pedal adapter (2.1mm, center negative DC adapter included) -Power consumption: 1.5mA -Width: 6.5" -Depth: 3.75" -Height: 1.5" -Weight: 1.4 lbs
Warm Audio Jet Phaser Pedal

2.240,-

Jet Phaser - Gitarpedal Phaser På 70-tallet kunne man høre den klassiske phaser effekten på tonnevis av innspillinger alt ifra David Gilmour, Eddie Van Halen, Steely Dan, Brian May og Herbie Hancock. En phaser-pedal stod ut i mengden og det er den Warm Audio nå har gjenskapt en hyper-autentisk versjon av. _____ REBIRTH OF A CLASSIC: INTRODUCING THE JET PHASER The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound.

Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station. 

The Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! THE JET SET The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results.

However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun! 

There are four fuzz/phase combinations:: • Bright fuzz/shallow phase • Bright fuzz/deep phase • Dark fuzz/shallow phase • Dark fuzz/deep phase When When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos! CREATIVE CONTROL The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch as organ players do! The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination! -Faithful recreation of the original “jet” phase circuit -Uses premium components throughout, including carbon film resistors and film capacitors -True bypass operation -Six modes: JET (1–4), PHASE (1–2) -EFFECT/NORMAL and FAST/SLOW foot switches -JET LEVEL, MODE, RESONANCE, and SLOW RATE knobs -Gradual rate change when FAST/SLOW switch is pressed, simulating a rotary cab -1/4" Input and Output jacks -DC ADAPTER/BATTERY switch -Rugged steel chassis with attractive wooden side panels -Powered by two 9V batteries or 18V DC adapter (included) -Power consumption: 9mA -Width: 10.25" -Depth: 6.5" -Height: 2.25" -Weight: 4.6 lbs
Way Huge Smalls WM31 Mini ...

2.550,-

The Supa-Lead Overdrive is a dynamic and touch sensitive overdrive that cleans up immediately as you lower the guitar volume control. Designed to get amp-like crunch tones from a clean or slightly dirty amp, it produces a focused midrange grind with an abundance of output volume to kick your amp over the edge. • Dynamic, touch-sensitive overdrive that’s super responsive to your guitar’s volume control • Designed to get crunchy tones from a clean or slightly dirty amp • Produces a focused midrange grind with tons of volume
Way Huge Smalls WM61 Blue ...

2.895,-

Blue Hippo Analog Chorus leverer et bredt utvalg av modulation och kommer med en Vibe Switch som gir en flott vibrato! The Blue Hippo Analog Chorus MkIII delivers a range of luscious, liquefied modulation and comes with a Vibe switch for adding thick vibrato goodness to your aqueous tones. The Long Story. The Blue Hippo Analog Chorus sounds as lusciously liquefied as ever in a Way Huge Smalls housing. With its simple Speed and Depth control interface, you can dial in everything from lush tone-widening to full-on rotating speaker modulation madness. If you want to splash on some thick vibrato goodness, just flip the Vibe switch to give your already aqueous tones a little more texture. The Blue Hippo Chorus is straightforward and no-nonsense-just plug in and dive into the deep end.
Way Huge Smalls WM71 ...

2.895,-

The Aqua-Puss Analog Delay is famous for its bright, jangly repeats and wonderfully straightforward operation. Now, all of that wholesome goodness comes in a Way Huge Smalls housing that your pedalboard will love you for. With 20ms to 300ms of delay time on tap, this pedal is all about tone-thickening and old school slap-back. The Feedback control regulates delay duration and intensity, but beware! Extreme settings are known to throw this pedal into wild, space-and-time-warping self-oscillation. Use the Blend knob to set a balance between dry and delay signals, from mild to wild! The Aqua-Puss Analog Delay is a must for players who want to add a little depth to their tone or conjure up some slap-back sweet enough to earn the envy of any rockabilly or country legend.
Way Huge WHE401S Swollen ...

2.550,-

Swollen Pickle Jumbo Fuzz MkIIS gir samme bastante high gain fuzz som den fullstore MkII men i en mindre forpakkning. Med en vridning på sustain-hjulet tas du fra mild crunch til Armageddon!
Way Huge WHE707 Supa-Puss ...

4.595,-

Opp til 900 millisekunder delay via knob - eller opp til 3 sekunder delay via Tap Tempo knappen. Supa-Puss er laget av delay-kongen Jeorge Tripps. Han utstyrte den med hele 6 bucket-brigade chips for å oppnå denne delay-tiden! Her har du full kontroll over lyden din: Tone, speed, gain og depth. Subdivision kontroll med chase mode. Kan også brukes sammen med expression-pedal for realtidskontroll over delay! Supa-Puss™ Analog Delay WHE707 900 milliseconds of delay time via knob control; 3 seconds of delay time via Tap Tempo Subdivision control with Chase mode Tone, Speed, Gain & Depth controls The Way Huge® Supa-Puss™ Analog Delay was designed by delay master Jeorge Tripps for exploring the farthestreaches of true analog delay potential, featuring an eternity of delay time and fine control over numerous parameters of your delay signal. Tripps equipped the Supa-Puss with a total of six bucket-brigade chips, delivering up to 900 milliseconds of delay time. With the Tap Tempo switch, you can program in real time up to three full seconds of delay time for ethereal ambience. The Subdivision control allows you to set how your repeats are subdivided, and by switching to the unique Chase mode, you can set your repeats to cycle through each of the Subdivision values in different ways for maximum freak-out effects. In addition to standard Delay and Feedback controls, Tripps included several controls for fine-tuning the sound of your repeats: Tone for shaping color, Gain for adding grit, and Speed and Depth controls for adding shimmering, liquid textures with the Supa-Puss’ LFO modulation circuit. For even further tweakability, Tripps added a true Mix control so you can set your desired blend of wet and dry signals. Finally, the Supa-Puss has anexpression pedal jack so you hook up an expression pedal for continuous, real-time control over the Supa-Puss’ delay time.
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