Produsent

Hovedbilde Radial Tonebone Northstar ...

2.280,-

Tonebone NORTHSTAR Modern Country Rock Powerful overdrive with tone-shaping True-Bypass switching retains your tone Class-A Power Booster provides +24dB of clean gain Built-in effects loop activates with booster Designed for today’s new breed of rock-oriented country players, the North-Star is both an overdrive and a high-output power booster combined in one versatile and compact pedal. The overdrive circuit in the North-Star is capable of providing an array of tones, varying from subtle chunk to singing distortion. The Drive and Level controls provide adjustments over the amount of distortion and the output to your amp, so you can balance how much drive you get from the pedal vs. breakup from your amp. Combined with a variable Class-A Booster capable of +24dB of clean gain, you can use the North-Star to dial in the perfect not-too-dirty, not-too-clean semi-broken up tone, or push your sound to the extreme. Used on its own, the Booster section can provide easy transitions from rhythm to lead, as the separate Boost footswitch automatically engages the built-in effects loop, bringing your favourite analog delay pedal into the signal chain. The North-Star is built in a compact enclosure to save space on a busy pedalboard, and is powered via a standard 9V power supply or a multi-pedal power brick. 14-gauge steel construction and high-quality components ensure it will hold up against the rigors of the road, and true-bypass switching retains the pure tone of your instrument when not in use.

Radial Tonebone Regency ...

2.280,-

Tonebone Regency Overdrive and Boost pedal Rich overdrive that accentuates low-mid frequencies Class-A power booster provides up to +23dB of clean gain True-bypass switching to retain your tone Standard 9V power supply operation The Regency is a true-bypass, dual-function pedal that features a subtle overdrive circuit and a class-A power booster with a built-in effects loop. The Regency is a compact yet powerful dual-function pedal that delivers the ideal combination of boost, drive and grit for any guitar and amplifier combination. Its two channels can be used on their own or in combination to add punch, harmonics and sustain without sacrificing articulation. Its class-A boost circuit provides up to +23dB of clean gain and simultaneously activates its built-in effects loop to bring in effects for soloing. Its overdrive circuit is thick and rich with just the right amount of gain to transform any amp into a soul-crushing tone machine fit for a king.

Radial Tonebone Texas-Pro ...

2.280,-

Tonebone Texas-Pro Overdrive and Boost Pedal Versatile Overdrive with multiple tonal possibilities Class-A power booster provides up to +22dB of clean gain True-bypass switching to retain your tone Standard 9V power supply operation The Texas-Pro is a true-bypass, dual-function pedal that features a versatile overdrive circuit capable of vintage, modern, and high-gain overdrive tones, along with a class-A power booster with a built-in effects loop. The Texas-Pro is a compact yet extremely powerful dual-function pedal that provides a versatile overdrive circuit as well as a high-output signal booster. These two features can be used independently or in combination for a wide array of tonal options ranging from slight breakup to full on saturation. Its class-A boost circuit provides up to +22dB of clean gain and simultaneously activates its built-in effects loop to bring in effects for soloing. Lastly, the Texas-Pro’s overdrive circuit is equipped with a three-position range switch which tailors its response to produce vintage, modern, and high-gain overdrive tones. From blues to hard rock, the Texas-Pro covers it all.

Red Panda Bit Buffer Tiny ...

1.150,-

Red Panda Bit Buffer Op-Amp based Pedalboard Buffer The Red Panda Bit Buffer is a super small footprint buffer that uses a high quality Burr-Brown OP amp for ultra-low distortion and noise. Always on when power is connected, the Bit Buffer is the ideal solution to place at the beginning of your pedal chain, or right before a long cable to prevent high-frequency signal loss, and maintain your tone. An internal LED below the power jack will display if the Bit Buffer is on or not. The Bit Buffer is a tiny (5 x 4 cm) buffer that uses an ultra-low distortion, low-noise Burr-Brown op amp. Place it at the beginning of your pedal chain to prevent high-frequency loss (tone suck), or right before a long cable to a pedalboard or amp. Always on when power is connected it works with standard pedal power supplies from 9-18 V. An internal LED is visible below the power jack. Main Features: • Op-amp based pedalboard buffer • Ultra-low distortion low noise Burr-Brown Op-amp • Prevents High-Frequency Signal Loss Over Long Signal Paths • Small pedalboard footprint • Designed and assembled in USA • Powered by a regular 9-18V DC PSU (centre -, 2,1 mm, 20 mA current draw)

Red Panda Bit Mixer 3-Input ...

2.069,-

Red Panda Bit Mixer 3 Input Pedalboard Mixer The Bit Mixer is a small, high-quality mixer designed for pedalboards. It features ultra-low distortion, low noise op amps. High-impedance inputs are designed for guitar, but work with line level signals as well. Each input has a volume knob that goes from off to unity gain. It has a small footprint of only 11 x 7 cm, and works with standard pedal power supplies from 9-18 V. The Bit Mixer is always on when power is connected. An internal LED is visible below the power jack. Use it to connect multiple instruments to one amp, to combine parallel effects chains and/or for a clean blend or analog dry path. Main Features: • Pedalboard signal mixer • Designed for use with guitars as well as line level signals • 3 separate high-impedance input channels with individual volume controls up to unity gain • 1 output • Ultra-low distortion low noise up-amps • Small pedalboard footprint • Designed and assembled in USA • Powered by a regular 9-18V DC PSU (centre -, 2,1 mm, 40 mA current draw)

Red Panda Bitmap 2 Bitcrusher ...

4.128,-

Red Panda Bitmap 2 Bitcrushing Fractional Bit Reduction and Sample Rate Modulation The Bitmap 2 is a bitcrusher with fractional bit reduction and sample rate modulation. The Bitmap 2 adds waveshaping, wavefolding, and a window comparator for extreme digital distortion to your arsenal of tones. A drive control handles everything from single coil guitars to synthesizers, with +8 dBu maximum signal level and enough gain to sound like an overdriven mixer channel. Modulation and envelope control create dynamic, responsive distortion and digital artifacts. The Bitmap 2 is tuned to provide maximum sustain without sputtering on staccato notes. Less extreme settings add layers of nonlinearities that interact in subtle ways, giving you the warmth and grit of 8- and 12-bit samplers. Sample rate reduction turns your guitar into 8-bit video game sounds or twists scales into inharmonic melodies. Sample rate modulation adds subtle motion or morphs your guitar into entirely new textures. The Bitmap 2 works with guitar, bass, synthesizers, drum machines, and other instruments or line level sources. Main Features: • Bitcrusher pedal with fractional bit reduction and sample rate modulation • Fractional bit reduction from 24-bits down to 1-bit • Sampling rate reduction from 48 kHz down to 110 Hz • Sample-rate modulation with triangle, square, and random waveforms • Adjustable wavefolding and waveshaping functions • Mix control to maintain bass or add subtle crushing • Envelope control over sampling rate or mix • Drive control to accommodate single or dual coil pickups and line-level signals • 4-pole lowpass filter • Stereo input/output (TRS) • Soft touch bypass (momentary or latching), user replaceable • Aux. footswitch assignable to tap tempo or preset selection • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameter • Designed and assembled in USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 250 mA current draw)

Red Panda Context 2 Reverb ...

4.128,-

Context 2 1980’s Rack Unit inspired Algorithmic Reverb The Context is a reverb pedal inspired by 1980’s rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980’s and early 90’s reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980’s reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. • Reverb pedal inspired by 1980’s rack units reverbs • 8 reverb algorithms • ROOM - fast buildup, good for thickening sounds • HALL - slower buildup with longer initial delay • CATH(edral) - emulates a large, reflective space • GATE(d) - gated reverb with non-linear decay • REV(erse) - reverse reverb • PLATE - bright, dense studio plate reverb • SPRING - spring reverb • GRAIN - granular reverb • Reverb modulation with different character specific to each algorithm • Additional built-inDelay effect on top of Reverb - accessible via the shift button • Adjustable Pre-Delay and Decay • Separate High/Low frequenc damping knobs - adjusting dynamics for ducking expansion reverb or more reverb with adjustable recovery time and threshold • Reverb Hold/Freeze Function for infinite Sustain accessible by holding down both footswitches • Independent note divisions for delay time, reverb predelay, and tremolo speed • Stereo input/output (TRS) • Soft touch bypass (momentary or latching), user replaceable • Aux. footswitch assignable to Tap tempo with independent note divisions for delay, predelay, and tremolo rate • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (1 on front, 4 via remote footswitch, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameter • Designed and assembled in USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 250 mA current draw)

Red Panda Particle 2 Granular ...

4.128,-

Particle 2 Granular Delay and Pitch Shifting Synthesis in Real Time Particle 2 is a granular delay / pitch shifting pedal. It chops your signal into small grains and then rearranges, shifts, and mangles it, using the techniques of granular synthesis in real time. Results range from radical pitch and delay modulation to shimmering repeats to time stretching, stutter, and glitch sounds. Five delay and three pitch modes give intuitive control over random delays, bubbling textures, time stretching, and rhythmic glitches. Take a unique approach beyond conventional delay, pitch, flanging, and chorus sounds. Freeze notes with adjustable threshold for stutter, punch in, or drone-line effects. Lock multiple parameters to tap tempo or MIDI sync with independent note divisions for intricate rhythms. Access all parameters via MIDI, tablet, or “modeless” front-panel operation for full control over granular processing. The Particle 2 is performance friendly, with controls spaced for real-time tweaking and designed so you can explore new sonic territory while remaining in control. Use the assignable expression pedal or DIY-friendly remote switch for hands-free control. The Particle 2 is pedalboard-friendly with all jacks on top. With full MIDI control, stereo input/output, and +8 dBu maximum input level, it is also at home in modular setups or the studio. Main Features: • Granular Delay and Pitch Shifting Pedal • 3 pitch modes: detune, density, LFO • 5 delay modes: random, density, LFO, random pitch, reverse • Modes can be combined for control over all granular parameters • Adjustable grain size and density • Pitch shift +/- 1 octave • Delay 0-2.5 seconds • Feedback with adjustable lowpass filter • Auto-freeze/stutter with adjustable threshold • Tap tempo/momentary freeze footswitch • Independent tap divisions for delay time, grain size, grain density, and LFO • Soft touch bypass (momentary or latching), user replaceable • Stereo input/output (TRS) • Assignable expression pedal, remote switch, remote tap, or MIDI port • Additional parameters via MIDI (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • TouchOSC template for iOS and Android • Designed and assembled in USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 250 mA current draw)

Red Panda Radius Stereo Ring ...

4.350,-

Red Panda Radius Stereo Ring Modulator / Frequency Shifter The Radius is a ring modulator and frequency shifter with pitch tracking and an advanced LFO. It is designed around a novel ‘eight-quadrant multiplier’ algorithm that smoothly transitions from ring modulation to frequency shifting and allows different frequency ratios for the upper and lower tones. Radius puts complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds at your fingertips. Pitch tracking, a push-to-tune footswitch, and picking dynamics make the Radius responsive and predictable on stage. Hold the left footswitch and play a note to tune the carrier oscillator to that note. Pitch tracking maintains the pitch ratio as you play up and down the scale, or tracks by a ratio (or inverse) for more dynamic sounds. An expression pedal can be assigned to any combination of knobs. Radius goes far beyond traditional ring modulation. With precise control over the balance and frequency ratios of both sidebands, you’ll have more advanced control than with any ring mod that has come before. Main Features: • Stereo ring modulator and frequency shifter effects pedal • Continuous mix between ring modulation and frequency shifting • Selectable 2X frequency ratios for upper and lower sidebands • Frequency shifting with feedback • Three carrier frequency ranges (low, high, quantized) • Carrier frequency pitch tracking (monophonic, +/- 100%) • Push-to-tune carrier oscillator • MIDI-playable carrier oscillator • Multi-waveform LFO (triangle, square, random, intelligent random, X mod +/-) • Step modulator with 1-8 steps, programmable via front panel • Tap tempo and MIDI clock sync • Envelope follower • Envelope-triggered LFO (one-shot ramp, pulse, random, step mod) • Presets (4 on board, 100 via MIDI) • Expression pedal assignable to any combination of knobs / parameters • Configurable AUX switch (tap, tune, preset, LFO) • USB and TRS MIDI • Stereo input/output (TRS) • Full MIDI implementation • 96 kHz sampling rate • Web editor with preset upload/download • User-installable firmware updates (USB) • Designed and assembled in USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 250 mA current draw) A ring modulator multiplies two signal signals together to create new frequencies that are the sum and difference of the input frequencies. One signal is your instrument, and the other is an internal oscillator. The Radius can double the sum or difference frequency ratios and adjust their relative levels, unlocking a spectrum of timbres beyond traditional ring modulation. It has an advanced LFO with triangle, square, random waveforms and an eight-step sequencer, all of which can be envelope triggered. The envelope follower makes it responsive to playing dynamics, and two ‘X’ modulation waveforms create sweeping spectral changes. Well-spaced controls and stereo input/output make the Radius perfect for sound design, synths, and creative mixing. A full MIDI implementation allows you to sync to MIDI clock, sequence parameter changes, and play the carrier oscillator from a keyboard. This is a musical ring modulator and frequency shifter that transforms the timbre of your instrument in new ways. With deep features and intuitive control, Radius modernizes classic electronic techniques for the future.

Red Panda Raster 2 Advanced ...

4.128,-

Red Panda Raster 2 Pitch and Frequency Shifting Digital Delay The Raster is a digital delay with a pitch and frequency shifter integrated into the feedback loop. Forward or reverse delay can be shifted once or have continuously shifted repeats. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. The core of the Raster is a clean delay with up to 1600 milliseconds of delay time. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The feedback control has infinite repeats at 3 o’clock and chaotic, textured feedback loops at higher levels. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. The left and right delay times can be set as a ratio, so a single knob changes both in sync. The two delay channels can be arranged in series, parallel or ping pong. Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The detune setting can dial in micro pitch shifts and chorused repeats. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays. Beyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart. The Raster’s modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes. Capable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound. The Raster 2 is performance friendly, with 6 knobs and 9 switches. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo. The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played. While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use. Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between. Main Features: • Digital Delay Pedal with integrated Pitch and Frequency Shifter • 1600 ms stereo delay time in three ranges • 3200 ms forward delay available via editor • Micro pitch shifting and detuning • Tuned pitch shifting, +/- 12 semitones • Phase and frequency shifting • Repeats shifted once or continuously • Reverse delay • 7 modulation waveforms, envelope, and reverse envelope • Most parameters have left/right controls for stereo delay • Parallel, series, or ping pong structure • Tone control • Stereo input/output (TRS) • Soft touch bypass switch with selectable momentary, latching, or mute output • Shift footswitch momentary, latching, or assignable to tap tempo • Assignable expression pedal, remote switch, remote tap, or MIDI port • Full MIDI implementation with additional parameters (USB or TRS) • MIDI clock synchronization • Presets (4 on front, 127 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • Designed and assembled in USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 250 mA current draw)

Red Panda Remote 4 Footswitch ...

1.390,-

Remote4 Remote and Preset Footswitch The Remote4 is a simple and easy to configure remote and preset switch with 4 footswitches that can access presets and extended pedal functions on Red Panda pedals. Its simple and ingenious design features scribble strips above each switch that can be labeled with a Sharpie and erased using isopropyl alcohol. Remote4 connects to the pedal via an included 6.3 mm TRS cable, and does not require power. The Remote 4 works with all Red Panda effects pedals that have USB. See your pedal’s documentation for specific functions. Main Features: • Remote and preset footswitch for Red Panda pedals • Simple, Easy to configure • 4 footswitches for accessing presets and extended pedal functions • Works with all Red Panda pedals • Scribble strips for custom labelling • Connects via 6.3 mm TRS cable (included) • Designed and assembled in USA • No powered required

Red Panda Tensor Looper Pedal

4.128,-

Red Panda Tensor Reverse and Tape Stop, Pitch Shifting, Time Stretching Creative Looping Tool The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo). Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. The Tensor is always listening, and can switch from bypass to effect with no gap or delay. Both foot switches have momentary and latching modes to inject pitch jumps, stutters, glitches, or instantly rewind what you just played. The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing. Add the Remote 4 or a MIDI controller for presets and additional looping functions. Features: • Looper pedal with reverse and tape stop, pitch shifting, time stretching effects • Tape speed from reverse to stop to forward • Realtime time stretch up to 4:1 • Loop time compression and stretch from 1:4 to 4:1 • Pitch shift from -2 to +2 octaves • Intelligent randomization • 9.4 seconds maximum loop time (4.7 seconds in stereo) • Overdub, replace, and dual buffer (next) loop modes • Forward/alternate/reverse loop direction • Additional looping functions via remote switch or MIDI • Momentary or latching foot switches • Assignable expression pedal, remote switch, remote tap, or MIDI port • +5.5 dBu maximum input level (adjustable to +8 dBu) • Stereo input/output (TRS) • MIDI (USB and TRS) • Presets (4 via remote switch, 31 via MIDI) • Web-based editor for editing presets and accessing hidden parameters • TouchOSC template for iOS and Android • Designed and assembled in USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, 250 mA current draw)

Revv G3 V2 Preamp/Distortion ...

3.090,-

Championed by metal guitarists the world over, the Purple Channel tone provided by the Revv G3 V2 offers a tight and focused tone that excels when taken into heavier realms but is more than versatile enough to serve as a do-it-all dirtbox. G3 V2 - Preamp/Distortion, Purple Channel Boasting all-new aesthetics and a fine-tuned circuit, Revv’s G3V2 pedal delivers all the aggression and articulation of Revv’s Purple Channel. Championed by metal guitarists the world over, the Purple Channel tone provided by the Revv G3 V2 offers a tight and focused tone that excels when taken into heavier realms but is more than versatile enough to serve as a do-it-all dirtbox. Like the original G3, this updated version sports a versatile 3-band EQ and wide-ranging Volume/Gain knobs to shape your sound. Moreover, the G3 V2’s 3-way switch supplies three distinct levels of tonal aggression. Crowned with blacked-out cosmetics and a compact, pedalboard-friendly metal enclosure, the Revv G3 V2 sends your distortion straight to the depths of gain-laden modern metal destruction. G3 V2 - A GIANT LEAP FORWARD Revv's original G series pedals, modeled after its Generator 120 MKII, were such a hit for their abilities to faithfully reproduce the spark of their respective colored channels’ gain circuits. Following the release of the Generator 120 MKIII, fans of the Canadian-born high-gain monster wanted to have its essence captured in the same single pedal form factor. Just like the transition between the Generator MKII and MKIII, Revv's G series V2 line of pedals enhances the overall gain structure and touch sensitivity to achieve an even better amp-like response. Unbox your G3 V2, and the difference will be clear — V2 circuitry delivers crisper, more articulate tone to your pedalboard. MAIN FEATURES Updated version of Revv’s G series pedal, with all-new aesthetics and a freshly revoiced circuit Capture the tight, focused tone of Revv’s Purple Channel — a favorite of modern metal guitarists 3-way switch unlocks 3 distinct levels of aggression Full-fledged 3-band EQ and powerful Gain/Volume knobs A perfect choice for stacking with other pedals, with an exceptionally noise-free operation Pedalboard-friendly enclosure with convenient top-mounted jacks

Revv G8 Noise Gate Pedal

2.640,-

Revv G8 Hear the Silence Introducing the new Revv G8 Noise Gate. From slight noise cancellation to ultra-tight high gain, it's never been more effortless to have fine tune your sound. Completely natural, unaltered pick attack, separate Hold and Release controls for maximum decay shaping, and a transparent threshold that allows your tone to naturally bloom. Main Features: * Ultra-tight Noise Gate pedal * Based on the gate in the Generator 120 MK3 * Effortlessly cleans noise and focuses on specific frequencies * Hold, Release, and Threshold controls allow optimum control * Send/Return loop for gating pedals or creating a side chain * Easy to use format means more time focused on performing * True bypass for maximum clarity and zero signal loss * Top mounted Input and Output jacks * Built to last durable construction * Optimized for use with any Analog, Digital or Hybrid Rig * Black sparkle chassis with printed geometric design * Small single-space enclosure * Designed and built in Canada * Powered by opt. PSU (9-12 V DC, centre -, 2.1mm, ~50mA current draw)

Seymour Duncan Diamondhead ...

3.290,-

Seymour Duncan Diamondhead Multistage Distortion + Boost pedal Diamondhead is a Multistage Distortion + Boost pedal that captures the tone and feel of a hot-rodded tube amp being pushed by a drive or boost pedal – the guitar sound that defined classic 70s and 80s Metal and Hard Rock. Across genres and generations, the sound of a half stack pushed hard with drive and boost has become a standard for rock tones. No genre or era of players has been more heavily defined by these iconic sounds than the classic metal and hard rock pioneers of the late seventies and eighties. Think Judas Priest, RATT, Def Leppard, Iron Maiden, Ozzy – their combination of tube heads and drive pedals resulted in some of the most iconic guitar tones of all time. Diamondhead captures the power and versatility of that era-defining rig in a package that will find a space on any pedalboard. Whether you’re running it into a clean pedal platform amp or into the frontend of an overdriven tube amp, the Diamondhead provides the flexibility and tonal clarity to authentically capture the sound that defined an era. It all starts with the drive – from breathy and raw medium gain sounds to screaming high-gain harmonics, Diamondhead is deep and three-dimensional, with clarity and touch response. Three powerful active EQ controls maximize the potential of the gain section. A tightly defined bass control boosts and cuts at 80 Hz, with surgical precision – making the low end huge, but never muddy. A broader mid-range control set right at 800 Hz allows for massive scooped chunk, hyper aggressive modern attack, and everything in between. And the Treble control, set at 6 kHz, adds sizzle, cut, and attack. The SAT Switch (based on our 805 Overdrive) adds a 24dB pre-gain boost that tightens up the low end for more aggressive and defined attack. Subtly rolling off lows and highs, it allows the mid-range to cut through, creating chewy, harmonic saturation. Independent from the Drive section, the Boost (activated with the left footswitch) offers 0 to 15 dB of available gain and can be used as a lead boost or to push an amp on the edge into overdrive. Try using it with a slightly dirty amp as the first gain stage and adding the Drive section for your highest gain sounds. Diamondhead also shines as a pre-amp. By running it into the effects return of your tube amp, or in front of our PowerStage power amps you’ll be rewarded with a hot-rodded high gain amp tone with body, bite, and character. If you’ve gone through a pile of overdrives, distortions, and boost pedals searching for that quintessential 80s metal or hard rock tone and haven’t been satisfied, make Diamondhead the heart of your rig – versatile enough to handle any covers set, precise enough to surgically dial in your own tone – it captures the rock n roll spirit of a high gain head pushed to the edge. Note: Power supply sold separately.

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