Produsent

3.690,-

Cornerstone Antique V3 Discover the ultimate blend of vintage charm and modern innovation with the new Antique Classic Drive. Redesigned under the Cornerstone Phase 3 style, this pedal draws open inspiration from the iconic vintage Italian Vespa. Offering not just an innovative neo-vintage tool for your music but a piece of art for your pedalboard. Discover the renewed versatility and style of the Antique Classic Drive. EXPRESS YOURSELF With the new Antique Classic Drive, you can express your unique style like never before. Choose from up to 61 different combinations of color, faceplate, and knobs to create a pedal that truly reflects your personality. The unmistakable Italian design ensures that your pedalboard stands out, showcasing your individuality as a guitarist. The new Antique Classic Drive isn’t just about looks; it’s packed with innovative features. Hot Mode: A special dual boost section placed both before and after the overdrive section, transforming it into a two-channel TS-based pedal. Space-Saving Design: Replace two to three pedals on your board, conserving valuable space while enhancing your sound capabilities. The new Antique Classic Drive takes customization to the next level, allowing guitarists to tailor every aspect of their pedal. Beyond the 61 combinations of color, faceplate, and knobs, even the smallest details are meticulously designed to reflect your personal style. One such detail is the intricate Greek key pattern engraved on the faceplates, adding a touch of elegance and sophistication. This level of customization ensures that each pedal is a unique masterpiece, perfectly matching the aesthetic and personality of its owner. Unlike many pedals that offer a boost function and some that allow choosing its position, the Antique uniquely positions the boost both before AND after the overdrive section simultaneously. Each boost is independently controllable, providing unparalleled flexibility and tonal shaping, effectively making it a dual-channel overdrive pedal. The switch between Normal and Hot mode can also be done with an external latching footswitch. This is ideal for use with looper switchers or when the pedal itself is not easily accessible, such as with multilevel pedalboards. WHAT'S BETTER THAN HAVING A BOOST? HAVING TWO! The new Antique Classic Drive introduces the innovative Hot Mode, a special boost section that transforms the pedal into a dual-channel overdrive. This feature consists of two independent boost sections: one for gain and one for volume, allowing for unprecedented control and versatility. Hot Mode Explained: Gain Boost The gain boost in Hot Mode activates a boost before the overdrive section. This aspect adjusts the gain, providing a significant increase in distortion and saturation. It allows for a more aggressive and driven sound, ideal for solos and high-energy playing. Hot Mode Explained: Volume Boost... or Cut The volume boost in Hot Mode activates a boost after the overdrive section. This aspect adjusts the overall volume, giving you the ability to enhance the output level without affecting the gain. It is perfect for lifting your sound in the mix, ensuring clarity and presence during performances. This section is also capable of a volume cut, with unity volume set at 40%. This ensures that you can maintain volume parity between the normal channel and the Hot Mode channel, even with different gain levels.

Cornerstone Colosseum Black ...

4.450,-

Cornerstone Colosseum Black LTD Designed for guitar-people, by guitar-people, the Colosseum offers the best of two overdrive-gladiators in one stompbox. This LTD comes in a sleek black out design. COLLABORATIVE DESIGN Experience the groundbreaking Colosseum, the first-ever Community Pedal from Cornerstone. Meticulously designed with the input of their devoted followers and the Cornerstone Community, this dual overdrive pedal combines the best elements of the Blues Breaker and Klon circuits. The Colosseum offers an enhanced Blues Breaker side with no clipping diodes, a signature Clean control, and outstanding touch sensitivity. On the Klon side, explore the legendary sound with a twist - Germanium diodes, hand-selected silicon diodes, and the innovative clip blender. With versatile connectivity options and a toggle switch for seamless channel switching, the Colosseum is a must-have for any discerning guitarist. Rediscover classic ODs and unlock new tonal possibilities with the Colosseum. SO WHAT IS IT? It is a dual overdrive pedal based on my interpretation of the Blues Breaker and Klon circuits. While I used the original pedals to have an accurate sound reference (even an original Klon), the end result of Colosseum is a unique pedal. BLUES BREAKER ON ANOTHER LEVEL On the BB side there is no clipping diodes: forget about the common “issues” that affect a classic BB, such as low volume and dark tone. Removing the clipping diodes will solve them. I also added our “signature” Clean control taken from the Gladio, to add the clean sound on top of the overdriven signal for more tonal versatility. The Klon side stayed pretty much the same, except for one important detail: the clip blender. We all know that the Klon has built quite a reputation around two “mythical” 1N34A Germanium diodes. We are still using them, measuring each one of them and picking the ones with the correct value of forward voltage, but… with the addition of a pair of hand selected silicon diodes. With this blend feature you have a wide range of tonal flexibility, an entirely new flavor of Klon at your feet, all while still being able to harness the sound of the original. A little toggle switch will change the order of the two channels very easily for a lot of tone variations! At the back you have 4 jacks to connect each side of the pedal with your favorite looper. You can use the sides independently or put any other pedal in between.

Cornerstone Gladio SC Pedal

3.459,-

Cornerstone Gladio SC How long have you been playing Steve Ray Vaughan songs eventually realizing that somehow you can’t really nail his sound? The Gladio SC is meant to reach it by adding the special Clean volume knob. You can’t really nail SRV drive tone if you don’t put the clean sound into the equation. Start your Texas blues journey here. EXPRESS YOURSELF I know trying to recreate the sound of an artist can be very challenging, especially when the artist’s sound is made with legendary gear. Like a Dumble amplifier. The Gladio journey started with researching Robben Ford’s sound. Now we extend our research to another great Dumble user. STEVIE RAY VAUGHAN Let’s face it, how many times have tried to get his tone? A lot I guess. Just as I did. Just as everyone playing blues did. But here’s an important thing I’ve learnt while searching for his tone: You can’t really reach his drive tone, if you don’t put the clean guitar sound into the equation. That’s probably weird but it’s true: if you add a portion of the guitar’s clean sound on top of the overdrive sound (without reducing it) you can get a LOT of different sound textures getting very close to SRV tone; in particular the sound gets warmer and you can clearly feel the uncompressed attack of the notes. This is exactly what the Gladio Single Channel (SC) is designed to offer. Clean knob together with the compression toggle switch, are opening up to a whole new level of drive experience, feeling almost like you’re playing with two amps, one clean and one dirty.

Cornerstone Imperium V2 Pedal

4.450,-

Cornerstone Imperium V2 The Imperium V2 keeps the same winning formula: a dual overdrive combining the Gladio SC on one side and the Antique on the other – two of our most iconic sounds in one compact format. It is based on a Robben Ford style Dumble and John Mayer trio tubescreamer-ish tones. Imagine you can stack them in two different ways and control them independently. WHAT'S NEW IN IMPERIUM V2 The Imperium V2 keeps the same winning formula: a dual overdrive combining the Gladio SC on one side and the Antique on the other – two of our most iconic sounds in one compact format. But in this new version, we’ve taken things even further: Cornerstone Phase 3 Design: The enclosure has been redesigned to match the sleek and modern aesthetic of our latest releases. Independent Routing: Now featuring four jacks, the V2 allows players to use the two sides as completely separate and independent pedals – perfect for complex rigs and pedal switchers. Alongside the standard Phase 3 finish, the Imperium V2 will also be available in a second default version featuring a beautiful ivory white enclosure – the same elegant finish we've previously used on the Colosseum.

Cornerstone Nero Pedal

3.690,-

Cornerstone Nero Imagine a gadget that harks back to classic, vintage sounds yet embraces ingenuity and forward-thinking design. That’s the Nero Fuzz. We’ve transformed the extraordinarily complex into the beautifully simple! NOT JUST ANOTHER FUZZ Merge an original fuzz circuit with an entire built-in Gladio SC. This is the NERO. The Nero pedal combines a unique fuzz circuit with a built-in Gladio SC, activating both circuits simultaneously for a stacked drive effect. It features a "Comp" knob for compression management, altering overall compression, and two independent bias controls ("voices") for a range of fuzz and overdrive tones. Notably, Nero allows for flexible gain control, maintains high input impedance for pedalboard versatility, offers constant compression adjustment, and seamlessly transitions between gritty fuzz and full overdrive with a footswitch. It also achieves gated fuzz and nice cleanup effects under specific conditions. TWO DIFFERENT VOICES. FOR ANY SITUATION. The voice controls are identical and independent bias controls, and you can switch between them instantly, with the dedicated footswitch. The sound is gritty and rough in the first half rotation, and rolling down the guitar volume creates a nice gated tone. After noon, the sound becomes a full, big overdrive, which cleans up nicely when the guitar volume is turned down. COMPRESSION UNDER CONTROL. AT ALL TIMES. The Comp is the clean of the Gladio SC which, being hit from a fuzz in front, can’t be called “clean” anymore. Since it controls the amount of fuzz signal allowed to “pass-by” the SC section (it actually is a real parallel mix) its effect is to manage the overall compression.

Cornerstone Nucleo Reverb ...

5.290,-

Cornerstone Nucleo Cornerstone’s latest pedal – built in collaboration with YouTuber Paul Davids – brings you the haunting echoes of Austria’s Zwentendorf nuclear power plant in a new signature ambient reverb pedal. The idea began with Paul Davids’ visit to a nuclear power plant in search of the world’s most insanely beautiful reverb. There, he was inspired by the sound of the plant with all its unique reflections. This sound has now been captured in the Nucleo. Paul Davids' has collaborated with Cornerstone for a new signature ambient reverb pedal, the Nucleo – which is inspired by the natural reverb of a nuclear power plant. Many of Cornerstone's previous releases, including the Klon/Bluesbreaker-inspired Colosseum, have centered around emulating the tones of classic players, such as Stevie Ray Vaughan and Robben Ford. The Nucleo, though, is a different beast entirely. Inspired by Davids’ visit to the Zwentendorf nuclear plant in Austria, the Nucleo looks to offer the sort of reverbs you'd experience from an abandoned reaction chamber, but has also been bestowed with granular synthesis, modulation, pitch shifting, freeze effects, and plenty more to take its ambient capabilities beyond typical realms. His visit to the plant led to Davids experiencing what might just be the world's most incredible natural reverb. Uniquely, Zwentendorf was never brought online after a change in public sentiment in 1978, meaning he could plug in and play in a reactor that, if it were functioning, would be deadly. Microphone manufacturer Lewitt Audio, which was the brains behind the trip, created an Impulse Response out of Davids' nuclear jamming, but now that reverb and swathing magic has been bottled in a user-friendly stompbox. Its two biggest dials control the 'Reactor' size, from a lo-fi room reverb and upwards, and the Blend of the effect. There are controls for the Modulation, Pitch, and Speed of the resulting 'verb, as well as Decay, Tone, and Freeze (volume) dials. Finally, there are two footswitches for Bypass and Freeze. Cornerstone has also said the pedal can save presets for quick interchanging between the best voices players can muster, and will also have MIDI functionality to bolster its viability in live settings. “Usually you hear it coming out of your amp or from your speaker,” David had said of the reactor’s reverb while standing in the heart of it, guitar in hand. “[Here you’re] drenched in reverb, you feel it all around you… this is very inspiring.”

Daredevil Pedals ACES Hybrid ...

2.870,-

Daredevil Pedals ACES Hybrid Amplifier Germanium / Silicon Transistor Gain Boost The Aces Hybrid Amplifier found its origins in RCA data sheets from the 1950s. Simple 2 stage gain circuits utilizing germanium transistors, the only kind available at the time. Daredevil wanted to use the same approach, but give it the Daredevil treatment, creating something unique that nailed a tone bouncing around in founder Johnny’s head. The end result cranks out the warm, sweet sustain of germanium, while having that biting rock n roll gain on top - nailing the best of both worlds. Great for solo boosts, a leave-on effect or stacking with other pedals. The Aces sounds best in front of any buffered bypass pedals. Under the hood is 1 NOS Germanium and 1 modern silicon transistor, each tested and biased to give optimal tonal definition and response. The two internal trim pots set the bias for each gain stage, you should not need to adjust these for any reason. The knob controls your output level. Turn it up, stomp, off you go… Main Features: • Booster Effects Pedal • Original hybrid circuit with NOS germanium and modern silicon transistors inspired by 1950’s RCA data sheets • Offers warm vintage feel and harmonic sustain with dynamic touch-sensitive response • Great for stacking with other effects and reacts great to volume roll-off • One-knob control interface for easy-to-use gain boost • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Bootleg V2 ...

3.195,-

BOOTLEG DIRTY DELAY V2 The Bootleg is a digital delay that utilizes the Princeton 2399 IC processor. This was designed to give classic tones that sound similar to vintage tape machines, increasingly more lo-fi and dirty when driven at intense or longer settings. What sets these apart from the rest of the delay pedals on the market is the Dirt section of the circuit. You can dial in the amount of gain added to the repeats. When at minimal control setting, the gain is completely removed from the delay path. This 2nd Version of the Bootleg is without the tap tempo feature, the original Red V1 has the external input and digital tap capabilities. Delay TIme at minimum setting is around 40ms.... max setting is roughly 400 ms. The tone of the decay will become brighter as it tails off...the opposite of most "tape style" delay units. - These are all hand wired and true bypass. - Runs only on an external 9V, DC current power source - 2.1mm center pin power supply, negative ground. Current draw is ~25 mA Bonus tip... to enable trails to continue while signal is bypassed, place your tuner in front of the Bootleg so you can mute your instrument while the Delay keeps doing its thing. Hitting pedal bypass will cut off delay effect just like the old analog pedals.

Daredevil Pedals Cocked & ...

3.590,-

COCKED & FEARLESS -2 great circuits. 1 great pedal -the Atomic Cock fixed wah coupled with the Drive-Bi distortion The Fearless distortion boasts dual channel gain with Hi and Low settings, coupled with the classic fixed wah tones of the Atomic Cock. Wah filtering can be stomped in or out of the signal path and blended to control how present the effect is in the distortion circuit. The Fearless is a Daredevil original design op amp distortion, powerful attack but warm and dynamic as well. Low channel gets dirty, bluesy, and vintage, covering all your old school Marshall / Blackface Fender territory. Hi gain setting builds up to a huge saturated tone with big bottom and very full midrange.

Daredevil Pedals Drive-Bi ...

2.990,-

DRIVE-Bi - Dual Gain Distortion -op amp powered gain circuit -2 channels of distortion, low & Hi -natural amp sound and rich harmonics The Drive – Bi is a dual channel, op-amp gain circuit. Designed to cover medium to high level amp style drive that is extremely dynamic and raw. Low channel adds grit, sustain, and overdrive to your amp while still pushing output. Hi gain mode expands low end, saturation, and output compression for huge warm tones. This is one of the most natural sounding gain pedals on the market. Great for solo boosts as well. VOLUME – Controls effect output GAIN – Amount of circuit drive HI / LOW – Selects between both channels of gain -True bypass, runs on 9V battery or DC supply “I just picked up your Drive-Bi pedal …I’ve had over a hundred pedals over the years, but this is honestly the best dirt pedal I have ever played. I don’t know how you did it but something magical happens when you adjust the two knobs. I can’t get a bad sound out of it and to think it doesn’t even have a tone knob! Awesome job on this one, you now have a new forever fan!” -Jeff M.

Daredevil Pedals Northern ...

2.990,-

Daredevil Pedals Northern Creeper Med to High-Gain Silicon Fuzz The Northern Creeper is a true Daredevil Pedals original - now with updated new artwork this is the exact same classic circuit as the original. Balanced, gritty, sweet, and loads of sustain, it contains one of the best all-round fuzz tones, reminiscent of early 70s fuzzes by Shin-ei or Maestro. It stays tight for chords, crunches when you want it to and covers a huge range of vintage fuzz colors and tones. All hand wired with silicon transistors and true bypass, the Northern Creeper is an original circuit design and one of the oldest pedals in the Daredevil lineage. This is what you hear in your head when somebody mentions Vintage Fuzz. More output, even tone response and more gain. Big, gritty, blown out and saturated, but tight enough to hold its own in a live setting. The Northern Creeper has a raspy, crunchy edge and loads of sustain with a little bit of low-end sag. You can even get a more starved feel using the “ol’ dying battery” approach. It also really opens up and adds a bit of harmonics with a cranked tube amp. Toss one in your boogie van and spread some fuzz! Main Features: • Silicon Fuzz Effects Pedal • Medium to High-Gain vintage-style original circuit • Stays tight for chords, crunches when you want it to, covering a huge range of vintage fuzz colors and tone • Balanced EQ range for great lows and lots of mid bite • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Premium ...

2.990,-

Daredevil Pedals Premium Hand-Crafted Transistor Overdrive The Premium is a hand-wired, transistor-based Overdrive, inspired by the classic Colorsound power boosts of the early 70s. This pedal carries a bright control tone stack, more gain and increased low end, making it sweet for bass as well. While the Post knob controls the volume, Pre controls the gain and the Bright control adds more bite as you turn it up. The drive the Premium offers sounds like a very natural amp-style gain. It's open and raw, gets great feedback when cranked and stacks very well. These are nowhere in the realm of TS overdrives, so if that's what you want, look elsewhere. Warm and bluesy, saturated full stack crunch, bright gain boost for solos - it's in there. Main Features: • Natural Overdrive Effects Pedal • Transistor-driven circuit that offers any style of gain, from low to high • Inspired by the classic early 70’s Colorsound power boost • Offers warm and bluesy saturated full-stack crunch and bright gain boost for solos • Stacks well with other pedals and amps • Small, pedalboard-friendly format • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Daredevil Pedals Silver Solo ...

2.990,-

SILVER SOLO - Silicon Boost the SILVER SOLO.... -silicon transistor ‘range’ style gain circuit - great as a boost or “always on” tone generator -variable EQ range & true bypass It's not like all the others... This boost has a tighter low end, sharper bite, and more output than the usual germanium Rangemaster clones. The Silver Solo is a redesigned version that uses Silicon transistors and a tone blending option to achieve it's sweet spot. It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut. You’ll get more sustain and a sweet harmonic edge to each note. I use it for solos, but this one also works great for adding cut to your rhythm tone. The “Range” control adjusts which frequencies are pushed up. Fully CW is the classic bright treble boost, sweeping it CCW gradually includes more low end until reaching a full range boost. Take a vintage Marshall and push the front end for earlier breakup. Add some beef to single coils, get rippin 80’s metal tones, or brighten those vintage tweed amps like Billy Gibbons, this pedal does it all. Most notably heard on the first Sabbath album, Clapton’s Bluesbreakers, T.Rex, and Queen albums, this is a secret weapon of great tone. The Silver Solo interacts with your guitar best when used first in the pedal chain. True bypass with a 9V DC jack. "I swear by this pedal... kicks the shit out of any Rangemaster I've had. Now I gotta get another one! I keep pulling it out of my board at Conan to use outside the show." - Jimmy Vivino (Fab Faux, Conan Show) Main Features: • Treble Booster Effects Pedal • Silicon transistor range style gain circuit • Great as Boost or ‘always-on’ tone generator • Variable EQ range - for adjusting the pushed frequency range - from classic treble boost to full range boost • Great for stacking with other effects and amps • Reacts great to volume roll-off when put first in the signal chain • True bypass switching • All hand-wired in Chicago, IL, USA • Powered by (opt.) 9V battery or (opt.) regular 9V DC PSU (centre -, 2.1 mm, <100 mA current draw)

Death By Audio Absolute ...

2.490,-

OUR MOST INSANE PEDAL YET This might be our most insane pedal. Showing little-to-no respect for what instruments normally sound like, or even what people want them to sound like, we pushed this thing until it sounded fully unhinged. Want a thick, gnarly fuzz sound? Sure, you can do that, and it'll sound really, really good. You can also push the OVERLOAD slider into blooming, octave nastiness. Push it further and starve the circuit until your signal eats itself. Push it to the maximum and your sound will duck completely into the void before it returns, coming back to life with a relentless vengeance. CONTROLS Master Volume: Controls the output volume of the effect. Overload: Sets the ceiling at which the pedal overloads. When turned all the way up, the pedal will not overload. As the control slides to the left it pulverizes the sound more rapidly. Gain: Sliding this control to the right increases gain and distortion. Horizontal sliders have been recessed to protect them from bending or any accidental movement while playing. Harnesses a power amplifier IC to generate its insane sound. Its Gain and Overload sliders interact to create a wide range of unique sounds in various positions. You choose, to your liking, how much to absolutely destroy your sound. The further the Overload control is set to the left, the faster the effect slips into absolute destruction. Blow it out even harder and faster by slamming Gain and Overload opposite one another. Lower one or the other for smoother attack and release. Screaming octaves, thick fuzz, and the sound of your guitar reaching back from the depths of destruction are at your fingertips. Think of it as a psychotic compressor, or maybe more accurately the sound your amp would make if you set fire to it. . SPECIFICATIONS Dimensions: 4.95" x 2.61" x 2.34" (including hardware) Weight: 10 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5 mA.

Death By Audio Apocalypse ...

3.950,-

FUZZ TO THE NEXT LEVEL The Apocalypse is our jack-of-all trades fuzz pedal. After being dramatically overdriven, the signal is routed to a selectable post-amplifier. The user can toggle through its five signal paths and choose their desired apocalyptic sound. To further refine it, control the sweepabale frequency equalizer and design your tone to your liking. Use this pedal as a boost for solos, an amp simulated recording DI, your main sound, a bass blitzer, or run anything into it you want to beef up, blast out, or supercharge. CONTROLS Rotary Selector: Twin-T Scoop: A circuit adding bass and treble simultaneously. Quieter volume than the rest. War Fuzz: A very full and dynamic distortion with rich harmonics and sustain. Dual J-FET: Similar to the War Fuzz setting using dual J-FETs to get its sound. Octave Rect: Sums the bottom and top halves of a waveform to create an octave up. Gain x1000: The gain is cranked super high on this post amp causing erratic results. Vol: Adjusts the output volume of the pedal. Drive: Controls the volume of the initial preamp inside the pedal. Turn it up to get more distortion and fuzz or pull it back to get cleaner overdrives and boosts. Sweepable Frequency Equalizer: This is a special tone knob designed to function as a multitude of tone controls simultaneously . Its range is extreme, starting with a bass booster that fades into a mid scoop, followed by a mid boost, and eventually into a few stages of treble-boosting to give you a beautiful bright sound. . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.46" (including hardware). Weight: 20 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 5.8 mA.

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