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Hovedbilde Jackson Audio FUZZ Modular ...

3.590,-

FUZZ Modular Fuzz Pedal with Octave Sporting that spitting, snarling and surly sound of rock legends past and present, the FUZZ Modular Fuzz pedal from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together in one modular pedal. This allows you to create classic fuzz tone, as well as new fuzz sounds that would have been impossible with just the original circuits! The idea of creating a modular fuzz came about as we were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became “All of them! They’re all different and bring something unique sonically”. With the FUZZ, you can update your fuzz sound completely with our swappable analog plug-in modules and turn your device into a whole new pedal with a simple and affordable plug-in swap out. In the 30 years since Brad Jackson began playing guitar, he’s always loved fuzz pedals. Having bought countless versions of fuzzes over the years, in his mind these pedals have always had a massive shortcoming - they desperately need more effective tone controls! That’s why Jackson Audio designed the FUZZ with a 3 band, fully parametric EQ. EQ and especially the mids are where the guitar makes its stand. Not enough mids and your guitar is lost in the mix. Too much highs and your tone is piercing and off-putting. Too much bass and you compete sonically with the bass drum and bass player. With the 3-band Parametric EQ on the FUZZ, you have 9 controls at your disposal to fully sculpt your tone and make sure the riffs you are laying down are NEVER lost in the mix! Main Features: • Analog Octave Fuzz pedal • Unique modular and replaceable Fuzz plug-in concept • Installed MODERN FUZZ plug-in module - a modern take on all that is good from a spluttery vintage pedal • Additional included FUZZ CLASSIC/VINTAGE plug-in module - based on the classic Fuzz Face circuit • Separately switchable Octave circuit with Blend control • Other plug-in modules available for a world of fuzz tones • Active 3-band Parametric-EQ - for optimal tone shaping • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU (centre -, 2.1mm, ~ 50 mA current draw) A good fuzz and a good octave pedal go hand in hand. Jimi knew it, Stevie knew it and you know it. If you want to put some purple in your haze, you’re going to need an octave pedal and the octave circuit in the FUZZ is outstanding! Covering everything from perfectly pure octave up to screaming splatting sonic mayhem, the octave circuit in the FUZZ is the perfect marriage of vintage and modern thanks to its unique octave BLEND control. The BLEND control mixes your clean signal with the fuzz/octave signal so you can dial in precisely how much octave effect you want. Guys like Doyle Bramhall II use this to great effect by adding just a little octave to their sound which gives it a little “lift”. With the BLEND control fully counter-clockwise, the octave circuit acts as a boost and is perfect for slamming the front of the fuzz circuit for more gain! Pro Tip! Boost + Fuzz Face = Tone Bender! This boost is also perfect for boosting the front of other pedals or just running as an always-on signal buffer/booster. Fully clockwise, there is no clean blend so your signal is fully fuzzed out with however much fuzz/octave you have dialled in with the OCT control. The Fuzz is supplied with two analog plug-in boards, so right out of the box you have two completely different and versatile circuits to choose from. From vintage-style fuzz at lower settings, to snarling spitting fuzz at higher settings the MODERN FUZZ (installed) plug-in does it all and cleans up beautifully when your guitars volume control is lowered. FUZZ CLASSIC/VINTAGE is the additional plug-in the FUZZ ships with. This plug-in is the classic Fuzz with the ‘smiley face’ and has lower gain and a looser/softer feel which is perfect for the earlier Jimi-era tones. In addition, a growing range of other modules will be available. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible and ready to go!

Jackson Audio Fuzz Page Mark ...

690,-

FUZZ PAGE MARK II Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine! Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

Jackson Audio Goat Head ...

690,-

GOAT HEAD Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit. Also available: MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine!

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Jackson Audio Golden Boy Mini ...

2.490,-

3.148,-

Tilbud gjelder kun 1 stk. på lager. GOLDEN BOY Mini Mini Transparent Overdrive The GOLDEN BOY Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface. Main Features • Transparent Overdrive pedal • Condensed version of the original GOLDEN BOY with features distilled down to the most used settings • Based on the celebrated Bluesbreaker/King of Tone circuit • Active 3-band EQ - for optimal tone shaping • 2 Clipping-Diode Styles with drastically different sound characteristics o ASYM: Asymmetrical silicon diode clipping of the top and bottom of the guitars waveform – great for laying down aggressive rhythm parts o LED: Symmetrical LED Diode clipping – with much higher headroom for less compressed tone • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by regular 9 V DC PSU (centre -, 2.1 mm, 35mA current draw) The GOLDEN BOY Mini is the perfect addition to any guitarist’s arsenal, allowing you to shape and enhance your tone in ways you’ve never imagined. Its transparent nature ensures that your core tone remains intact, while adding a dynamic of warmth, richness, and depth that elevates your playing to new levels. Its intuitive controls allow you to dial in the perfect blend of overdrive, from subtle grit to soaring, harmonically rich tones. The pedal’s wide-ranging gain control ensures that it can adapt to any musical style or genre, whether you’re playing delicate fingerpicked melodies or unleashing blistering solos. Pair it with Asymmetrical or Led Clipping and put the final touches with it’s 3-band Baxandall-style EQ. Beyond its exceptional sound, the GOLDEN BOY Mini is built to withstand the rigors of the road. It's rugged construction and top-quality components ensure reliability and durability, making it a reliable companion for both studio sessions and live performances. Whether you’re a seasoned professional or an aspiring guitarist, the GOLDEN BOY Mini will transform your tone and ignite your creativity. Discover the GOLDEN BOY Mini and unlock the true potential of your guitar tone. Order yours today and witness the power of transparent overdrive like never before. Elevate your sound and embark on a sonic journey with the GOLDEN BOY Mini!

Jackson Audio Golden Boy ...

3.850,-

GOLDEN BOY MIDI-controllable Transparent Overdrive Designed in collaboration with Canadian alt-country star Joey Landreth, the GOLDEN BOY Transparent Overdrive is in no doubt one of the most versatile transparent overdrive pedals ever made. Rich in harmonic detail and overflowing with headroom, the pedal redefines the concept of transparent overdrive and brings it up to date with modern features, such as styles for clipping options, a 3-band active EQ for maximum tonal flexibility and Jackson Audio’s innovative GAIN CYCLE feature. All that is topped off with a separately switchable MOSFET boost circuit and full MIDI control over all the GOLDEN BOY’s plentiful parameters. • Transparent Overdrive and Boost pedal • Based on the celebrated Bluesbreaker/King of Tone circuit • Active 3-band EQ - for optimal tone shaping • MIDI control over all parameters, ON/OFF and Boost • 4 Clipping-Diode Styles with drastically different sound characteristics • 4 differently EQ’d Boost Styles • GAIN CYCLE circuit - for instant gain adjustment in 4 steps • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU (centre -, 2.1mm, ~ 100 mA current draw) For the overdrive circuit, the pedal is based on the Bluesbreaker/King of Tone circuit, resulting in a very open, uncompressed and transparent tone - think ‘John Mayer style’ overdriven tones. It sits in the mix perfectly and while it adds overdrive and grit, your guitar still sounds like your guitar. Where the GOLDEN BOY differs from other Bluesbreaker type circuits is that its overdrive has the ability to run much higher gain. There are also 4 selectable and distinct clipping modes available to further tailor the tone to you. One of the most exciting features of the GOLDEN BOY is the GAIN CYCLE, which takes the GAIN knob setting and divides that level of gain into 4 equal instantly accessible steps to cycle through. A unique circuit level matches the output of the pedal as various clipping diodes are selected, so now you can select between all four clipping options and your volume level will remain constant. The boost circuit is MOSFET based, much like the AMP MODE found in Jackson Audio’s best-selling PRISM Preamp pedal. This has its own true bypass loop, which means it can be used independently of the DRIVE circuit. One of the things that makes the boost in the pedal unique from other boosts on the market are the 4 styles available. Each style is EQ’d slightly differently, which allows it to alter how it interacts with the overdrive circuit in the GOLDEN BOY or any other pedal you may have in your rig To top it off, the DRIVE circuit has a 3-band active EQ that gives tremendous tonal flexibility. Based on the legendary Baxandall EQ that is featured in countless studio devices, the GOLDEN BOY takes this circuit and tailors it for guitarists. Jackson Audio spent a huge amount of time on this EQ dialling it in, so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear-fatiguing highs and lows that can appear at extreme settings.

Jackson Audio Hour Glass Dual ...

4.290,-

Jackson Audio HOUR GLASS Dual Studio Compressor The HOUR GLASS Dual Compressor Pedal - Unlock timeless sustain and endless creativity with dual, independent circuits inspired by the legendary Ross compressor. It is your ticket to extended sustain and unparalleled tonal control. From warm, natural compression to soaring sustain, the HOUR GLASS opens up a world of sonic possibilities for you to explore. Main Features: • Dual Compressor effects pedal • Based on the legendary Ross Compressor circuit • Features two identical, completely independent compressor circuits • Perfect for setting one for single coil guitars, the other for humbucker guitars – for precise tone and dynamic shaping when switching guitars or use both circuits simultaneously for endless sustain! • 3 Attack settings accessible for each compressor circuit o Fast - 100 ms o Medium - 400 ms o Slow - 1600 ms • Treble switch for shaping the high frequency tones o Flat o Medium o High • Parallel Compression with Blend knob - for mixing in the Dry signal and maintaining natural playing transients • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9-18 V DC PSU (centre -, 2.1mm, ~ 60 mA current draw) Choose from Fast, Medium, or Slow Attack time options to tailor the HOUR GLASS’s response to your playing style, and use the Treble toggle switch to select Flat, Medium, or High boost options to help shape your high-frequency tones. Set one compressor for your single coil guitars, the other compressor for humbucker guitars and have precise tone and dynamic shaping when you switch guitars! Both compressors can also be engaged simultaneously for endless sustain! Discover the freedom of expression with two independent circuits, that maintain the transparency of your guitar’s tone. Precision controls for Level, Sustain, and Blend on each circuit allow you to sculpt your sound exactly as you desire. Built to withstand the rigors of time and the road, the HOUR GLASS is your reliable companion on every musical journey. Unleash your creativity, transcend genres, and experience endless sustain with the HOUR GLASS Dual Compressor Pedal - Where Sustain has No Boundaries!

Jackson Audio Large Mouse ...

690,-

LARGE MOUSE Replacement Drive Module CHANGE YOUR CIRCUIT - CHANGE YOUR SOUND The LARGE MOUSE module is a fully analog distortion module for the Jackson Audio ASABI Mateus Asato Signature Distortion/Overdrive pedal. This replaces the ASABI’s stock MODERN HIGH GAIN distortion module with the legendary sound of the ProCo Rat, with its arena rock rhythm tones and soaring leads. The circuitry in the LARGE MOUSE delivers all the snarl and spit of the original and celebrated Rat, but with many more features and control. Coupled with an active EQ, 4x clipping options and Jackson Audio’s innovative Gain Cycle feature, you've never heard or seen a Rat like this before! To make the LARGE MOUSE even more faithful to the original tone, Jackson Audio procured the mythical LM308 chip that is used in the most sought-after vintage units. Dead simple to install, you simply unscrew the ASABI’s backplate, remove the stock distortion module and replace it with the LARGE MOUSE. Voila! Your new distortion mode with all its features is accessible ready to be the most raucous rodent on your board - ever! • Analog Distortion module for ASABI Mateus Asato Signature Distortion/Overdrive • Replaces MODERN HIGH GAIN Distortion module in the ASABI • Distortion circuit based on the legendary ProCo Rat • Including the mythical LM308 chip for the most authentic tone • Active 3-band Parametric-EQ - for optimal tone shaping • 4 Clipping-Diode Styles with drastically different sound characteristics • GAIN CYCLE circuit - for instant gain adjustment in 4 steps • Easy installation

Jackson Audio Modern Fuzz ...

690,-

MODERN FUZZ DELUXE Replacement Fuzz Modules These analog plug-in modules are an assortment of fully analog fuzz modules for the Jackson Audio FUZZ pedal. These are faithful recreations of multiple historic and sought-after fuzz circuits, replacing the FUZZ’ stock MODERN FUZZ module with the legendary sound of fuzzes through the ages. Dead simple to install, you simply unscrew the FUZZ’ backplate, remove the stock fuzz module and replace it with any of the analog fuzz plug-ins. Voila! Your new fuzz pedal with all its features is accessible ready! Main Features: Fully-analog swappable module plug-in boards for the Jackson Audio FUZZ pedal Fuzz circuits based on legendary fuzz sounds Easy installation MODERN FUZZ DELUXE Like the MODERN FUZZ plug-in, the MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive. Also available: FUZZ CLASSIC/MODERN The classic later-era Fuzz with the smiley face! This plug-in has high gain and a tighter/crisper feel and is perfect for the later Jimi era tones. FUZZ PAGE MARK II If you like your fuzz to be completely rude and unruly, this is your fuzz! The sound of Led Zeppelin and full of snarl and spit, the FUZZ PAGE MARK II plug-takes the FUZZ and turns it into a classic rock machine! GOAT HEAD Based on the legendary Big Muff Pi Ram’s Head, the GOAT HEAD is the sound of Pink Floyd! Insane levels of fuzz and sustain are hallmarks of this circuit, but this plug-in does something that no other Big Muff can do! With the parametric EQ on the FUZZ, you can adjust the EQ so you can bring the mids forward on this circuit! Also included on the plug-in board are TONE and GAIN trimmers so you can fine-tune the classic Big Muff tone control and adjust the overall gain style of the circuit.

Jackson Audio New Wave Stereo ...

4.190,-

Jackson Audio NEW WAVE Stereo Analog Chorus / Vibrato For the NEW WAVE, Jackson Audio set out to make the best sounding and versatile 100% analog and stereo chorus/vibrato pedal. Offering a ton of flexibility with programmable presets and many industry firsts, the brand had the pleasure of working with Mark Lettieri from Snarky Puppy to create the ultimate chorus pedal. To achieve this, they knew they could not go digital for the core circuit, yet Jackson Audio still needed to add the features that only digital products provide. Using authentic analog MN3007 BBD chips, operating at 15 V internally exactly like the best 80s units did, this pedal delivers all the classic sounds with added modern precision, as well as all-new modulation sounds. For the control section, a digital microprocessor gives unparalleled control over the analog circuit for unmatched waveform accuracy. Add in programmable presets, features and MIDI, with an easy to operate interface, New Wave is designed for guitar, bass, synths and keys and will add a touch of quality modulation to any set up. Main Features: • Stereo Analog Chorus/Vibrato effects pedal • Analog modulation section, based on real MN3007 bucket-brigade chips • Digital microprocessor for precise control • 7 presets tailored for classic and modern Chorus, Vibrato, and Rotary sounds o 70s - Classic mono chorus, using clock and LFO settings measured from an original CE-1 o 80s - Stereo chorus, reminiscent of the classic CE-300 o RCK - 80s style chorus, with a built-in +/- pitch shifter for a classic rack tone o VIB - Classic Vibrato, with complete control o ROT - Pitch and amplitude modulation effect, for an accurate emulation of a Leslie speaker cabinet o HRM - Harmonic mode, modulates each channel in a mathematical relationship for new chorus sounds o UC - User Control, allows for full control and the ability to create wild sounds • 5 digitally controlled LFO wave shapes: sine, triangle, square and two custom harmonic shapes inspired by the ARP Solina keyboard • Mix control, to steplessly blend dry and effected signals (dry-chorus-vibrato). • Depth control, for super subtle to completely seasick modulation - press and hold to Save Preset • Speed range from 0.1 Hz to 10 Hz • Tone control, for super dark to super bright modulation tones • Phase knob, becomes a Ratio control to adjust the multiplier of right compared to left channel - very cool for Percussive and Leslie style Rotary effects • Delay knob, adjusts the center frequency of the BBD chips’ control clock - for very loose or tight and compressed chorus tones • Tap Tempo, RAMP and BLOOM functionality • Full MIDI control and Expression control over speed, via 3.5 mm TRS jacks • Phase/Ratio control, for changing phase alignment of the dry and modulation channel from 0 to -180° • Top-mounted jacks - for ease of pedalboard mounting • Powered by (opt.) 18 V DC PSU (centre -, 2,1mm, 250 mA current draw) New Wave features seven presets tailored for classic and modern Chorus, Vibrato and Rotary sounds, including 70s, 80s, Rack, Vibrato, Rotary, Harmonic, and User Control. The pedal also offers five digitally controlled LFO wave shapes: sine, triangle, square and two custom harmonic shapes that are inspired by the classic ARP Solina string machine keyboard. In addition to these presets, the pedal also offers programmable settings for use with expression, RAMP, or BLOOM foot switches. These settings include knob parameters, tap-tempo for speed control, slow and fast settings, 80’s in-spired latch mode for momentary activation of the effect, full MIDI control, and expression pedal control of speed. The pedal also includes a phase/ratio feature, which changes the phase alignment of the two channels from 0-180 degrees out of phase to make for HUGE chorusing sounds!

Jackson Audio Prism Buffer, ...

3.490,-

PRISM The Tone Sculptor Designed as the ultimate tone shaping tool for a player's pedalboard, PRISM is a buffer, boost, preamp, EQ and overdrive, all in one beautiful and compact stainless-steel enclosure. Much like an optical prism that takes white light and breaks it apart into the different colours of the spectrum, the Jackson Audio PRISM takes your guitar’s natural tone and allows you to boost it, shape it and transform it into a new tone that is uniquely yours. • Boost, Buffer, Preamp, EQ and Overdrive pedal • ±15 dB Active 2-band EQ • 3 discrete Boost circuits, each with distinct voicings and 3 levels of gain • Perfect as a preamp, always-on or to give that extra push to gain sounds • Small footprint • Top mounted jacks - for ease of pedalboard mounting • Relay-powered True Bypass • Powered by 9-18 V DC PSU (center -, 2.1 mm, ~ 10 mA current draw) Traditionally, most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and, given its huge amount of output, the PRISM does this very well. However, Jackson Audio encourage players to experiment by placing the pedal at the front of their pedalboards to enjoy the host of new tones available, as the PRISM boosts their existing signal chain. The three distinct COLOR voices allow the pedal to suit all sorts of tone goals. Use VINTAGE mode for a silicon Treble-Booster style, AMP gives a very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp, while TRANS provides an ultra-transparent JFET boost circuit. Each boost/preamp circuit is totally discrete and is contained in its own True Bypass loop, so there is never any additional circuitry in the signal path. At the very end of the signal chain, PRISM contains a high-current buffer that is used to strengthen your signal and preserve your tone, regardless of how complex your pedalboard is or how long the cable run back to your amp can be. Use PRISM to contour your tone, slam the front-end of your tube amp or add new dimension to your existing pedals - any way you use the pedal, it will be the cornerstone of your rig for many years to come!

Jackson Audio The Optimist ...

4.450,-

THE OPTIMIST - Cory Wong Signature MIDI-Controllable Dual Overdrive and EQ Jackson Audio proudly collaborates with Cory Wong, one of the foremost guitar players of today, to bring you THE OPTIMIST. An updated take on the mythical Klon circuit, probably the most celebrated and sought-after drive pedals of all time, while at the same time fusing it with an independent Timmy-style circuit. The Optimist also adds Jackson Audio’s MIDI control and a killer 3 band EQ section, which makes the pedal a single product for creating some of the finest and inspiring lead and rhythm tones today. Main Features: • Dual Overdrive and EQ pedal • Designed in collaboration with Cory Wong (Vulfpeck, Fearless Flyers) • Two separately switchable mid-gain Overdrive circuits and a studio grade EQ circuit • OD1 circuit based on a Klon-style circuit featuring mystical Germanium diodes • OD2 circuit is a Timmy-style transparent full-range overdrive circuit • Active Baxandall-inspired 3-band EQ with +/- 12dB Boost/Cut per band- for optimal tone shaping • MIDI control • Small footprint and top-mounted jacks - for ease of pedalboard mounting • Powered by 9 V DC PSU (centre -, 2.1mm, ~ 150 mA current draw) OD1 is based on the most expensive, hard-to-find, mythical overdrive ever created! For all of its hype, this magical pedal is still one of the most natural-sounding overdrives ever made and has cemented its reputation in the history of guitardom. Jackson Audio reproduced this circuit in perfect detail to provide the stock tone that people are looking for from this legendary pedal. Further, they updated it with an active EQ (bypass-able) to take this classic circuit into uncharted territory! Just like the original circuit, OD1 features impossible to find (unless you know how to use eBay) germanium diodes that have been carefully washed in unicorn tears to deliver the best tone possible! Why? Because you deserve the best. You deserve diodes that have been washed in unicorn tears. Standing in stark contrast to the mid-focused tone of OD1, OD2 is designed to be perfectly flat across the full range of the guitar. Perfect for rhythm work, OD2 is a perfect harmonic enhancer for OD1 when you want to boost OD1 even further! Based on the legendary Baxandall EQ that is featured in countless studio EQ’s, The Optimist EQ takes this circuit and tailors it for guitarists! Jackson Audio spent tons of time on this EQ dialing it in so it would hit all the frequencies that guitarists need to adjust and then sweetened it by removing the ear fatiguing highs and lows that can appear at extreme settings. THE OPTIMIST features MIDI control over all functions! OD1, OD2 and EQ can all be controlled via MIDI for an unlimited selection of tones. Jackson always want to make sure that their pedals are as easy to integrate into complex rigs as they are into simple rigs and MIDI makes that happen! "The Optimist is the most versatile overdrive pedal I’ve ever used. My goal was to design a pedal that could give me the full range of drive levels for punchy rhythm to soaring lead guitar lines. I knew that Jackson Audio was the place to land for this pedal. I’ve been blown away by the pedals they’ve made and wanted to explore some new circuits with them. The Klon has been this mystical and hyped up circuit for years and for good reason! It’s an incredible sounding circuit and the way it pairs with the flat response overdrive is incredible. OD1 has the mid bump Klon circuit that we know and love. OD2 has a flat response overdrive that has an incredible range of drive. When the two of them pair together it creates an even more boosted drive that doesn’t squeal because they’re both mid-level drives! The final piece of magic on this pedal is the EQ. Brad Jackson has been trying to convince me about the power of an EQ pedal for a long time and now I know why. We created an EQ section that focuses on the frequencies that you want more of in single coils and less of in humbuckers. The EQ can help tone shape your guitars to match each other or it can help you get the perfect clean tone out of an amp.” -Cory Wong

Jackson Audio TWIN TREM Dual ...

3.890,-

Jackson Audio TWIN TREM The ultimate true analog tremolo pedal Jackson Audio presents the TWIN TREM, a pedal that features two distinct tremolo effects: a Harmonic Tremolo on the right side and an Optical Tremolo on the left side. Each tremolo is equipped with independent Speed, Depth and Volume controls and can be used separately as stand-alone effects (or combined) to create rich, unique and percussive sounds. Main Features: • Dual Tremolo pedal • Two distinct Tremolo effects in one device - Harmonic and Optical • Individual controls and coloured LEDs • Designed in collaboration with Silvertone • Separate inputs and outputs for each effect, allowing versatile signal routing • Authentic vintage looks paired with top-mounted jacks - for ease of pedalboard mounting • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 35 mA current draw, not included) Each tremolo side has different LED indicators (red for Harmonic, blue for Optical and magenta for Combined). These LEDs also visually display each section’s speed, making it easy to sync the two tremolos together. The TWIN TREM boasts four top-mounted jacks, allowing versatile signal routing. You can run it like a standard pedal, routing the signal in through the first jack and out through the last. Alternatively, you can route the signal through the Harmonic side first, pass it through a reverb or another effect, and then into the Optical side, preserving the classic placement of optical tremolo after reverb, just like in many amplifiers. These routing options opens up endless possibilities for integrating the TWIN TREM with other effects in your signal chain. If you have a stereo setup, the right side can run through the Harmonic tremolo, while the left side passes through the Optical. In addition, offering comprehensive control over pre- and post-effects tremolo placement all helps to make the TWIN TREM an essential tool for building a complete rig.

Jackson Audio TWIN TWELVE ...

3.190,-

Jackson Audio TWIN TWELVE Silvertone 1484 Preamplifier In 1963, history was made with the release of the Silvertone Twin Twelve Amplifier. Originally listed in the sears catalog as the 1484, the Twin Twelve was offered from 1963 to 1967 and became the most coveted of all the Silvertone amplifiers. The unique sound of this amplifier proudly powers the tones of many of today’s best rock icons such as Jack White, Dave Grohl, Beck, Billie Joe Armstrong (Green Day), Dan Auerbach (The Black Keys) and many more. Today Jackson Audio and Silvertone make history again with the introduction of the 1484 Twin Twelve Pedal. An exact recreation of the legendary Twin Twelve amplifier, the 1484 Twin Twelve Pedal can be used as a studio grade preamp, booster, EQ or overdrive depending on how the controls are set. Bring back the classic Silvertone clean and overdriven tones and own the tone of legends. Relive history with the 1484 Twin Twelve Pedal. Main Features: • Preamp / Overdrive pedal • Exact recreation preamp section of the 1960s Silvertone 1484 Twin Twelve amplifier • Designed in collaboration Silvertone • Accurately recreates the unique amp sound popularized by many of today’s rock icons • Can be used as preamp, booster, EQ or overdrive • Authentic vintage looks paired with top-mounted jacks - for ease of pedalboard mounting • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 35 mA current draw)

Keeley 30ms Double Tracker ...

2.790,-

Keeley 30 ms Double Tracker Automatic Double Tracker, Vintage Chamber Reverb, True Stereo Chorus Keeley 30ms Automatic Double Tracker. This stereo effect pedal offers an array of studio-style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. Main Features: • Automatic Double Tracker, Slapback Delay, Reverb effect pedal • Vintage 80’s rack chorus sounds in a compact pedal • 3 modes o Dimension – Automatic Double Tracker – adds 2 additional voices, detunable by ±30 cents with Delay up to 30ms o Abbey Mode – approximates double tracking effect applied in the Abbey Road Studio o Slapback – adjustable classic slapback plus two adjustable doubled voices • Internally switchable mono/stereo output via TRS jack and TRS insert cable • Internally switchable PRO mode for even more control over the double tracked voices • Pedalboard-friendly size – for compact rigs • Made in Edmond, USA • Powered by a regular 9V DC PSU (centre -, 2,1 mm, low ~65 mA current draw) The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals Says Chief Engineer Robert Keeley, “Since the early days of automatic double tracking, pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time. The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.” The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or, through two amplifiers, sublime stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono, this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly, the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create stunning, new effects. In Stereo Double Tracker Pro Mode, the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp or flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. Via internal switches, users can program the wet output to have either dry and effected sounds or just the effect, giving them true double tracking in stereo– live.

Keeley Angry Orange 4-in-1 ...

2.790,-

Keeley Electronics Angry Orange 4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It’s sort of like pedal-modeling except these are 100% old-school, analog circuits and you decide which tone control or clipping section you want to rock. Heavily saturate your guitar through either a legendary ‘78 Japanese Orange Distortion or a ‘91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs. This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in our new aluminum enclosure. Main Features: • Compact Distortion and Fuzz Effects Pedal • 2 classic Distortion/Fuzz circuits combined with 2 swapable Tone Circuits in 1 pedal • Offers 4 Distortion and Fuzz flavors - 2 familiar circuits and 2 brand-new amp-like Distortion and Fuzz tones • Create unique Hybrid Fuzz Distortions by mixing the MF Fuzz’ and DS Distortion’s Clipping Sections and Tone Controls • Professionally Engineered Tone - sounds developed in the field and in our tone lab • 100% analog circuit with all-analog signal path • Switchable Tone control o MF: Scooped sounding, passive tilt-style Tone Control o DS: Differently voiced passive sounding tilt control • Switchable diode clipping o MF: Soft diode clipping - for an edgier more aggressive muffled fuzz tone o DS: Hard diode clipping - for softly overdriven tube-amp-like tones • Silent soft-touch switch with switchable Buffered or True Bypass Switching • Made in Edmond, OK, USA • Powered by a regular 9V DC PSU (centre -, 2.1 mm, 25 mA current draw) Tone Control The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently. Diode Clipping Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone. Buffered and True Bypass The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off. Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true-bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley’s buffered switching mode. Made In The USA We design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminum enclosure; we make guitar effect pedals to be finely crafted musical instruments.

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