KMA Mandrake Octo-Shrieker ...

1.891,-

KMA Machines MANDRAKE Octo-Shrieker Elevated Tonal Euphoria “The humanesque abomination, begat of the evils that once fertilised his empire of dirt, now senses the bleak emptiness of the air that surrounds him. In recognition of his harvest and the perpetual change to his existence, his mesmerising scream is both devastating and euphoric, so all those that encircle him are subdued from the aural toxicity that emanates from the disfigured effigy.” From the outset, KMA Machine’s goal was to create the most flexible analog upper octave pedal ever yet produced. Based on a highly refined and improved version of the Shriek circuit from our venerated MOAI MAEA pedal, the MANDRAKE brings an even more robust and present upper octave to the sonic table. By combining that upper-octave might with a versatile, yet highly intuitive user interface, the pedal provides a ton of killer tonal options in a very modern and pedalboard-friendly package. Main Features • Analog upper octave pedal - from subtle tone enhancement to full-on dual octave grind • Ultra-fast tracking, with variable TIMBRE and FILTER controls • Easy-to-use interface, with high levels of flexibility • Discrete transistor-based fuzz, with enhanced rectification circuit topology - for a more robust and present upper-octave • Active, pre-gain 2nd-order filter section, designed to perfectly prepare any instrument's signal for octaval tones • Independent Mix controls for precise balancing of both the effected and dry signals • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass silent relay-based soft switching • Made in Berlin, Germany • Power by opt. 9 V PSU (9 V DC, centre -, 2.1 mm, >30 mA max. current draw) Octave up pedals (as used by so many legendary performers including Hendrix, Tony Iommi, Josh Homme, Billy Corgan, Jack White and so many more), can really give added bite to your sound. But often, many of these fun tools can be untamed and lead to nasty clashing overtones. With MANDRAKE however, we didn’t want to just make a one trick pony octave up device. No, we wanted to expand on our easy-to-use, yet powerful and ultra-fast tracking Shriek circuit with its edgy and fuzzy character that’s reminiscent of many of the best vintage octave-up devices. To do this, we introduced a 2nd order Low-Pass Filter, a TIMBRE and individual Mix controls to KMA’s well-regarded circuit to make it way more versatile in a single pedal. Let’s look at those cool new things in more detail. The FILTER control helps to tame your upper harmonics, as well as to improve tracking, letting you achieve unhinged, cutting and shrieking mayhem when the control is fully turned all the way to the left. While turning the knob in the other direction gives a more mellow and blooming synth-like texture. The FILTER section is also very useful for tailoring the upper octave effect to different instruments and pickups, where getting the right tone is not a “one size fits all” equation.  In addition, to enable the octave voicing in MANDRAKE to be sculpted exactly to your own personal taste, the TIMBRE control defines the amount of fuzzy gain present in the upper octave. This allows you to perfectly blend in the pedal’s tonality with the rest of your signal chain. Turning the control fully counterclockwise, gives a slightly crunchy and percussive tone that’s ideal for melodic arpeggio enhancements. While cranking the TIMBRE knob fully clockwise will transform MANDRAKE into a crushingly saturated doom-hammer, instantly ready to wreak havoc with each power chord you throw at it! Topping off the features, the DRY and OCT+ controls allow the dry signal and effected upper octave to be mixed independently, for precise tonal balancing. This is especially handy when using MANDRAKE together with other dirt pedals or when you just want to retain the natural body and attack of your instrument.  Subtle descant or decimating octaval Armageddon? With MANDRAKE the choice is totally yours!

KMA Moai Maea Analog Octaver ...

2.450,-

Moai Maea   MONOPHONIC ANALOG SUBSONIC POWER OCTAVER   For thousands of years they tower over the green meadows along the coast and the hillside of Rapa Nui. Moai Maea, silent and solemn - venerated and mystified by a long forgotten ancient culture. It will let you feel the droning and shrieking of the mighty erupting Rano Raraku where the Moai Maea was born. Moai Maea is KMA Audio Machines’ answer to long forgotten analog octaver tones. The pedal generates one higher octave and up to two sub-octaves, helping you generate a huge wall of sound by playing just one note. The higher octave has an edgy and fuzzy character which is reminiscent of old late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges. The sub-octaves turn your guitar into a filthy bass guitar with ground shaking lows. Choose between either the first (-I), the second (-II) or both together (-I/-II), which gives you the sought-after wall of sound. The Moai Maea also gives you the possibility to create an individual mix of each generated octave and the original signal. To expand your soundscapes, the pedal features a serial buffered FX-Loop, within the clean path, plus a phase inverter to avoid phase-cancelation when mixing signals this way. Each octave section is foot-switchable. You can turn on and off the higher octave by jumping on the SHRIEK switch and the sub-octave by the DRONE switch. So if you are looking for a pedal to you that extra edge for your guitar sound, Moai Maea might well be the nirvana you’ve been looking for. Powered by an optional standard 9V-18V DC PSU (negative center, 2.1mm, approx. 20mA current draw) ATTENTION: The Moai Maea is an analog octaver and works monophonic only, not polyphonic! That means for a clean and perfect tracking, you have to play single notes because of the analog circuit design. Keep in mind that chords will sound glitchy, but charming anyway. Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

KMA Queequeg 2 Sub Octave ...

1.667,-

QUEEQUEG 2 Sub Octave Generator Reawaken The Depths Below “Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. QUEEQUEG 2 - look deep down and believe.” KMA Machines released the original QUEEQUEG in 2016. The pedal was our take on how simple and effective an analog monophonic suboctave device could be. Time doesn’t stand still and so with QUEEQUEG 2, KMA’s aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. QUEEQUEG 2’s super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there. Main Features • Analog sub octave pedal - from subtle tone thickening, to huge faux bass-synth sounds • Two ultra-fast tracking analog mono sub octaves • Offers precise octave shifted single note lines or glitchy, random chords • Easy-to-use one knob MIX design - controls clean/sub-octave blend • Three switchable sub-octave settings          -I: for synthy sub-octave sounds          -II: for truly earth-shattering lows          -I/-II: for a massive wall of sound sub tones • Multi-coloured LED - shows which mode is active at a glance • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass silent relay-based soft switching • Handmade in Berlin, Germany • Power by opt. 9 V PSU    (9 V DC, centre -, 2.1 mm, >60 mA max. current draw) Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of QUEEQUEG 2’s specialties. The pedal’s super quick tracking benefits from KMA’s custom all-analog circuit design, giving you very organic and smooth suboctave tones. Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.   With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you’re sure to find your mighty vessel of tone. Beware - don’t let your lows be dragged under! QUEEQUEG 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analog and thundering sub-sonic beast!

MXR JHMS2 Hendrix Shrine ...

2.550,-

MXR JHMS2 Hendrix Shrine Octavio Mini Nytt spennende design med et tipp på hatten til John Van Hamersvelds ikoniske portrett av Hendrix Meget dynamisk Fuzz fra låter som «Purple Haze» med flere Octave-Switch skrur av/på Oktav-funksjon. Authentic Hendrix™ ’68 Shrine Series Octavio Fuzz  En oppdatert utgave av den originale «Cheese Wedge» Ocativio Fuzz laget for moderne musikere og pedalbrett. I sin standardmodus har denne pedalen en aggersiv Silicon-vreng. Trykker du på «octave» bryteren får du i tillegg den klassiske over-oktaven som du har blitt så glad i fra f.eks «Purple Haze» og «One Rainy Wish»Begge modusene gir deg en meget dynamisk Fuzztone som vil inspirere deg til å dykke ned i det psykedeliske. 

MXR M103 Blue Box Octave Fuzz ...

1.695,-

MXR® BLUE BOX™ FUZZ M103 The Blue Box Octave Fuzz drops your guitar signal two octaves down and combines it with gnarly fuzz for huge subterranean tones. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). This is the crazy effect heard on Jimmy Page's "Fool in the Rain" solo. The Blue Box Octave Fuzz takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone. The Blend knob lets you control how much of the fuzz tone is mixed with the two octaves down signal. Not for the timid—there is truly nothing like the Blue Box.

MXR M267 Octavio Fuzz pedal

2.550,-

Utforsk de mest avsidesliggende utkantene i silisiumuniverset i et transportmiddel du kan stole på ... Octavio Fuzz fra MXR. Sett koordinatene til Level og Fuzz, ønsket volum og intensitet, og la deg forføres av pedalens legendariske glødende fuzz-toner.Her får du gitarguden Hendrix sin berømte effekt i et pedalvennlig MXR-skall. MXR® OCTAVIO® FUZZ M267 Explore the furthest reaches of silicon saturation in a trusted vessel with the MXR Octavio Fuzz. Just set the Level and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal's legendarily searing, synth-like tones. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included). Made famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low 'n' slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The layout is as simple as it ever has been—just set the Output and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal's legendarily searing, synth-like tones. Explore the furthest reaches of silicon saturation in a trusted vessel. Get yourself an MXR Octavio Fuzz.

MXR M306G1 POLYBLUE Octave ...

3.750,-

MXR M306G1 POLYBLUE Octave Moderne og klassisk pitch shift i én pedal Fire separate oktaver Separat volum for tørt signal Hopp mellom poly og mono pitch shift Fuzz inspirert av Blue box Leslie/phaser-effekt MXR Poly Blue Octave er den ultimate oktavpedalen for de som ønsker å ta gitarlyden litt lenger og leter etter noe uventet og magisk i ditt soniske arsenal. Moderne og klassisk pitch shift sammen med fuzz og leslie/phaser modulasjon.

T-Rex Quint Machine Oktav ...

1.440,-

Quint Machine Dobbel oktavpedal med kvint En dobbel oktavpedal der du kan blende inn en oktav opp og en oktav ned. Dessuten kan du legge på en perfekt stemt kvint, eller 5a på din grunntone, perfekt for raske riff eller om man vill etterligne visse orgel funksjoner. Classic octave doubling is cool, but throwing in a 5th up and giving all 3 modulated sounds their own volume control opens up a whole new world. Sound like a 12-string. Sound like an organ. Get rid of your dry signal and sound like a synth just owning that lonely heart. We built the QUINT MACHINE to give you more, and it will keep you discovering new sounds for years. Information Typ Dubbeloktav + Kvint Reglage 1 +1 Kvint (Fifth) Reglage 2 +1 Ovtace Reglage 3 Mix Reglage 4 -1 Octave In/Ut Tele/Tele Volt/mA 145mA Mått 60 x 50 x 117mm Vikt 0,210kg  

Tsakalis Audioworks ...

2.349,-

Tsakalis Audioworks Experience Fuzz Octave Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60’s and 70’s with a modern touch. It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness! Main Features: • Fuzz / Octave Effects Pedal • 2 separately switchable stand-alone channels (fuzz & octave) • 2 vintage silicon transistor Fuzz with FET clipping – based on the legendary Jordan Boss Tone • From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analog synth & harmonica like sounds • True Bypass Switching • Handmade in Athens, Greece • Powered by 9V DC power adapter (2.1 mm, center -, 5 mA current draw) The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colors. The fuzz channel is based on the Jordan™ Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analog synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion. Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience’s endless tonal capabilities! Unleash your creativity and let the Experience do the rest...

Tsakalis Audioworks PHONKIFY ...

2.450,-

Tsakalis Audioworks Phonkify X Envelope Filter and Octave Maximise your funk with the Tsakalis Audioworks Phonkify X pedal. A potent pairing of fabulous filters and outstanding octaves. Expanding on the esteemed original Phonkify, the Phonkify X turns up the funk-o-meter with three selectable flavours of envelope filter and three types of octave voicings. This makes the pedal not only perfect for juicing up your jams and dripping your tone in cosmic gravy, but also delivers filters and octave tones that go way beyond and into the spaces between. Featuring flexible momentary or latching operation for each effect, plus a dedicated toggle switch for selecting the order of the filter and octave, the Phonkify X is ready to pour on the funk gravy and turn up the stank factor! Main Features: • Independent Filter and Octave effects pedal • Three distinct Filter modes - Low Pass, Band Pass and Combo-Blend • Optional control of Filter frequency range, via expression pedal • Octave up, Octave down or a blend of both • True Bypass • Internal voltage doubling, for increased headroom • Latching or momentary footswitch control • Handmade in Athens, Greece • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 120 mA current draw, not included) Phonkify X’s Filter section warps and wiggles your tone into a kaleidoscope of grooves. Flip the dedicated toggle switch to find your filter flavour: Low Pass for warm, buttery tones, Band Pass for that snappy, in-your-face attitude or a cosmic combo of Low Pass-to-High Pass for sweeping, interstellar effects. Got an expression pedal? Slide it in and ride the funk wave with hands-free control over your freaky frequencies. While the Octave section can make the floor rumble and shake! No matter if you’re feeling that high-flying octave-up, a deep-diving octave-down or a spaced-out blend of both, hit that footswitch and squeeze out every last funky drop.   Need more juice? Crank the master volume to fine-tune your output, while the pedal’s internal voltage doubling gives your tone headroom for days. True Bypass keeps your original signal pure when you step off the funk train. The Phonkify X isn’t just a pedal. It’s a total vibe machine, a groove generator and a tone tailor for the funky-hearted. Whether you’re laying down tight pocket grooves or blasting off into experimental soundscapes, the Phonkify X has the tools to elevate your sounds right into the stratosphere.

WAY HUGE® WHE900 ...

3.395,-

Du er i ferd med å åpne en dør til det uventede, det ukjente og det utrolige. Ta en spektakulær reise gjennom verdens underverk og tidens mysterier. Restriksjoner eksisterende ikke og grensene er usannsynlige. Sleeper har våknet!The Way Huge Atreide's Analog Weirding Module skjuler et hav av kalejdoskopisk og organisk syntaktige toner inspirert av en gammel 1980-talsyntesynthesizer. Trykk ned fotpedalen og se verden utvide seg til en eksplosjon av suboktaver, envelope filter, svaiende phaser og skitten fuzz. La sjelen din fylles med perfeksjon og fantasi. For Sonic Voyagers. • Inspirert av en gammel mini-synthpedal • En effekt med mange lager • Sub-, envelope, fuzz- og phaserlyder • Innebygd bryter setter sub 1 eller 2 oktaver ned • Innebygd pott justerer phasmrnivået

-41%

SolidGoldFX 76 Octave Fuzz ...

1.479,-

2.490,-

76 Octave-up Fuzz. NB! Tilbudspris gjelder kun 1 stk. igjen på lager! While the Western world was preoccupied with its Fuzz Faces, Tone Benders and others, the Eastern world was bubbling up with plenty of fuzzes of its own. This very distinct era in fuzz history gave us many treasures that have been crowned fuzz legends—the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others. Our 76 offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks, such as a quiet signal or fragile wiring. On its face, the 76 gives you a multi-voiced germanium-equipped fuzz unit that gives you hints of octave-up snarl while it ruthlessly pummels your amp with hair and fangs. Aside from standard volume and fuzz controls, and unlike the original Standard Fuzz, the 76 also gives you a texture control that sweeps the midrange, effectively giving you many flavors of fuzz across several positions. A three-way color switch offers a little frequency scoop, but the center position is off, for full-frequency fuzz madness. The internals contain two DIP switches that alter the character of the unit. The first, clip, changes the clipping stack from the stock Standard Fuzz arrangement of two germaniums into a hybrid germanium-silicon arrangement. Engaging this switch opens the sound up, increases crunch and definition for a searing lead tone. The other switch, Dark, engages a treble cut on the input, which helps to prep the incoming signal for the fuzz onslaught. This switch should be engaged if the 76 follows a bright dirt pedal or a jangly set of pickups. The new Standard Fuzz is here and is a forced to be reckoned with, leveling audiences with its punishing buzzsaw grind and unbridled harmonics. The 76 is your favorite fuzz nerd’s favorite fuzz.     KNOBS: Fuzz: Turning the Fuzz up ranges from a little crunch to more gain than you could ever want. Texture: This control adjusts the mid frequency of the 76. Go from a deep scoop to a mid-drenched grind with a simple twist Level: Adjusts the output volume, with more than enough on tap. TOGGLE SWITCHES: Color: Switches between three different frequency ranges, from scooped to full-frequency fuzz tones. UNDER THE HOOD: Clip (internal DIP): When on, the 76 employs germanium diodes for a spongier signal and a harder clipping threshold. When off, a silicon-germanium combo is employed, opening the fuzz signal up a little more. The default is on. Dark (internal DIP): When on, the 76 cuts a good amount of treble from the input signal, useful for single-coils and wicking away treble from anything before it. When off, the treble cut is lifted. The default is off. AUXILIARY: Input: Instrument or other pedal goes here. Output: Amplifier or other pedal goes here. True bypass footswitch: Turns effect on and off. POWER: The 76 requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement. DIMENSIONS: 4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)

SolidGoldFX 76 MK II ...

2.450,-

SolidGoldFX 76 MKII Multi-Voiced Silicon Octave-Up Fuzz While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others. Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummeling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup. Main Features: • Silicon Octave Fuzz pedal • Inspired by the Ibanez Standard Fuzz circuit - for maximum fuzz awesomeness • Uses a JFET Preamp stage and a quartet of high-gain Toshiba transistors (new) • Octave bypass switch - intended to tame the wild • Dual independent Texture and Color tone stacks for precision audio sculpting o Color toggle switch for switching between three different frequency ranges from scooped to full frequency fuzz tones o Texture control sweeps the mid-range for many flavours of Fuzz • Soft-touch True bypass switching and top-mounted jacks (new) • Made in Montreal, Canada • Powered by 9V DC PSU  (centre -, 2,1 mm, 10 mA current draw) Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII’s dual Texture and Color tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish. All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away. Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you’re looking for a musical yet powerful fuzz capable of leveling Tokyo! Here’s to the new Standard Fuzz.

SolidGoldFX LYSIS MKII ...

3.009,-

Lysis MKII Polyphonic Synth Fuzz Machine The LYSIS MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!! Building on the foundation of SGFX’s original LYSIS design, the LYSIS MKII pushes the envelope even further with a number of new features and functionality that helps to increase player interaction and versatility. Bursting with possibilities, LYSIS MKII is designed to meld the world of stringed instruments with that of synths. The LYSIS MKII applies thick, resonant filters, multiple polyphonic voicings and sweeping LFO’s, all drenched in an analog square-wave fuzz to your instrument of choice. Main Features: Octave Fuzz Pedal with LFO ramping/breaking modulation Discrete analog square wave fuzz circuit with FET preamp Polyphonic pitch shifting – delivers octave down, octave down/up and octave down/fifth voicings Selectable HP/LP filters with adjustable resonance 3 waveform modes (triangle, sine, square) with 11 presets each – for a total of 33 modulation settings Tap Tempo control with speed ramping & LFO braking Soft touch true bypass switching Expression/CV control assignable to any parameter via internal DIP switches Top-mounted jacks – for ease of pedalboard mounting Hand-made in Montreal, Canada At the core of the LYSIS MKII is a discrete FET preamp and high-gain fuzz circuit. This feeds into SGFX’s digital polyphonic voice and filter generator, then back into a discrete transistor output stage, offering the best of both analog and digital signal processing. While the high-pass and low-pass filters carry over from the previous generation, they are now controlled by SGFX’s new tap tempo LFO. This is now loaded with 33 different triangle, sine and square waveshapes coupled with 3 preset resonance settings for your choice of soft modulation or heavy, rhythmic sweeps. The Voice selector has been expanded to include the previous octave down setting, as well as a new octave down/octave up voicing and SGFX’s Super Power Chord featuring octave down/fifth pitch shifting. Combined with a feature-rich, yet easy-to-use control set, the LYSIS MKII quickly becomes an extension of your instrument and an inspirational toolbox. There’s nothing left to do but to plug in and let the LYSIS MKII sweep you off to synth/fuzz nirvana and enjoy punishing octave-down fuzz, rich, gooey filter sweeps or anything in between.

MXR M225 Sub Machine Octave ...

3.195,-

MXR Sub Machine Fuzz, åpner døren til en ny og spennende lydverden. Dette betyr at den lille boksen kombinerer den ”shaggy” vintagelyden av La Machine Fuzz med en knurrende Sub oktav krets, noe som gir deg en enveisbillett til de soniske grensene av tung lyd!

Viser 16 til 30 (av 30 produkter)