Mikrofoner

Hovedbilde Samson Q9U XLR/USB Dynamisk ...

3.125,-

Samson Q9U XLR / USB Dynamic Broadcast Microphone Produce professional high-quality audio for broadcasts, podcasts, streams and live recordings with the Q9U Broadcast Dynamic Microphone. Easily integrated into any professional or home recording setup, the Q9U features both an XLR analog output and USB-C connection with stunning 24-bit/96kHz hi-definition digital audio resolution. The microphone captures the depth and detail of the voice to ensure the performer's voice resonates with the listener. The Right Mic for Any Setup The Q9U can easily be integrated into any recording setup — ideal if you are a one-person show, or building a multi-host production studio. The modern dynamic capsule with neodymium magnet provides plenty of output to work with any mixer or audio interface without the need for any external gain devices. A wide frequency response, and large dynamic range captures the nuance and natural sound of speech and music performances. An advanced humbucking coil reduces the pickup of electromagnetic (EMI) and radio-frequency interference (RFI) as well as hum from other equipment. High-Definition Digital Sound The Q9U features a 24bit/96kHz analog to digital converter for vibrant high-definition digital recordings directly to your Mac or Windows computer with no driver downloads required. The Q9U includes zero-latency headphone monitoring to allow you to hear your voice in real time. An onboard mute switch quickly silences the microphone to both the XLR and USB outputs. Built from the inside out A cardioid polar pattern keeps your voice front and center by providing excellent off-axis rejection and minimizing ambient pickup. An internal air-pneumatic shock mount isolates the capsule from mechanical noise and a dual-layer windscreen minimizes popping and plosives for a crisp, professional sounding broadcast. Low-cut and mid-presence boost controls give you further onboard sound tailoring options. Dynamic capsule with humbucking coil and neodymium magnet Cardioid polar pattern XLR Analog Output USB-C Digital output with 24-bit/96kHz resolution 1/8" output zero-latency headphone monitoring Robust construction with swivel yoke mount Low Cut Filter Mid-presence Boost Mute button controls both USB and XLR outputs Dual layer windscreen Plug-and-play, no driver installation required Solid, die-cast construction with integrated yoke mount Includes USB cable

Samson SP01 Mikrofonholder ...

670,-

Mikrofonholder med flytende oppheng for Stormembran mikrofoner som bl.a. Samson C01, C03, CL-7, CL-8, C01U og C03U.

sE Electronics DM2 inline ...

1.225,-

sE Electronics DM2 En eksplosiv inline preamp basert på den populære DM1 DYNAMITE, med mer gain og presis kontroll slik at dine favorittmikrofoner kan skinne som aldri før. The DM2 T.N.T is an active inline preamp based on the acclaimed DM1 DYNAMITE – featuring even more gain, less noise and more flexibility so your precious go-to microphones shine like never before. With an integrated recessed gain switch, the DM2 T.N.T lets you choose between a moderate 15 dB or explosive 30 dB of clean, transparent gain for more headroom and a clean signal with an ultra-high impedance input and eight load settings to perfectly match your DM2 T.N.T with any microphone. Intended for direct connection to the output of a passive ribbon or dynamic microphone, the DM2 T.N.T streamlines the traditional inline preamp by eliminating the need for an extra cable, and its compact size makes travel convenient, so the gain you're looking for is always by your side. Switchable, clean and consistent gain from moderate 15 to explosive 30 dB Two gain levels ensure even higher flexibility on various sources, designed for neutral, balanced sound quality and dangerously low noise. The uncompromising design ruthlessly boosts the signal independent from load impedance or cable length. Able to be matched perfectly with any passive microphone to boost the signal, the DM2 T.N.T reduces the likelihood of interference and provides a significantly improved level to your interface/mixer's preamp – all without adding noise or coloration! Get the best out of your mics with variable input load Common inline preamps tend to strain the transducers of passive microphones due to their electronic design, which results in a degradation of sound quality and output level. Thankfully, the DM2 T.N.T's ultra-high impedance input allows for any load on passive microphones to achieve the best out of your mic collection so they can shine like never before! At the twist of a dial, explore eight settings ranging from an unconventionally low 50 Ω to stunningly high 10 MΩ to match your preamp with any mic accurately for clear recordings with the lowest noise possible. Built to unleash the best qualities from your microphones, the DM2 T.N.T enables experimentation to discover nuance sound characteristics and the sweet spot of any passive mic in your collection. Sophisticated Class-A electronics and dedicated output buffer Boasting an elaborated electronic design and specially selected high-grade FETs, the DM2 T.N.T has the lowest self-noise in its class, making studio-quality recordings effortless. Unlike other industry-standard inline preamps, the DM2 T.N.T delivers a consistent +15 dB / +30 dB of gain regardless of the connected load. As the ideal audio engineer's tool, the DM2 T.N.T’s output impedance is also the lowest in its class, allowing it to drive long cable runs at a moment's notice while reducing susceptibility to RF interference, buzz and hum. Slim, rugged all-metal housing with premium finish Even in the most demanding environments, the DM2 T.N.T is ensured by a roadworthy and slim all-metal design, robust construction, high-quality manufacturing standards, and gold-plated XLR connector for reliable loss-free signal connection, whether on-stage or in the studio. Complete with an exceptionally convenient phantom-powered design that does not require an external power supply, the sE DM2 T.N.T is the ultimate game-changer in your pro audio arsenal. Switchable, clean and consistent gain from moderate 15 to explosive 30 dB designed for neutral, balanced sound quality at minimum noise two gain levels for even higher flexibility on various sources ruthlessly boosts the signal independent from load impedance or cable length Get the best out of your mics with the variable input load choose from unconventionally low 50 Ω to stunningly high 10 MΩ alter the sound character at ease thanks to eight settings Find the sweet spot for any mic of your collection Sophisticated class-A electronics state of the art electronics and high-grade FETs provide supremely low noise transformerless design for pristine sound quality provides the best performance and lowest noise in its class Dedicated output buffer amplifier extremely low output impedance enables long cable runs provides significantly improved level to your mic preamp for proper gain staging drives long cable runs and can reduce susceptibility to RF interference, buzz & hum Slim, rugged all-metal housing with premium finish efficient rejection of any electrical interference and noise high-quality finish ensures a great look for many years slim design allows for easy placement in the studio or on stage Gold-plated XLR connector for loss-free and reliable signal connection In the box: DM2 T.N.T Screwdriver User manual

sE Electronics HB52 Harp ...

2.275,-

sE Electronics HB52 Harp Blaster The new standard in harp microphones - an exciting collaboration between sE Electronics and Hohner. Based on the inspiration from a select group of professional players and modeled after the sound of legendary vintage harp microphones, the Harp Blaster HB52 sets a new standard. Designed as the perfect channel for the artist’s creative output, it’s comfortable to hold, cup, and use for long periods of time, ensuring that the music can flow unhindered and achieve maximum sonority and expression. Suited to the needs of touring professionals, engineered to uncompromising standards, it combines fantastic sound quality with optimal ease of use and maximum durability. Instead of looking at competing products to sculpt the Harp Blaster’s sound, we took our inspiration from a select group of professional players. The goal was to create an exceptional mic ideally suited to their needs, engineered to uncompromising standards, combining fantastic sound quality with optimal ease of use and maximum durability. After all, if a microphone can become a seamless extension of the artist’s emotive output – rather than a distraction of an obstacle – the music can flow unhindered and achieve maximum sonority and expression. Together, HOHNER and sE chased down this ideal, creating a state-of-the-art product that will satisfy the most discerning harmonica player. Perfectly sized for easy cupping and handling, the highly reactive capsule responds directly to your hand technique and your musical expression. Moreover, the Harp Blaster HB52 was designed with input from professional harp players to ensure that it’s comfortable to hold, cup, and use for long periods of time. The high output level and high impedance will drive your amp properly without the need for any impedance converters, boost pedals or stomp boxes. In addition to its handy dimensions, the flat and sleek grille of the Harp Blaster ensures a tight cup and facilitates powerful hand effects. The mic features a volume control utilizing a Bourns® potentiometer and a diamond-pattern knurled chrome knob, making it slip-proof and reliable. If you’d prefer not to have a volume control, it can be disabled internally. We opted to use an XLR jack, as opposed to an attached cable, a 1/4” jack or a screw-on connector, to avoid a common Achilles’ heel among harmonica microphones. An attached cable can easily suffer a broken solder joint, transforming the mic into a paperweight until it can be repaired. An XLR jack provides better connectivity, that won’t become noisy or fussy over time like a screw-on connector or 1/4” jack, and its internal locking mechanism adds extra signal security – in case the cable gets tugged, snagged, or stepped on. However, the locking mechanism of the HB52’s XLR socket is also easily disabled, if that’s your preference. As mentioned earlier, this microphone is not delicate. In the throes of performing, you can drop it, kick it, and/or drive nails with it. It is built to be a roadworthy tool. Just do us a favor and don’t submerge it in boiling water, or anything similarly ridiculous. Barring that, it should last a lifetime! hand-crafted at sE’s very own factory with highest attention to detail exclusive hammer painting for a great look and maximum durability polished and chromatized grille lets you shine on stage for years quality Bourns® potentiometer for precise volume adjustment If you’d prefer not to have a volume control, it can be disabled internally chromatized, diamond-pattern knurled volume knob for slip-proof and reliable control robust gold-plated XLR connector for reliable, loss free signal flow Specifications Capsule Type: Dynamic Voice coil: Copper Magnet: Neodymium Frequency range: 22 Hz - 16,000 kHz Sensitivity: 17.8 mV/Pa (-35 dBV) Electrical Impedance: 45 kOhms Connectivity: 3-pin male XLR connector Diameter: 50mm Length: 78mm Weight: 205g

sE Electronics RN17 Solo ...

11.950,-

Designed with Mr. Rupert Neve, the RN17 redefines the capabilities of an SDC. This is the world's first pencil microphone with a large-scale, hand-wound, ultra high performance transformer. The second product of the sE / Rupert Neve collaboration, work on the RN17 began with a discussion between Rupert and Siwei Zou on the merits and problems of small-diaphragm condensers. "I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.'" According to Siwei, "The SDC's problem is that they have a very clear sound - the SPL is high, but the sound is very cold, not like with a large diaphragm. The quality of the transformer can make the sound much, much better - but with a small transformer, nobody can do it." "Rupert told me, 'I want THIS transformer.' I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.' He said, 'I want the impossible to be possible.'" THE SMALL DIAPHRAGM With a 15mm diaphragm (the world's smallest production gold-sputtered diaphragm), the transient response of the RN17 is unparalleled. Such a small capsule reacts extremely quickly, and is therefore adept at picking up the most delicate of high-frequency content. However, a tiny diaphragm usually results in a lack of low-frequency response. How to counter this? THE MASSIVE TRANSFORMER Made obvious by the unusual chassis shape, the RN17's transformer is substantially larger than the norm. This full-scale transformer was custom-designed by Rupert Neve specifically for this microphone - and nobody has been designing audio transformers longer (or better) than Rupert Neve. With an audio transformer of this magnitude, the RN17 is able to put out astonishing clarity across ALL frequencies - not just the highs. The midrange is detailed and forward, the lows are full and accurate, and the whole microphone has a balance and headroom never before achieved with a small-capsule microphone. MATTE BLACK FINISH The matte black finish minimizes the level of visual attention drawn to the microphone when used on stage or in the studio, allowing it to blend into the background. ADDITIONAL CAPSULES The RN17 ships standard with a cardioid capsule, but an omnidirectional capsule is also available for purchase separately. CUSTOM SHOCK MOUNT Every RN17 includes a custom-designed, sturdy, protective, and easy-to-use shock mount, which is essential to reducing the unwanted effects of vibration or knocks to the supporting microphone stand. Capsule Type: Hand-Crafted True Condenser Diaphragm: 17.2mm Gold/Mylar Directional Pattern: Cardioid (omnidirectional capsule available separately) Frequency range: 20 Hz - 20 kHz Impedance: 200 Ohms Sensitivity: 5.96 mV/Pa (-44.5dB) Sensitivity (Figure-8): 2.51 mV/Pa (-52dB) Max SPL: 131 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) (cardioid), 15 dB(A) (omni) Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 320g / 11.32oz Diameter: 44 mm (transformer), 17mm (capsule) Length: 200 mm Se video her.

sE Electronics RN17 Stereo ...

23.895,-

RN17 Factory-Matched Stereo Pair When purchased as a pair, the transformers and cardioid capsules are factory-matched for perfect tolerance, guaranteeing the best possible stereo image. This configuration also includes a precision stereo mounting bar, two shock mounts, a wooden presentation case, and empty canisters for future capsule additions. The whole setup comes packaged inside a secure flight case. Omnidirectional Capsules Especially when used with an RN17 Stereo Pair, these omnidirectional capsules can be used to capture amazing room effects for drums, pianos, and orchestras. Available separately in singles or pairs. Designed with Mr. Rupert Neve, the RN17 redefines the capabilities of an SDC. This is the world's first pencil microphone with a large-scale, hand-wound, ultra high performance transformer. The second product of the sE / Rupert Neve collaboration, work on the RN17 began with a discussion between Rupert and Siwei Zou on the merits and problems of small-diaphragm condensers. "I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.'" According to Siwei, "The SDC's problem is that they have a very clear sound - the SPL is high, but the sound is very cold, not like with a large diaphragm. The quality of the transformer can make the sound much, much better - but with a small transformer, nobody can do it." "Rupert told me, 'I want THIS transformer.' I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.' He said, 'I want the impossible to be possible.'" THE SMALL DIAPHRAGM With a 15mm diaphragm (the world's smallest production gold-sputtered diaphragm), the transient response of the RN17 is unparalleled. Such a small capsule reacts extremely quickly, and is therefore adept at picking up the most delicate of high-frequency content. However, a tiny diaphragm usually results in a lack of low-frequency response. How to counter this? THE MASSIVE TRANSFORMER Made obvious by the unusual chassis shape, the RN17's transformer is substantially larger than the norm. This full-scale transformer was custom-designed by Rupert Neve specifically for this microphone - and nobody has been designing audio transformers longer (or better) than Rupert Neve. With an audio transformer of this magnitude, the RN17 is able to put out astonishing clarity across ALL frequencies - not just the highs. The midrange is detailed and forward, the lows are full and accurate, and the whole microphone has a balance and headroom never before achieved with a small-capsule microphone. MATTE BLACK FINISH The matte black finish minimizes the level of visual attention drawn to the microphone when used on stage or in the studio, allowing it to blend into the background. ADDITIONAL CAPSULES The RN17 ships standard with a cardioid capsule, but an omnidirectional capsule is also available for purchase separately. CUSTOM SHOCK MOUNT Every RN17 includes a custom-designed, sturdy, protective, and easy-to-use shock mount, which is essential to reducing the unwanted effects of vibration or knocks to the supporting microphone stand. Capsule Type: Hand-Crafted True Condenser Diaphragm: 17.2mm Gold/Mylar Directional Pattern: Cardioid (omnidirectional capsule available separately) Frequency range: 20 Hz - 20 kHz Impedance: 200 Ohms Sensitivity: 5.96 mV/Pa (-44.5dB) Sensitivity (Figure-8): 2.51 mV/Pa (-52dB) Max SPL: 131 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) (cardioid), 15 dB(A) (omni) Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 320g / 11.32oz Diameter: 44 mm (transformer), 17mm (capsule) Length: 200 mm Stereo Bar (Matched Stereo Pair Only) Weight: 245 g / 8.64 oz Dimensions: 300 x 25 mm Max. width between mic mounts: 276 mm Min. width between mic mounts: 58 mm Se video her.

sE Electronics RNR1 Rupert ...

20.650,-

Meet the RNR1 - the world's first mic from Mr. Rupert Neve. With custom transformers and discrete circuitry from the man behind the recording industry as we know it, the RNR1 hears more than any other ribbon on the planet. Ribbon mics have been around for a long time, and have always been particularly prized for the exceptionally "natural" sound they provide. Not too forward, never bright or shiny, they capture midrange detail with a pleasant intimacy and usually sit quite easily in a mix. One downside of their mellow nature used to be physical delicacy, but that challenge was conquered long ago with more rugged, reliable materials. But the other main negative with ribbon mics is the high-frequency roll-off inherent in their design, which had never been dealt with until Rupert Neve - the father of the recording console - decided to make a microphone. THE TRANSFORMERS Nobody knows audio transformers better than Rupert Neve, and ribbon mics require more transformer attention than any other. This is because the transformer that couples the ribbon to the output needs to accomplish a fairly massive impedance conversion. With the RNR1, two custom Rupert Neve-designed transformers form the buffer between the ribbon and the outside world. The circuitry between those transformers helps maintain the ultra-wide frequency response, compensating for the ribbon's natural predisposition to roll it off, and thus high-frequency content is preserved. THE RIBBON During the RNR1's development, a full year was spent working on crafting a ribbon element that would provide the extended response that Mr. Neve demanded. After experimenting with ribbon materials available from all corners of the world, the design team landed on the 2.5µm aluminum ribbon used in the RNR1, striking the perfect balance of flexibility and stiffness needed for this microphone's exceptional performance. THE SHAPE As with many sE microphones, the RNR1 has an unusual and bold design aesthetic, with the form following the function. The precision-machined and scalloped edges don't just look vibrant and dramatic, they have also been custom-designed to provide the ribbon with an acoustically ideal setting for the best possible frequency response. MATTE BLACK FINISH The matte black finish means the mic remains unobtrusive and doesn't draw any unnecessary attention to itself under harsh stage or studio lighting. CUSTOM SHOCK MOUNT The RNR1 includes a custom-designed and easy-to-use shock mount, which is essential in use to reduce the unwanted effects of vibration or knocks to the supporting microphone stand. Acoustic Operating Principle: Electrodynamic pressure gradient with active electronics Generating Element: Hand-tensioned 2.5µm aluminum ribbon Directional Pattern: Figure-8 Frequency range: 20 Hz - 25 kHz Impedance: 200 Ohms Sensitivity: 22.39 mV/Pa (-33 dB) Max SPL: 135 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) Low Cut Filter Switch: 100 Hz Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 860g / 30.34oz Se video her.

sE Electronics RNT Rupert ...

34.250,-

Rørbasert stormembransmikrofon utviklet i samarbeid med selveste Rupert Neve. Rørdrevet stormembranmikrofon Utviklet i samarbeid med Rupert Neve Karakteristikker: 3 valg - omni, nyre eller 8-tal Rør 12AU7 Justerbar forsterkning: 0dB, -12dB eller +12dB High-pass filter: 80Hz eller 40Hz

sE Electronics sE4400a ...

6.295,-

sE4400a er en rykende fersk fortsettelse på sE2200a og byr i sin mangfoldighet fire ulike retningskarakteristikker med valg av doble bass cuts og pads. I den forbløffende lille gummikledde metallholderen rommer en dobbel membran på 2, 54 cm. Mikrofonens flate og jevne design byr på spennende oppmikkingsteknikker som klarer alt fra å legges flatt på en skarptromme til opptak av den aller spedeste røst. sE4400a leveres med en unik shockmount som mulig-gjør plassering i vanskelige miljøer og svart flightcase i aluminium. The sE4400a is vintage versatility at its finest. Four polar patterns, a vintage-style brass capsule, two bass cuts and two pads, and the most adaptable shockmount around - the 4400a is pure modern classic. Much like a few particularly well-known classic European condensers, the 4400a is a true all-rounder. You can put it up on just about anything and it'll sound great. Unfortunately for many studio owners, those "classic condensers" are often not what they used to be. Capsule designs change over time, capacitors dry out, metal switches are replaced with plastic buttons and LEDs, and the mics that were once so versatile are now mere shadows of their former selves. Given the practically cult status of these vintage mics, sE saw an opportunity, and from that arose the 4400a. Now these classics are obtainable - hand-made brass capsule, four-polar-pattern-versatility and all. And like the classics, the 4400a sounds great on everything. Vocals, guitars, toms, overheads, classical pianos, strings, you name it. Its tonal versatility is practically unmatched, without the shortcomings of vintage mics. HAND-CRAFTED CAPSULES As with all sE mics, the 4400a's back-to-back brass-ringed capsules are hand-built and hand-tuned by our skilled technicians, just like any fine musical instrument. CUSTOM SHOCKMOUNT + CHASSIS The flat, round-edged chassis design and custom suspension mount allow the mic to be centered within the shock, flipped around and used flat against a drum head or guitar cab, or angled outwards and pushed through inside of a kick drum. And at less than 3/4" thick, it fits neatly in the palm of your hand, but is built to take a beating on the road. "I don't think I've ever started a mic review by introducing the accessories first. But given the innovative design of the shockmount included with the sE4400a, I can't help but get that out of the way so I can then move on to telling you what a great buy the mic itself is." Tape Op Magazine NON-REFLECTIVE PAINT The mic has a unique, black, non-reflective, non-marking, rubberized finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting. “Having used the sE4400a's for the piano parts on Coldplay’s latest album, I wish I’d had them on piano duty for the previous record too." - Rik Simpson, Engineer/Producer (Coldplay, Jay-Z, Portishead) Se video her. Capsule Type: Hand-Crafted True Condenser Diaphragm: 32mm Twin Gold/Mylar Directional Pattern: Cardioid, Hyper Cardioid, Omni, Figure-8 Frequency range: 20 Hz - 20 kHz Impedance: 50 Ohms Sensitivity: 25.12 mV/Pa (-32 dB) Max SPL: 122/132/142 dB (0/-10/-20 dB pad) (0.5% THD @ 1kHz) Signal to Noise Ratio: 78 dB Self Noise: 16 dB(A) Pass Filter Switch: 60/120 Hz Preattenuation Pad: -10/-20 dB Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 280g / 9.88oz

sE Electronics Voodoo VR1 ...

5.650,-

The VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs. The VR ribbon microphones from sE mark a new era for ribbon mic technology. Until the VR Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent. With the VR mics, full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room. The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. The VR1 & VR2's ability to perform - coupled with their unique look - have already made them a secret weapon for top musicians and engineers worldwide. USED BY: Queens of the Stone Age Billy Gibbons August Greene My Morning Jacket Pete Thorn Steve Stevens John Browne Neil Cappellino Linkin Park Band of Horses Taking Back Sunday Paramore Black Sabbath David Hodges and many more. VR1 (passive) Electronics: Passive Generating Element: Hand-tensioned 2.5µm aluminum ribbon Directional Pattern: Figure-8 Frequency range: 20 Hz - 18 kHz Impedance: 300 Ohms Sensitivity: 1.78 mV/Pa (-55 dB) Max SPL: 135 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 75 dB Self Noise: 19 dB(A) Matching Connectors: XLR3F Power requirement: N/A (phantom-protected) Weight: 230g / 8.11oz Se video her.

sE Electronics Voodoo VR2 ...

6.550,-

The VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo. The VR ribbon microphones from sE mark a new era for ribbon mic technology. Until the VR Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent. With the VR mics, full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room. The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. The VR1 & VR2's ability to perform - coupled with their unique look - have already made them a secret weapon for top musicians and engineers worldwide. USED BY: Queens of the Stone Age Billy Gibbons August Greene My Morning Jacket Pete Thorn Steve Stevens John Browne Neil Cappellino Linkin Park Band of Horses Taking Back Sunday Paramore Black Sabbath David Hodges and many more. VR2 (active) Electronics: Active Generating Element: Hand-tensioned 2.5µm aluminum ribbon Directional Pattern: Figure-8 Frequency range: 20 Hz - 18 kHz Impedance: 200 Ohms Sensitivity: 10 mV/Pa (-40 dB) Max SPL: 135 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) Matching Connectors: XLR3F Power requirement: 48V Phantom Weight: 400g / 14.11oz Se video her.

sE sE8 Omni Småmembran ...

4.995,-

sE sE8 Omni sE8 omni - the perfect choice for demanding applications like recording orchestras, ensembles and choirs but equally good for solo instruments, vocals and percussion. Based on the highly acclaimed sE8 cardioid pencil condenser, sE proudly offers an omnidirectional option Featuring the very same, sophisticated capsule backplate design and true condenser technology, the sE8 omni provides an authentic and transparent sound quality second to none. Every pair is hand-crafted and carefully selected in our own factory to ensure the best possible performance. With the lowest noise and highest SPL capability in its class, the sE8 omni is the perfect choice for demanding applications like recording orchestras, ensembles and choirs but equally good for solo instruments, vocals and percussion. As with all SE factory-matched pairs, every mic ending up in a sE8 Stereo Pair configuration is hand-selected from hundreds of individual microphones. This ensures identical performance and the highest possible mic-to-mic consistency, so you can rest assured that your stereo image will be as clear & accurate as possible. HANDCRAFTED TRUE CONDENSER CAPSULE Gold-sputtered diaphragms ensure maximum reliability every capsule is handcrafted and individually tuned in our very own factory ultra-precision electrode design optimized for superb linearity and natural sonics ultra-thin 3 micron gold-sputtered diaphragm for superior transients with an ultra-precision electrode, the sE8 omni is optimized for superb linearity and natural sound, ensuring a consistently smooth and balanced frequency response THE QUIETEST PENCIL MIC IN ITS CLASS sophisticated electronic design provides extremely low noise without the use of integrated circuits transformer less design for excellent transparency and clarity proven Class-A circuitry ensures a high dynamic range without distortion and brilliant transient response TWO SWITCHABLE PRE-ATTENUATION PADS The -10dB and -20dB switchable attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range without compromises. Two switchable levels enable close-mic techniques for even the loudest sources like brass instruments, timpani and drums. TWO SWITCHABLE LOW-CUT FILTERS Selectable at either 80Hz or 160Hz, these two filters help eliminate low-frequency rumble or footfall noise, as well as help compensate for excessive bass (proximity effect) with close-mic techniques. ALL-METAL HOUSING WITH GOLD-PLATED XLR CONNECTOR, PREMIUM FINISH & ACCESSORIES Unlike the cheaply constructed bodies of some small-capsule microphones, the sE8's all-metal chassis provides efficient rejection of any electrical interference and noise - and the high-quality finish and gold-plated XLR connector ensures a great look and a loss-free, reliable signal connection for years to come. The sE8 also comes standard with a newly-designed mic clip that will securely attach it to any mic stand. The sE8 Matched Pair comes complete with a precision stereo mounting bar, two protective wind screens, two mic clips, and a robust high-quality metal flight case. Specifications Capsule Type: Hand-Crafted Small-Diaphragm True Condenser Polar Pattern: Omnidirectional Frequency range: 20 Hz - 20 kHz Sensitivity: 20 mV/Pa (-34 dBV) Max SPL: 141 / 151 / 161 dBSPL (0/10/20 dB Attenuation pad) Equivalent noise level: 15 dB(A) Dynamic range: 126 / 136 / 146 dB (0/10/20 dB Attentuation pad) Signal to Noise Ratio: 79 dB Low-cut filter: 80 / 160 Hz, 6 dB/Oct, switchable Attenuation Pad: 10 / 20dB, switchable Powering: 48 Volts according to IEC 61938 Electrical Impedance: 110 Ohms Recommended load impedance: >1k Ohms Current consumption: 2.7 mA Connectivity: 3-pin male XLR connector Dimensions: Diameter: 23mm (0.91 in), Length 120mm (4.72 in) Weight: 141 g

Sennheiser 747-WS Vindhette ...

249,-

Svart vindhette til Sennheiser HT 747 Hodebøylemikrofon.

Sennheiser e602 II Basstromme ...

1.790,-

Feel more bass. Don't just hear it. Feel it. Punching and vibrating, the e 602-II follows bass instruments down to the low frequencies that shake things up. The punch of the kick drum keeps its forceful volume at the bottom of the sound image; the attack remains precise throughout the mic’s entire frequency response. The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording. Features Rugged, lightweight aluminium body for stable positioning on long microphone boom arms Lightweight high-performance voice coil construction Fast transient response Low frequency extension Ideal for direct use on the most problematic bass signal Frequency-independent directivity provides isolation from other on-stage signals Humbucking coil Integral stand mount Dimensions Ø 60 x 153 mm Connector XLR-3 Frequency response 20.....16000 Hz Weight 318 g Sensitivity in free field, no load (1kHz) 0,25 mV/Pa; (50 Hz) 0,9 mV/Pa Nominal impedance 350 Ohm Min. terminating impedance 1000 Ohm What's in the box? 1 e 602-II 1 pouch Instructions for use

Sennheiser e604 dynamisk ...

1.790,-

Sennheiser e604 dynamisk mikrofon for trommer Tilbudspris gjelder kun 1 stk. på lager! The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features: Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes: 1 e 604 1 drum clip 1 pouch Technical Data: Transducer principle (Microphone) dynamic Pick-up pattern cardioid Frequency response (microphone) 40.....18000 Hz Sensitivity in free field, no load (1kHz) 1,8 mV/Pa Nominal impedance 350 Ohm Min. terminating impedance 1000 Ohm Connector XLR-3 Dimensions d 33 x 59 mm Weight w/o cable 60 g

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