Lyd

6.980,-

SSL Plug-in Controller UC1 is a hardware plug-in controller like no other. Dedicated knob-per-function Channel EQ and Dynamics controls, centre section featuring full Bus Compressor controls and authentic moving-coil gain reduction meter combine to offer the most creative, intuitive, and ultimately effective way of controlling the new SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins within your DAW session. Console ergonomics and workflow SSL production tools are the benchmark for studio ergonomics and workflow. UC1 draws on decades of analogue and digital console design to develop an intelligent and deeply integrated SSL plug-in control surface that lets you focus on your production goals and not the process. UC1’s layout of encoders, switches and colour groupings offer professional SSL console ergonomics seamlessly integrated with our most advanced Channel Strip and Bus Compressor plug-ins to date. Multiple parameters can be controlled simultaneously and precisely, equipping you with a production tool that nurtures muscle memory, provides unmatched sonic flexibility and inspires operator confidence. Every detail of UC1 has been implemented to keep you in control and informed of how your mix is reacting to processing. Dedicated front panel encoders accompanied by an on-board hi-res display allow you to move quickly between instances of Channel Strip and Bus Compressor directly from the surface. You can also load presets, as well as alter the Channel Strip process order. SSL 360° Plug-in Mixer At the heart of the UC1 system is the SSL 360° Plug-in Mixer, view and control all of your Channel Strips and Bus Compressors in one place. 360° Plug-in Mixer offers an efficient way of interacting with multiple plug-ins simultaneously, further bridging the gap between console and in-the-box workflow. Channel Strip and Bus Compressor UC1 provides dedicated controls of all key Channel Strip 2 plug-in parameters. EQ, Filters, Compressor and Gate/Expander controls offer the same configuration and visual feedback as found on large-format SSL consoles, allowing you to quickly home in on your channel processing sweet spot. At the heart of UC1 are Bus Compressor controls. Its authentic layout and metering feels like you’re controlling a hardware bus comp built into the centre section of an SSL console. With a classic moving coil gain reduction meter as found on SSL consoles since the 1970’s, it represents the Bus Compressors time constants and gain reduction characteristics perfectly for producers and engineers to know exactly how it’s reacting with their instruments, sub groups and of course mix bus. SSL Native Channel Strip 2 & Bus Compressor 2 Plug-ins Full licenses of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins are included with UC1. Channel Strip 2 is a a fully-featured Channel Strip, based on digital modelling of the EQ and Dynamics curves from the legendary XL 9000 K SuperAnalogue console. V2 adds SSL’s proprietary anti-cramping algorithms and the ability to trigger the dynamics sidechain externally. Bus Compressor 2 adds a tonne of user requests, with additional Ratio, Attack and Release options, the ability to trigger the sidechain externally, as well as x2 and x4 oversampling. Features - Legendary SSL workflow and console ergonomics meets the power of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins. - Every UC1 purchase includes full licenses of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins (worth $479.00) - Knob per-function control of SSL Native Channel Strip 2 and Bus Compressor 2 plug-ins. - Muscle-memory operation and constant visual feedback via the smart LED rings. - On-board display tells you which Channel Strip and Bus Compressor plug-in UC1 is currently focused on, as well as giving you a value readout of the control currently being turned. - Load Plug-in Presets and change Channel Strip routing directly from UC1. - Authentic moving-coil Bus Compressor gain reduction meter, driven from the SSL Native Bus Compressor plug-in. - SSL Plug-in Mixer (hosted in SSL 360°) provides a place to view and control of your Channel Strips and Bus Compressors, all from one screen. - Switch between 3 different DAWs that are connected to the Plug-in Mixer. - High Quality all metal enclosure, with a brushed anodised top plate. - Hi-Speed USB connection to computer. - Powered by SSL 360° Mac and PC software.

SSL UF1 DAW Control Centre

7.780,-

UF1 DAW Control Centre  UF1 is the ultimate single fader controller for anyone who wants comprehensive control of their DAW, bringing SSL’s renowned advanced workflow to in-the-box productions. UF1 boasts a premium 100 mm motorized fader, dual high-resolution displays, soft-feel durable rubber keys and a weighted jog wheel, all encased in a robust metal chassis. UF1 offers complete control of a DAW’s pans, sends, plug-in control and more, plus the ability to customise 46 soft keys specifically to your workflow. Clear and insightful visual feedback, intuitive control and deep integration with the SSL Meter Plug-in and SSL 360° software - UF1 offers power and control never seen before from a controller of this size. Features: 100 mm high quality motorised SSL fader. 2 x high resolution displays, including a large 4.3" TFT LCD display for visual feedback of DAW track names, parameters, time display, the SSL Meter plug-in and 360°-enabled channel strips in the SSL Plug-in Mixer. Dedicated Transport controls and weighted jog/scrub wheel for total session control. Dedicated HUI and MCU DAW Profiles for: Pro Tools, Logic, Cubase, Studio One, Ableton Live, LUNA, Pyramix. UF1 can switch to control the MASTER fader in MCU protocol DAWs. Proprietary control of the SSL 360° Plug-in Mixer Seamless integration with the SSL Meter plug-in (perpetual license included), with the metering plug-in and control from the UF1 surface and SSL 360° Plug-in Mixer. SSL Meter offers essential meter tools including Peak & RMS levels, K-System, stereo balance, phase corelation bar, Lissajous phase scope, 31-band RTA, VU and PPM metering. Extend the functionality of UC1: Control 360°-enabled channel strips such as Channel Strip 2 and 4K B directly from the UF1 surface and view the EQ curve on the UF1 large display. Master mode for the Plug-in Mixer allows UF1 to control a different channel strip to the one that is selected on UC1. Fully featured DAW Controller in a compact footprint. Control DAW Pans, Sends, Plug-ins and Virtual Instruments with ease. 46 customisable user keys ready to assign your favourite DAW commands or keyboard shortcuts. Secondary Transport row of keys can be customised to essential workflow shortcuts such as Loop on/off and click track on/off. Fader Mode allows you to use the 4 V-Pots underneath the large screen to control 4 track volumes at the same time. A large multi-purpose notched encoder allows for track banking, mouse wheel emulation for hands-on control and control over computer system volume. Use UF1 on its own, or partner with UF8 and/or UC1 to enhance the functionality of both products. 2 x assignable foot-switch inputs. Up to 3 different DAWs can be connected simultaneously and switched between using the Layer keys. Powered by the SSL 360° Software application. Specification: 1 x 100 mm high quality, touch-sensitive motorised faders. 5 x rotary endless rotary encoders with push. Large 4.3" IPS LCD TFT high-resolution colour display. Additional 1.77" LCD TFT high-resolution colour display. Backlit RGB soft-feel rubber buttons. All metal enclosure, finished with a brushed anodised top plate. Included stands allow for 6 different elevation angles. Connects to your computer via hi-speed USB Width 205 mm / 8.07", Height 265.9 mm / 10.46", Depth 62.5 mm / 2.46"

SSL UF8 Advanced DAW ...

15.550,-

UF8 er en ny DAW kontroller som er designet for teknikere, produsenter og artister som gir en effektiv arbeidsflyt. Med 8 motoriserte fadere og smarte funksjoner kommer man til alle parametere i sin DAW. SSL’s nye 360° software har optimert hele den skapende prosessen i denne premium kontrolleren. Man kan og jobbe med plug-ins parametere og det finnes 43 programmerbare user keys.

SSL UF8 Rackmount Kit

764,-

Rackmonteringskit til SSL UF8

SSL18 Audio Interface

11.890,-

SSL18 Audio Interface Gi kreativiteten din kvaliteten den fortjener – velg SSL 18 Med uovertruffen lydkvalitet, avanserte funksjoner og SSLs legendariske design er dette det perfekte knutepunktet for produksjonen din – enten du tar opp, produserer eller mikser. Hvorfor velge SSL 18? SSL 18 kombinerer 26 innganger og 28 utganger, neste generasjons 32-bit/192 kHz-konvertere og SSLs mikrofonforsterkere i verdensklasse for å levere lydkvalitet på toppnivå. Med en mikser med lav forsinkelse og fleksible tilkoblingsmuligheter er SSL 18 like allsidig som den er kraftfull, og den håndterer alt fra enkle opptak til komplekse studiooppsett. I tillegg gir den unike Legacy 4K-funksjonen lyden din den varmen og karakteren som gjorde SSL-miksebord legendariske. Funksjoner som setter en ny standard Markedsledende lydkvalitet: Neste generasjons 32-bit-konvertere med bransjeledende dynamikkområde. Fleksible innganger: 8 mikrofon-/linjeinnganger med støtte for instrumentnivå og analoge inserts. Legacy 4K analog lydforbedring gir varme og dybde til miksen din. Omfattende utganger: 10 balanserte linjeutganger, monitorbytte og DC-koblede utganger for modulære synthesizere og spenningsstyring. Avansert hodetelefonfunksjonalitet: To uavhengige hodetelefonutganger med justerbare impedansmoduser og mulighet for egne mikser. Omfattende digitale tilkoblingsmuligheter: ADAT, S/PDIF og MIDI gir maksimal kompatibilitet og fleksibilitet. Tilpassbar arbeidsflyt: Mirror Routing-systemet gjør det enkelt å skreddersy signalveier etter dine spesifikke behov. SSL 18 passer like godt i hjemmestudioer som i profesjonelle produksjoner. Enten du tar opp vokal, setter opp mikrofoner for instrumenter eller integrerer ekstern maskinvare, er dette lydkortet designet for å levere eksepsjonell kvalitet og full kontroll. Merverdi uten ekstra kostnad! Ved kjøp av SSL 18 får du med SSL Production Pack – en programvarepakke til en verdi av over 14 000 Kr – som gir deg tilgang til kraftige verktøy for å løfte kreativiteten din til neste nivå.

Stanton SCS-1m Control System ...

4.125,-

Stanton SCS-1m De siste årene har DJ-verden blitt oversvømt av forskjellige controllers. Stanton Control System Mix Controller SCS-1m er en MIDI-kontroller som også sender/tar imot lyd via FireWire. Et program som heter DaRouter sørger for kommunikasjonen mellom datamaskinen og SCS-enheten og oversetter alt til MIDI-signaler. Alle parametre på kontrollen er fullt anvisbare, med visuell feedback, for ditt favorittprogram og mengder av presets er tilgjengelige. Den er designet i et DJ-format som umiddelbart føles kjent for alle som har stått bak et DJ-setup. SCS-1m har bl a 4 kanalstriper med fadere og EQ-kontroller i tillegg til en følsom crossfader og en enkel cue/monitor-seksjon. Det er også mulig å koble inn en "ordentlig" platespiller eller CD-spiller via en aux-inngang. Like perfekt som selvstendig mikser som i kombinasjon med SCS-1d. 24 anvisbare potentiometere 4 kontrollratt med en 18-segments LED-ring 37 bakbelyste trykknapper 4 LCD-ruter for toveiskommunikasjon med DJ-program Navigeringsfunksjon for å kunne lese spillelister på datamaskin Innebygd FireWire-tilkobling kompatibel med Mac og Windows Innganger: Mic and Phono / Line Utganger: Master: balanserte TRS; Zone: RCA; hodetelefonutgang Inngang for fotpedal hvilket muligjør handsfree-kontroll av programparameter HxBxL: 77x276x430 mm Vekt: 2.71 kg

TUBE-TECH CL 1B ...

51.870,-

CL 1B er en rørbasert en kanals kompressor beregnet for alle typer studioopptak: Fra delikat vokal, til krevende instrumenterer som gitar, trommer, etc. Gjennom årenes løp, og på tusenvis av spor, har CL 1B bevist sin verdi ved å tilføre de mest krevende opptak den ettersøkte varme ”vintage” lyden. CL 1B - Opto Compressor I CL 1B sitter det ett gain reduksjons element rett etter inngangs transformatoren. Denne er kontrollert via "sidechain" orsterkeren, som også inneholder de to tidskontroll kretsene - en for satte og en for variable "Attac/Release" verdier. De to tidskontroll kretsene kan enten bli brukt hver for seg, eller kombinert (Fixed / Fix./Man / Manual) Kretsen består av semiconductor OP-forsterkere for full kontroll. Les mer om TUBE-TECH CL 1B på Tube-Tech's produktsider CL1B Selected User Statements Josh Gudwin - Engineer and Mixer currently residing in Los Angeles. Kuk Harrell - 4 time Grammy Award Winner. Vocal Producer, Songwriter & Engineer. "For the last 2 years, ( 2012-2011 ) I've been working with 4 time Grammy Award Winner Kuk Harrell who is today's most in demand Vocal Producer. Together, we've cut hundreds of records with a who's who list of clients to include: Justin Bieber, Rihanna, Mary J Blige, Jennifer Lopez, Jessica Simpson & Lionel Richie. Out of All these Sessions, I can say with truth and honesty, that each and every one of these vocals passed thru a Cl1B before reaching Pro Tools. I find that the CL1B has the most flexibility, transparency and functionality out of any compressor on the market. Wrapping up last year (2010), Kuk and I flew out to Stratford, Canada to wrap up the loose ends on Justin''s ''Never Say Never'' blockbuster. Along with a 1081& my Rosetta 200, I also lugged along a CL1B! I never record vocals without it!! I wanted you to be aware of my love for the CL1B and to share that it''s being used on today's Top40 artists on a daily basis! We are currently working with Justin Bieber & Rihanna. You better believe those vocals are passing through your compressor!" Jess Jackson Producer / Songwriter From London UK and in L.A. for 7 years now. "Just wanted to let you know that I ONLY use the CL1B as my compressor when tracking vocals. I am just wrapping up his album at the moment which consists of 14 tracks in which feature Lil Wayne, The Game, Mario, Lloyd, Drake, Snoop Dogg, Pharrell, J-Cole, Chris Brown etc. The only compressor I have used is the CL1B for tracking all of the above artists. I love the sound in which the CL1B gives me and is a perfect match for that vocal chain. I also just received a platinum plaque for the songs i produced on U.K.'s Peter Andre "Revelation" album. I recorded the entire album at Will Smiths Boom Boom Room studio's and again only used the CL1B for every song on the record. I'm a massive fan of your work"

TUBE-TECH CL 2A Dual ...

60.650,-

Tube-Tech CL2A er en rørbasert opto-kompressor med to uavhengige kanaler som kan linkes. CL 2A funker veldig bra på alle kilder, og er kjent for å være en problemløser der man trenger diskret komprimering. Bruk den på keyboards, gitarer, vokal eller på miksbussen - du vil alltid få musikalsk, smooth og transparent lyd. Teknikere setter stor pris på den fordi den klarer å holde instrumenter på riktig plass i miksen, samtidig som de beholder en naturlig dynamikk. CL 2A - Rørbasert, to kanals optisk kompressor og limiter CL 2A er en dobbel kompressor med to uavhengige optiske kompressorer. Det optiske "gain" reduksjons elementet, er plassert etter inngangstransformatoren og er etterfulgt av en rør-basert utgangsforsterker med + 10 db gain. En velger med tre posisjoner (Link1, Off, Link 2) brukes når man vil bruke to separate kompressorer stereo, eller koble sammen flere kompressorer. De to link "bussene" er identiske. Både inngang og utgang er balansert og har fult flytende transformatorer med en statisk skjerm. Strømforsyningen og "sidechain" kretsen er basert på en solid state krets. Les mer om CL 2A på Tube-Tech's hjemmesider CL 2A - User statement David Morgan FOH mixer: Steely Dan, Simon & Garfunkel, Lionel Ritchie, Whitney Houston, James Taylor, etc...: "My new love is the Tube-Tech CL-2A for vocals, I got introduced to it years ago when I saw Clive Franks using it on Elton John. Elton''s voice sounded wonderful, and I was looking at the compressor hitting about four or five dB of compression and couldn''t hear it at all. What it added to a vocal mic was exactly what we want in live music, so I tried it on Lionel Richie. I''ve been using it on lead vocals ever since."

TUBE-TECH HLT 2A Equalizer ...

50.675,-

The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It’s the first time this combination of filters has been designed in the analog domain. The midrange T-Filter “tilts” the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a “go-to” equalizer in high-end mastering houses,smaller project studios, and everything in between. Like all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix. However, the functionality of the HLT-2A is unique in the Tube-Tech line – and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus. HLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi/Lo cut filters. The shelving EQ’s are designed around a high gain tube amplifier, and the T- filter and Hi/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch. The low and high cut filters are also passive with a slope of 6dB/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated. The unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage. Tube based push-pull amplifier Freq. resp. @ -3 dB: 5 Hz – 55 kHz Low noise: < -80 dBU @ 0 dB gain CMRR: > 60 dB @ 10 kHz All-tube active/passive EQ FILTERS: Low cut: 18, 25, 40, 60, 85 Hz, 6db/octave Low shelving: 18, 37, 80, 180, 370, 800 Hz. Gain: +/‑12dB High shelving: 1, 2, 5, 10, 15, 22 kHz Gain: +/‑12dB T.-filter: 0,5, 1, 2kHz. Gain: +4/-7 dB High cut: 12, 15, 18, 20, 25 kHz, 6db/octave Tracking between channels: +/-0,3 dB Input impedance: >10 kΩ Output impedance: < 60Ω Conductive plastic potentiometers In- and output are transformer balanced and fully floating

TUBE-TECH LCA 2B Stereo ...

69.427,-

TUBE-TECH LCA 2 B Rør basert to kanals enhet, med uavhengig kompressor og limiter per kanal. LCA 2 B er en to kanals enhet, med en uavhengig kompressor og limiter per kanal. Den helt rør basert, (bortsett fra strømforsyningen og "side-chain" kretsen). Lyd signalet blir hentet etter VCA og sendt til "side-chain" kretsen. Kontroll signalet fra kompressoren og limiteren slåes sammen og sendes til "link" bryteren og videre til kontroll forsterkeren, som mater VCA. De to-veis link bussene brukes gjennom to 1/4" jack kontakter på baksiden. Kanalene kan linkes sammen for stereo apllikasjon, og også linkes sammen med andre LCA 2B gjennom de to link bussene med en standard stereo jack/jack kabel. Kompressoren har 6 attack/release innstillinger samt mulighet for manuell kontroll. Limiterens attac/release er faste. LED displayene er "matet" fra kontroll forsterkeren. Limiter LED er "matet" fra Limiter bufferet. Lyd gangen er hel-symetrisk fra inngang til utgang. Innganger og utganger har fullt flytende omformere. Alle DC spenningene er stabilisert, bortsett fra anode spenningen over utgangs trinnet. Les mer om LCA 2 B på Tube-Tech's produktsider)

TUBE-TECH ME 1B Midrange ...

43.093,-

The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5 for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources. Mid frequencies have always been very important, when EQ’ing instruments and vocals to make a mix come together. TUBE-TECH ME 1B can shape the midrange frequencies in that very pleasant way, only a passive equalizer is capable of. Even extreme midrange boosts still sound open and warm without the slightest trace of harshness. ME 1B is the perfect partner for the PE1C program eq and works very well as a bus EQ for many different uses. The famous Motown sound? The ME1B is an important tool tool for adding that nice midrange to your recordings. The TUBE-TECH ME 1B is a passive tube based midrange equalizer developed tomatch and surpass the demands of even the most discerning studio engineers. The TUBE-TECH ME 1B Midrange Equalizer contains a low frequency boost section for peaking, a mid frequency attenuation for dipping as well as a high frequency boost section for peaking. The filter section is of the the passive type followed by a tube based push-pull amplifier to restore the gain. Input and output are balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wirings. Tube based push-pull amplifier Frequency response @ -3 dB: 5 Hz to 40 kHz Low Noise: < -80 dBU @ 0 dB gain CMRR: > 60 dB @ 10 kHz 5 LF peaks: 0.2, 0.3, 0.5, 0.7, and 1 kHz (0 to +10 dB) 11 MF dips: 0.2, 0.3, 0.5, 0.7, 1, 1.5, 2, 3, 4, 5 and 7 kHz (0 to -10 dB) 5 HF peaks: 1.5, 2, 3, 4, 5 kHz (0 to +8 dB) Input impedance: 600Ω No insertion loss Conductive plastic potentiometers In- and output are transformer balanced and fully floating

TUBE-TECH SMC 2B Stereo ...

69.027,-

Tube-Tech SMC 2B er den ultimate, rørbaserte multibåndkompressoren til studio og live. Tre uavhenginge bånd med valgbar delefrekvens, optisk rørbasert kompresjon og individuelle threshold, attack, release, ratio og gain gir deg fleksibel og nøyaktig kompresjon med Tube-Techs legendariske lydkvalitet SMC 2B Stereo Multiband Compressor Kort om SMC 2B Tre uavhenginge rørbaserte optiske stereokompressorer Justerbar delefrekvens mellom alle bånd Individuell threshold, attack, release, ratio og gain per bånd Flat summering av alle band når kompressoren ikke jobber(+/- 0,25dB) Global bypass, output master og balansekontroll Meget godt egnet som sluttkompressor på stereobuss/ L+R eller gruppekompresjon av trommer, instrumenter og vokal Les mer om SMC 2B på Tube-Tech's produktsider SMC2B User Statements Al Schmitt, Engineer, mixer, Producer. Multi Grammy Winner. Los Angeles USA (Dianna Crall, Paul McCartney,Natalie Cole, Shelby Lynne, Ray Charles, Chris Botti, Babara Streisand, Steely Dan,Toto.) "I love my Tube Tech SMC2B and use it all the time! Main use is for the mix bus compression." Joe Chiccarelli Producer/ mix Engineer, Los Angeles US. Multi Grammy Winner. ".......I use the Tubetech SMC2B on the mix buss on many occasions. I''ve used it on tracks for Rufus Wainright, Beck ,The All American Rejects, The Offspring. I love being able to have separate compression control over three bands. Often many stereo buss compressors will squish and darken the midrange of a track. In a rock track this takes the attack and impact out of the guitars and drums . Having the separate control over all parameters I can set my attack time to be the mildest on the electric guitar range. Being able to control the frequency range in the low end works well on tracks that are very dance oriented. I can adjust the crossover point and make sure the low end never gets to overcompressed and soft...... " MUSE State of the art Analog Live sound Muse 2nd Law World Tour 2012/13 Here's Marc Carolan's comment on the SMC after using it for the rest of the tour: "Loving the SMC2B now. I'm using the high frequency path to mimic the harmonic distortion we used to get with VDosc, making the high end more pleasing especially over the length of the show. The mid just tickles, a half dB here and there. Still playing with the low end."

TUBE-TECH SMC 2BM Stereo ...

93.765,-

TUBE-TECH SMC 2BM Stereo Multiband Compressor SMC 2BM Stereo Multiband Compressor er en rørbasert kompressor som tilfører din miks den varme ”vintage” lyden. Valgbare delefrekvenser sikrer deg presis kontroll over 3 bånd med optisk kompresjon. Uavhengig Threshold, Ratio, Attack, Release og Gain parametere på hvert bånd gjør SMC 2BM både fleksibel og nøyaktig. Gain kontrollen har bryter med 12 posisjoner i 1dB/step. Threshold, Ratio, Attack og Release kontrollene har potensiometre med 31 posisjoner SMC 2B har 3 uavhengige optiske stereo kompressorer. Signalet deles i tre områder (Low, Mid & High) med 6 dB/oktav delefiltre med variable frekvenser: 60-1200 Hz for Low/Mid og 1,2-6 kHz for Mid/high. Designet på delefilter kretsene optimerer summeringen av alle tre områdene, og resulterer i flat frekvensrespons (+/- 0,25 dB) når gain kontrollene settes til samme nivå. Alle kompressorene har Threshold, Ratio, Attack, Release og Gain i tillegg til et display som viser nivåreduksjon. Hovednivå settes med Output Gain og Balance kontroller. Les mer om SMC 2BM på Tube-Tech's produktsider

United UT Fet 47 Stormembran ...

15.500,-

UT FET47 The Legendary FET Classic Returns Painstakingly recreated with the utmost attention to detail; our take on a very classic and much desired condenser microphone that has been used on countless hit records. Realism and thickness that is true to the vintage sonics — now at an affordable price. Let's FET it on It’s a labor of love. The UT FET47 represents several years of R&D, blood, sweat, and tears — all to capture the essence of one of the most beloved and classic solid state condenser microphones, and recreate it for the modern recordist. The sonic qualities you’ve been chasing have arrived — at an accessible price, with uncompromised quality. The UT FET47 features a custom Cinemag transformer, a custom Heiserman designed HZ-Series capsule, vintage polystyrene capacitors, and NOS (new old stock) FETs. Custom parts. Vintage new-old-stock parts. Mix that together with each microphone being built in the USA by actual recording engineers, and you have the UT FET47. Specifications: Type Condenser Microphone Capsule HZ Series 34mm all-brass, dual-backplate K47 Diaphragm Dual-diaphragm, 6 micron, 24k gold sputtered Mylar (PET film) Power Supply +48v Phantom Power (via XLR) Ground Pin 1 XLR (required) Frequency Response 20 Hz - 20 kHz Polar Pattern Cardioid SPL 136 dB (145 dB w/ Pad) @ <.5% THD Output Impedance 150 Ω (in circuit) Amplifier Type Field Effect Transistor Self Noise <10 dB (no pad, no HPF) Output Cinemag USA transformer balanced, pin 2 hot Body Nickel electroplated, solid milled brass High pass filter 75 Hz (-12dB down point) Pad -10dB Connector 24k gold plated XLR Mount Self-contained stand swivel mount adapter Dimensions Height: 210mm / 8.2 in. Width: 69mm / 2.7 in. Diameter: 63mm / 2.4 in.

United UT Twin87 Stormembran ...

11.625,-

United UT Twin87 Twin-Circuit Large Diaphragm Condenser Microphone The UT Twin87 captures the essence of both the original classic and modern incarnations of the “87-style” microphone design. The Definitive Vocal Microphone. The debate is finally over. The UT Twin87 captures the essence of both the original classic and modern incarnations of the “87-style” microphone design. For the first time ever, United has created a microphone that duplicates both circuits, and can reconfigure itself on the fly for an exceptional reproduction of the sonic capabilities of both microphones. The UT Twin87 features our own large-core, custom-wound, US-made output transformer, our own custom made 24k gold sputtered dual diaphragm/dual backplate K87 style capsule, and a whole assortment of selected, premium components such as polystyrene, tantalum, multilayer ceramic, WIMA film capacitors, metal and carbon film resistors, and hand-selected transistors. Vintage, or modern? The UT Twin87 finally ends the debate with a new answer — both. Specifications: Type Condenser Microphone Capsule UT Series, 34mm brass, insulated dual backplate K87 Diaphragm Dual-diaphragm, 6 micron, 24k gold sputtered Mylar (PET film) Power Supply +48v Phantom Power (via XLR) Ground Pin 1 XLR (required) Frequency Response 20 Hz - 20 kHz Polar Pattern Cardioid, Figure 8, Omni SPL 117 dB (127 dB w/ Pad) @ <.5% THD Output Impedance 27 Ω Amplifier Type Field Effect Transistor Self Noise <10 dB (cardioid setting, no pad, no HPF) Output Custom-wound UT Series transformer, made in USA Body Nickel electroplated, solid milled brass High pass filter 80hZ (12dB down point) Pad -10dB Connector 24k gold plated XLR, pin 2 HOT, pin 1 GND Mount Suspension type shock mount (included) Dimensions Height: 220mm / 8.6 in. Diameter: 55mm / 2.2 in. Shockmount Depth: 190mm / 7.5 in.

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Type

Rekvisita og Tilbehør

Reimer

Strenger

Bass Forsterkere

Bass Rekvisita

Bassgitarer

Perkusjon

Skarptrommer

Cymbaler

Hardware/Stativer

Basstrommepedaler

Trommeskinn

Evans

Remo

Stikker m.m.

Aktiv PA

Lydkort

Studio Monitorer