Lyd

Hovedbilde Samson Q9U XLR/USB Dynamisk ...

3.125,-

Samson Q9U XLR / USB Dynamic Broadcast Microphone Produce professional high-quality audio for broadcasts, podcasts, streams and live recordings with the Q9U Broadcast Dynamic Microphone. Easily integrated into any professional or home recording setup, the Q9U features both an XLR analog output and USB-C connection with stunning 24-bit/96kHz hi-definition digital audio resolution. The microphone captures the depth and detail of the voice to ensure the performer's voice resonates with the listener. The Right Mic for Any Setup The Q9U can easily be integrated into any recording setup — ideal if you are a one-person show, or building a multi-host production studio. The modern dynamic capsule with neodymium magnet provides plenty of output to work with any mixer or audio interface without the need for any external gain devices. A wide frequency response, and large dynamic range captures the nuance and natural sound of speech and music performances. An advanced humbucking coil reduces the pickup of electromagnetic (EMI) and radio-frequency interference (RFI) as well as hum from other equipment. High-Definition Digital Sound The Q9U features a 24bit/96kHz analog to digital converter for vibrant high-definition digital recordings directly to your Mac or Windows computer with no driver downloads required. The Q9U includes zero-latency headphone monitoring to allow you to hear your voice in real time. An onboard mute switch quickly silences the microphone to both the XLR and USB outputs. Built from the inside out A cardioid polar pattern keeps your voice front and center by providing excellent off-axis rejection and minimizing ambient pickup. An internal air-pneumatic shock mount isolates the capsule from mechanical noise and a dual-layer windscreen minimizes popping and plosives for a crisp, professional sounding broadcast. Low-cut and mid-presence boost controls give you further onboard sound tailoring options. Dynamic capsule with humbucking coil and neodymium magnet Cardioid polar pattern XLR Analog Output USB-C Digital output with 24-bit/96kHz resolution 1/8" output zero-latency headphone monitoring Robust construction with swivel yoke mount Low Cut Filter Mid-presence Boost Mute button controls both USB and XLR outputs Dual layer windscreen Plug-and-play, no driver installation required Solid, die-cast construction with integrated yoke mount Includes USB cable

Samson RSXM10A Aktiv ...

5.650,-

Samson RSXM10A Aktiv scenemonitor med høy ytelse. 10" coaxialelement. 800W Høyttalere med høy ytelse utviklet for artister og profesjonelle brukere som stiller høye krav til lydgjengivelse. Felles for RSX-seriens modeller er en trapezoid lakkert høyttalerkasse i 9-lags kraftig plywood. Boksen har kraftige bærehåndtak og heldekkende stålgitter for elementene. Med de integrerte håndtakene blir transport til og fra gigen en enkel match og for faste installasjoner er disse høyttalerne også utstyrt med 12 stk integrerte M10-punkter for maksimal fleksibilitet. Kompresjonsdrivere fra Celestion brukes i hele serien. 2-veis aktiv scenemonitor med 10" coaxial element Klasse D forsterker 800 W XLR/Combo-inngang XLR Link out/li> 35 mm stativbrønn

Samson S-Zone 4 kanals ...

5.950,-

S-ZONE 4-kanals installasjonsmikser med 4 soner i stereo. Alle innganger kan rutes fritt til en eller alle soner. • 2 mic/stereo line-innganger med ducking-funksjon • 2 stereo CD/line-innganger • Euroblock-inn/utganger • Mulighet for fjernstyring av volum med potensiometer (følger ikke med) • BxDxH: 482x255x44mm, 2,3kg The S-Zone gives system installers all the features they need to control up to four zones of audio in a compact, single rack space unit. It features two balanced mic and four stereo aux/line inputs with a unique front panel control section that allows you to assign any of the four inputs to any of the four zones with the push of a button. The front panel layout also features input and output volume controls, independent 2-band EQ, and a built-in speaker for selectable zone monitoring.

Samson SP01 Mikrofonholder ...

670,-

Mikrofonholder med flytende oppheng for Stormembran mikrofoner som bl.a. Samson C01, C03, CL-7, CL-8, C01U og C03U.

Samson XP106w Portabel PA ...

5.595,-

XP106W Expedition XP106W er et portabelt system med et kraftig oppladbart batteri som driver et perfekt tilpasset 100-watts sluttrinn sammen med et 6" basselement og en 1" diskant. Lyden er meget klar og kraftfull og passer perfekt til presentasjoner i klasserom, konferanse, fester eller for mobilt bruk utendørs. Bluetooth-overføring av lyd og musikk fra smartphone og tablet er mulig og kontrolleres enkelt med en separat kanal på mikseren. Det innebygde batteriet holder i opp til 20 timer. Mikserdelen har totalt 4 kanaler med separate brytere for mic, line, bluetooth og den trådløse mikrofonen XPD-1. XP106W leveres med den trådløse XPD-1 mikrofondongelen som kobles inn via USB-port på mikseren. Komponenter av høy kvalitet, profesjonelle funksjoner og total mobilitet gjør Expedition XP106-serien til et fullendt system for et bredt spekter av applikasjoner. • Bluetooth-overføring fra smartphone eller datamaskin • 100W klasse-D forsterker • Innebygd batteri med drift i opp til 20 timer • Fire-kanals mikser med knotter for XLR-1/4 jackkontakt, 1/4 jack+3,5 mm minijack, bluetooth og Samson XPD-1 trådløs USB-dongel • 35 mm høyttalerstativkopp

Samson XP208w Portabel PA ...

6.750,-

Samson XP208W Portable PA System Rechargeable Portable PA with Handheld Wireless System and Bluetooth The Samson Expedition XP208w Rechargeable Portable PA is the perfect solution for anyone who needs great-sounding mobile audio. With 200 watts of power, 20 hours of battery life, a 4-channel mixer and Bluetooth audio, the XP208w offers big sound to musicians, DJs or those just hanging around the barbeque. The system includes a wireless microphone for completely cord-free performance. Equipped with a full-featured 4-channel mixer, the XP208w makes for quick and easy setup. Connect microphones, line-level devices, and for buskers, guitars directly to the XP208w. In addition to a master 2-band EQ and variable reverb control, each channel has a dedicated volume control, all for dialing in the right sound. The line output allows you to daisy-chain additional XP208w systems for expanded coverage. There’s also a selectable Voiceover ducker that automatically lowers the music when someone is speaking into a microphone. The XP208w operates on AC power, or via the built-in battery for up to 20 hours continuously. Its lightweight amplifier delivers 200 watts of power to an 8" 2-way speaker system. All of this is housed in a rugged polypropylene enclosure with a steel grille, telescoping handle and smooth rolling wheels that weighs just under 24 pounds. Needless to say, transporting the XP208w is a breeze. Plus, a 1 3/8" speaker mount allows the XP208w to be mounted using any standard speaker stand. Included with the XP208w comes a Samson XPD2 Handheld Digital USB Wireless System. And thanks to the inclusion of two USB wireless ports, you can integrate a second XPD Series wireless system (sold separately) for multi-performer vocal and speech applications. In addition, the XP208w can stream music wirelessly from any Bluetooth device. Power Output: 200 watts Peak Frequency Response: 60Hz–18KHz (-3dB) Speakers: 8” woofer, 1” HF driver Inputs: XLR-1⁄4” combo mic/line, 1/4" line/instrument, 2x USB wireless Outputs: 1⁄4” line Level Controls: Master, Mic/Line, XPD Wireless, Bluetooth Tone Control: Master Bass & Treble EQ Dynamics Control: Reverb, Voiceover (switch) Bluetooth: 4.0, A2DP Battery Life: Up to 20 hours by built-in, sealed 12V/8AH Battery Charging: 4-6 hours Construction: Polypropylene enclosure, steel grille, telescoping handle, smooth rolling wheels Accessories: Side mic mounting clip Wireless System Samson XPD2 Handheld USB Digital Wireless Working Range: (30m) line-of-sight Wireless Working Frequency: 2.404 - 2.476 GHz Product Weight: 10.8kg Gift Box Dimensions: (490mm x 372mm x 349mm) Gift Box Weight: (13.3kg)

Samson XP300B Portabel PA ...

6.750,-

Expedition-serien fra Samson har mange ulike alt-i-ett-høyttalere med mengder av smarte funksjoner og løsninger. I serien fins alt fra små portable batteridrievne høyttalere til små PA-anlegg. SAMSON XP300 – ALL-IN-ONE SOUND SYSTEM Samson’s Expedition XP300 is an all-in-one sound system that offers excellent audio quality with quick and easy setup. Providing 300 watts of power, the XP300 features a lightweight, 6-channel powered mixer and two 6” speakers. For enhanced portability, the XP300 offers a unique speaker- locking design that allows the system and all its components to be packed up and transported as a single unit weighing less than 30 pounds. An Adventure For All The XP300 is ideal for education, business and house of worship applications because users with limited PA experience can set it up quickly and efficiently. With Bluetooth® connectivity to wirelessly stream audio from laptops, tablets and smartphones, the XP300 is also perfect for presentations, parties and karaoke. The XP300 includes a USB Wireless port for integrating Samson’s XPD USB Digital Wireless Systems (sold separately), now available in handheld, headset and lavalier configurations. Featured Friendly Musicians and sound operators alike will appreciate some of the XP300’s more advanced features such as a phantom power for condenser microphones, selectable digital effects, a Sub output for integrating active subwoofers and 2-band (Bass and Treble) EQ on all input channels. These features make the XP300 perfect for cocktail and acoustic performances. Flex Your Sound The XP300’s speaker enclosures feature a tilt-back design so they can be used as stage monitors, as well as 1 3/8” speaker stands mounts. The mixer section can be removed and mounted on any standard mic stand using Samson’s SMS308 Mixer (sold separately). SPECIFICATIONS Power: 300W @ 4Ω (150W per channel) Peak 150W @ 4Ω (75W per channel) Average Frequency Response: 20Hz–20kHz Speakers: 2 x 6” woofer, 2 x 1” HF driver Input Channels: 6 (2 mono, 1 stereo, Bluetooth) Inputs: XLR, 1 ⁄4” , 3.5mm stereo, USB Wireless Outputs: 1 ⁄4” Sub Out, 2 x 1 ⁄4” Speaker Maximum Output Level: +22dBu (Sub Out) @ 10KΩ Phantom Power: +15V DC, fixed phantom voltage Input Channel EQ (High/Low): 10kHz/100Hz shelving ±15dB Effects: 16 preset, 24-bit DSP Bluetooth: Bluetooth 3.0, A2DP Cables: 2 x 10' (3m), 1/4" to 1/4" straight Grilles: Perforated steel Box Dimensions: (457mm x 483mm x 318mm)

Samson XP310w Portabel PA ...

8.595,-

Samson XP310w Rechargeable 10” Portable PA with Handheld Wireless System and Bluetooth® The Samson Expedition XP310w Rechargeable Portable PA answers the call of those who need great-sounding mobile audio. With 300 watts of power, 12 hours of battery life, a top-mounted 4-channel mixer and Bluetooth, the XP310w delivers huge sound to musicians, DJs or those enjoying a variety of outdoor events. It also includes a frequency-agile wireless microphone for cord-free performance. The XP310w operates for up to 12 hours continuously via its built-in rechargeable lithium ion battery. Its lightweight Class D amplifier delivers 300 watts of power to a 2-way speaker system with a 10" woofer and 1" tweeter. This is all housed in a rugged polypropylene enclosure with a steel grille that weighs 27.5 pounds. And with a locking telescopic handle and smooth rolling wheels, transporting the XP310 is as easy as it gets. Plus, a 1 3/8" speaker stand receptacle allows the XP310w to be mounted using any standard speaker stand. Equipped with a top-mounted 4-channel mixer that includes XLR, 1/4" and 1/8" inputs for connecting microphones and line level devices, the XP310w makes for quick and easy setup. The speaker can also stream music wirelessly from any Bluetooth device. A variable reverb control adds depth, and a voiceover ducker automatically lowers the music when speaking or singing into a microphone (XLR or wireless inputs). In addition, a master 2-band EQ is provided to adjust the tonal characteristics of the XP310w, as is a line output to daisy-chain additional speakers. Perfect for multi-performer vocal and speech applications, the XP310w is capable of handling up to three wireless systems simultaneously. The XP310w comes with a single Concert 88a Handheld Frequency-agile UHF Wireless System that offers up to 300' of operation. An extra wireless receiver slot is included for adding a second Concert 88a Series wireless system (sold separately), while the USB wireless port allows you to also integrate an XPD Series USB Digital Wireless System (sold separately). All-in-one portable PA system that weighs 12,5kg Internal rechargeable lithium ion battery for up to 12 hours of continuous use Bluetooth connectivity to connect wireless music sources Includes Concert 88a Handheld Frequency-agile UHF Wireless System (300' operating range) Extra wireless receiver slot for adding an additional Concert 88a Series wireless system (sold separately) 2-way speaker enclosure with 10" woofer and 1" tweeter Class D amplifier produces 300 watts of Peak power Top-mounted 4-channel mixer with 2-band (Bass and Treble) EQ Independent volume controls on each channel XLR-1/4" combo selectable mic/line input for microphones and line level devices 1/8" (3.5mm) input for stereo line level devices (MP3 players, keyboards, etc.) Variable reverb control for mic/wireless inputs Voiceover control with priority ducking Line output to daisy-chain multiple systems together USB wireless port for use with Samson XPD Series USB Digital Wireless Systems (sold separately) Battery level, Charging and Power LED indicators Rugged polypropylene enclosure with steel grille Locking telescopic handle and smooth rolling wheels for easy transport 1 3/8" speaker stand mount Two integrated microphone mounts for wireless mic storage Specifications Output Power: 300 watts Peak Frequency Response: 50Hz–18kHz (-3dB) Speakers: 10" woofer, 1" tweeter Inputs: XLR-1⁄4" combo Mic/Line, 1/8" Aux,USB wireless Outputs: 1⁄4" Line Level Controls : Master, Channels 1–3, Bluetooth Tone Control: Master Bass and Treble EQ Dynamics Control: Reverb, Voiceover (switch) Bluetooth: Bluetooth 4.0, A2DP Battery Life: Up to 12 hours by built-in Li-ion Battery Charging: 4-6 hours Construction : Polypropylene, steel grille, telescopic handle, smooth rolling wheels Accessories: Extra UHF slot cover Wireless System: 1x Samson Concert 88a Handheld UHF Wireless Working Range: 100' (30m) line-of-sight Product Dimensions: 560mm x 310mm x 310mm Product Weight: 12.5kg

Samson XP312w Portabel PA ...

9.975,-

Samson XP312w Rechargeable 12” Portable PA with Handheld Wireless System and Bluetooth® The Samson Expedition XP312w Rechargeable Portable PA answers the call of those who need great-sounding mobile audio. With 300 watts of power, 12 hours of battery life, a top-mounted 4-channel mixer and Bluetooth, the XP312w delivers huge sound to musicians, DJs or those enjoying a variety of outdoor events. It also includes a frequency-agile wireless microphone for cord-free performance. The XP312w operates for up to 12 hours continuously via its built-in rechargeable lithium ion battery. Its lightweight Class D amplifier delivers 300 watts of power to a 2-way speaker system with a 12" woofer and 1" tweeter. This is all housed in a rugged polypropylene enclosure with a steel grille that weighs just 38 pounds. And with a retractable handle and smooth rolling wheels, transporting the XP312 is as easy as it gets. Plus, a 1 3/8" speaker stand receptacle allows the XP312w to be mounted using any standard speaker stand Equipped with a 4-channel mixer that includes XLR, 1/4" and 1/8" inputs for connecting microphones and line level devices, the XP312w makes for quick and easy setup. The speaker can also stream music wirelessly from any Bluetooth device. A variable reverb control adds depth, and a voiceover ducker automatically lowers the music when speaking or singing into a microphone (XLR or wireless inputs). In addition, a master 2-band EQ is provided to adjust the tonal characteristics of the XP312w, as is a line output to daisy-chain additional speakers. Perfect for multi-performer vocal and speech applications, the XP312w is capable of handling up to three wireless systems simultaneously. The XP312w comes with a single Concert 88a Handheld Frequency-agile UHF Wireless System that offers up to 300' of operation. An extra wireless receiver slot is included for adding a second Concert 88a Series wireless system (sold separately), while the USB wireless port allows you to also integrate an XPD Series USB Digital Wireless System (sold separately) All-in-one portable PA system that weighs 17kg Internal rechargeable lithium ion battery for up to 12 hours of continuous use Bluetooth connectivity to connect wireless music sources Includes Concert 88a Handheld Frequency-agile UHF Wireless System (300' operating range) Extra wireless receiver slot for adding an additional Concert 88a Series wireless system (sold separately) 2-way speaker enclosure with 12" woofer and 1" tweeter Class D amplifier produces 300 watts of Peak power 4-channel mixer with 2-band (Bass and Treble) EQ Independent volume controls on each channel XLR-1/4" combo selectable mic/line input for microphones and line level devices 1/8" (3.5mm) input for stereo line level devices (MP3 players, keyboards, etc.) Variable reverb control for mic/wireless inputs Voiceover control with priority ducking Line output to daisy-chain multiple systems together USB wireless port for use with Samson XPD Series USB Digital Wireless Systems (sold separately) Battery level, Charging and Power LED indicators Rugged polypropylene enclosure with steel grille Locking telescopic handle and smooth rolling wheels for easy transport 35mm speaker stand mount Side microphone mounting clip for wireless mic storage Specifications Output Power: 300 watts Peak Frequency Response: 50Hz–18kHz (-3dB) Speakers: 12" woofer, 1" tweeter Inputs: XLR-1⁄4" combo Mic/Line, 1/8" Aux, USB wireless Outputs: 1⁄4" Line Level Controls: Master, Channels 1–3, Bluetooth Tone Control: Master Bass and Treble EQ Dynamics Control: Reverb, Voiceover (switch) Bluetooth: Bluetooth 4.0, A2DP Battery Life: Up to 12 hours by built-in Li-ion Battery Charging: 4-6 hours Construction: Polypropylene, steel grille, telescopic handle, smooth rolling wheels Accessories: Mic mounting clip, extra UHF slot cover Wireless System: 1x Samson Concert 88a Handheld UHF Wireless Working Range: 100' (30m) line-of-sight Product Dimensions: 600mm x 390mm x 360mm Product Weight: 17,2kg

sE Electronics DM2 inline ...

1.225,-

sE Electronics DM2 En eksplosiv inline preamp basert på den populære DM1 DYNAMITE, med mer gain og presis kontroll slik at dine favorittmikrofoner kan skinne som aldri før. The DM2 T.N.T is an active inline preamp based on the acclaimed DM1 DYNAMITE – featuring even more gain, less noise and more flexibility so your precious go-to microphones shine like never before. With an integrated recessed gain switch, the DM2 T.N.T lets you choose between a moderate 15 dB or explosive 30 dB of clean, transparent gain for more headroom and a clean signal with an ultra-high impedance input and eight load settings to perfectly match your DM2 T.N.T with any microphone. Intended for direct connection to the output of a passive ribbon or dynamic microphone, the DM2 T.N.T streamlines the traditional inline preamp by eliminating the need for an extra cable, and its compact size makes travel convenient, so the gain you're looking for is always by your side. Switchable, clean and consistent gain from moderate 15 to explosive 30 dB Two gain levels ensure even higher flexibility on various sources, designed for neutral, balanced sound quality and dangerously low noise. The uncompromising design ruthlessly boosts the signal independent from load impedance or cable length. Able to be matched perfectly with any passive microphone to boost the signal, the DM2 T.N.T reduces the likelihood of interference and provides a significantly improved level to your interface/mixer's preamp – all without adding noise or coloration! Get the best out of your mics with variable input load Common inline preamps tend to strain the transducers of passive microphones due to their electronic design, which results in a degradation of sound quality and output level. Thankfully, the DM2 T.N.T's ultra-high impedance input allows for any load on passive microphones to achieve the best out of your mic collection so they can shine like never before! At the twist of a dial, explore eight settings ranging from an unconventionally low 50 Ω to stunningly high 10 MΩ to match your preamp with any mic accurately for clear recordings with the lowest noise possible. Built to unleash the best qualities from your microphones, the DM2 T.N.T enables experimentation to discover nuance sound characteristics and the sweet spot of any passive mic in your collection. Sophisticated Class-A electronics and dedicated output buffer Boasting an elaborated electronic design and specially selected high-grade FETs, the DM2 T.N.T has the lowest self-noise in its class, making studio-quality recordings effortless. Unlike other industry-standard inline preamps, the DM2 T.N.T delivers a consistent +15 dB / +30 dB of gain regardless of the connected load. As the ideal audio engineer's tool, the DM2 T.N.T’s output impedance is also the lowest in its class, allowing it to drive long cable runs at a moment's notice while reducing susceptibility to RF interference, buzz and hum. Slim, rugged all-metal housing with premium finish Even in the most demanding environments, the DM2 T.N.T is ensured by a roadworthy and slim all-metal design, robust construction, high-quality manufacturing standards, and gold-plated XLR connector for reliable loss-free signal connection, whether on-stage or in the studio. Complete with an exceptionally convenient phantom-powered design that does not require an external power supply, the sE DM2 T.N.T is the ultimate game-changer in your pro audio arsenal. Switchable, clean and consistent gain from moderate 15 to explosive 30 dB designed for neutral, balanced sound quality at minimum noise two gain levels for even higher flexibility on various sources ruthlessly boosts the signal independent from load impedance or cable length Get the best out of your mics with the variable input load choose from unconventionally low 50 Ω to stunningly high 10 MΩ alter the sound character at ease thanks to eight settings Find the sweet spot for any mic of your collection Sophisticated class-A electronics state of the art electronics and high-grade FETs provide supremely low noise transformerless design for pristine sound quality provides the best performance and lowest noise in its class Dedicated output buffer amplifier extremely low output impedance enables long cable runs provides significantly improved level to your mic preamp for proper gain staging drives long cable runs and can reduce susceptibility to RF interference, buzz & hum Slim, rugged all-metal housing with premium finish efficient rejection of any electrical interference and noise high-quality finish ensures a great look for many years slim design allows for easy placement in the studio or on stage Gold-plated XLR connector for loss-free and reliable signal connection In the box: DM2 T.N.T Screwdriver User manual

Ny

sE Electronics FluxCore FCA1 ...

2.390,-

sE Electronics FluxCore FCA1 Aktiv Ultra-HiZ DI-boks med DYNAMITE gain boost og opptil 10 MΩ inngangsimpedans The FluxCore FCA1 is a premium active direct box designed to preserve the true character of your instrument while delivering the flexibility and reliability required by modern audio professionals. Whether used on stage, in the studio, or on tour, the FCA1 ensures exceptional signal integrity, outstanding headroom, and remarkably low noise. At the heart of the FCA1 is a custom-designed, shielded heavy-duty transformer that provides galvanic isolation, excellent noise rejection, and exceptional sonic transparency. Combined with innovative Ground Lift circuitry, the FCA1 effectively minimizes hum, ground loops, and radio-frequency interference, ensuring clean and consistent performance in demanding environments. Features Ultra-HiZ active DI box Switchable input impedance: 10 MΩ, 100 kΩ, or 10 kΩ DYNAMITE gain boost with +15 dB or +30 dB gain Switchable attenuation pad: -15 dB / -30 dB POLAR phase reverse switch Shielded high-headroom transformer Ground Lift for hum and interference reduction Front and rear +48 V phantom power indicators Compact stackable design Road-ready steel enclosure Ultra-HiZ Input The FCA1 features an exceptionally high input impedance of up to 10 MΩ, preserving the natural tone, dynamics, and frequency response of passive guitar pickups, piezo-equipped instruments, and other high-impedance sound sources. Selectable impedance settings allow the input stage to be optimized for virtually any instrument. DYNAMITE Gain Boost An integrated DYNAMITE gain stage provides up to 30 dB of ultra-clean gain directly at the source. By increasing signal level before long cable runs or electrically noisy environments, the FCA1 helps maintain maximum signal quality from instrument to mixing console. Built for Professional Applications The compact steel chassis is designed for the rigors of professional stage, studio, and touring use. Mounting options include a non-slip studio pad, hook-and-loop pedalboard mounting, rack mounting for up to four units in a single 1U space, and stackable multi-channel configurations. Specifications Type: Active DI box Input Impedance: 10 MΩ / 100 kΩ / 10 kΩ Gain Boost: +15 dB / +30 dB Attenuation Pad: -15 dB / -30 dB Phase Reverse: Yes (POLAR) Ground Lift: Yes Power: +48 V Phantom Power Construction: Steel enclosure Finish: Matte Black What's Included FluxCore FCA1 Active DI Box Non-slip mounting pad Hook-and-loop mounting pads 4 rack-mounting screws sE logo stickers User manual

Ny

sE Electronics FluxCore FCP1 ...

1.795,-

sE Electronics FluxCore FCP1 Passiv HiZ DI-boks med transformatorisolasjon og stereo-til-mono-summing. The FluxCore FCP1 is a premium passive direct box designed to preserve the true character of your instrument while delivering the reliability and flexibility required in professional stage, studio, and touring environments. Combining exceptional audio performance with an ultra-compact footprint and road-ready construction, the FCP1 provides transparent signal conversion without the need for phantom power or batteries. At the heart of the FCP1 is a custom-designed, shielded heavy-duty transformer that provides galvanic isolation, exceptional headroom, low distortion, and outstanding noise rejection. Combined with innovative Ground Lift circuitry, hum, ground loops, and radio-frequency interference are effectively minimized, resulting in a clean and transparent signal path in virtually any environment. Features Professional passive HiZ DI box Custom-designed shielded transformer with galvanic isolation High-impedance input for optimal instrument performance Switchable attenuation pad POLAR phase reverse switch Stereo-to-mono summing capability Dedicated 3.5 mm stereo input Ground Lift circuitry for hum and noise reduction Compact stackable design Heavy-duty steel enclosure with matte-black finish Transparent Passive Performance The FCP1 is designed to maintain the clarity, punch, dynamics, and tonal balance of your instrument without introducing unwanted coloration. Its high-impedance input minimizes loading on the connected source, ensuring that guitars, basses, keyboards, media players, and other instruments retain their natural sound. Because of its passive design, the FCP1 operates without external power, making it a dependable solution for any stage or studio setup. Stereo-to-Mono Summing One of the FCP1's most versatile features is its integrated stereo-to-mono summing capability. Stereo sources such as keyboards, laptops, media players, and playback devices can be combined into a single balanced XLR output, reducing the number of mixer channels required and simplifying stage setups. The dedicated 3.5 mm stereo input makes it particularly useful for connecting computers, mobile devices, and other portable audio sources directly to professional audio systems. Custom Transformer and Ground Lift The custom-built transformer provides outstanding headroom and exceptional signal integrity while maintaining excellent isolation between source and destination equipment. Ground Lift circuitry effectively helps eliminate hum, ground loops, and radio-frequency interference, ensuring a cleaner signal path in demanding live and recording environments. Built for Professional Applications The compact steel enclosure is designed to withstand the rigors of professional use on stage, in the studio, and on tour. Its discreet matte-black finish blends seamlessly into pedalboards, rack systems, and live production environments. Flexible mounting options include a non-slip mounting pad for desktop use, hook-and-loop pads for pedalboards and gig racks, and the ability to mount up to four units in a single 1U rack space using the supplied hardware. Specifications Type: Passive DI Box Input: High-impedance (HiZ) Transformer: Custom shielded transformer Pad: Switchable attenuation pad Phase Reverse: Yes (POLAR) Stereo-to-Mono Summing: Yes 3.5 mm Stereo Input: Yes Ground Lift: Yes Construction: Heavy-duty steel enclosure Finish: Matte Black What's Included FluxCore FCP1 Passive DI Box Non-slip mounting pad Hook-and-loop mounting pads 4 rack-mounting screws sE logo stickers User manual

sE Electronics HB52 Harp ...

2.275,-

sE Electronics HB52 Harp Blaster The new standard in harp microphones - an exciting collaboration between sE Electronics and Hohner. Based on the inspiration from a select group of professional players and modeled after the sound of legendary vintage harp microphones, the Harp Blaster HB52 sets a new standard. Designed as the perfect channel for the artist’s creative output, it’s comfortable to hold, cup, and use for long periods of time, ensuring that the music can flow unhindered and achieve maximum sonority and expression. Suited to the needs of touring professionals, engineered to uncompromising standards, it combines fantastic sound quality with optimal ease of use and maximum durability. Instead of looking at competing products to sculpt the Harp Blaster’s sound, we took our inspiration from a select group of professional players. The goal was to create an exceptional mic ideally suited to their needs, engineered to uncompromising standards, combining fantastic sound quality with optimal ease of use and maximum durability. After all, if a microphone can become a seamless extension of the artist’s emotive output – rather than a distraction of an obstacle – the music can flow unhindered and achieve maximum sonority and expression. Together, HOHNER and sE chased down this ideal, creating a state-of-the-art product that will satisfy the most discerning harmonica player. Perfectly sized for easy cupping and handling, the highly reactive capsule responds directly to your hand technique and your musical expression. Moreover, the Harp Blaster HB52 was designed with input from professional harp players to ensure that it’s comfortable to hold, cup, and use for long periods of time. The high output level and high impedance will drive your amp properly without the need for any impedance converters, boost pedals or stomp boxes. In addition to its handy dimensions, the flat and sleek grille of the Harp Blaster ensures a tight cup and facilitates powerful hand effects. The mic features a volume control utilizing a Bourns® potentiometer and a diamond-pattern knurled chrome knob, making it slip-proof and reliable. If you’d prefer not to have a volume control, it can be disabled internally. We opted to use an XLR jack, as opposed to an attached cable, a 1/4” jack or a screw-on connector, to avoid a common Achilles’ heel among harmonica microphones. An attached cable can easily suffer a broken solder joint, transforming the mic into a paperweight until it can be repaired. An XLR jack provides better connectivity, that won’t become noisy or fussy over time like a screw-on connector or 1/4” jack, and its internal locking mechanism adds extra signal security – in case the cable gets tugged, snagged, or stepped on. However, the locking mechanism of the HB52’s XLR socket is also easily disabled, if that’s your preference. As mentioned earlier, this microphone is not delicate. In the throes of performing, you can drop it, kick it, and/or drive nails with it. It is built to be a roadworthy tool. Just do us a favor and don’t submerge it in boiling water, or anything similarly ridiculous. Barring that, it should last a lifetime! hand-crafted at sE’s very own factory with highest attention to detail exclusive hammer painting for a great look and maximum durability polished and chromatized grille lets you shine on stage for years quality Bourns® potentiometer for precise volume adjustment If you’d prefer not to have a volume control, it can be disabled internally chromatized, diamond-pattern knurled volume knob for slip-proof and reliable control robust gold-plated XLR connector for reliable, loss free signal flow Specifications Capsule Type: Dynamic Voice coil: Copper Magnet: Neodymium Frequency range: 22 Hz - 16,000 kHz Sensitivity: 17.8 mV/Pa (-35 dBV) Electrical Impedance: 45 kOhms Connectivity: 3-pin male XLR connector Diameter: 50mm Length: 78mm Weight: 205g

sE Electronics KLS-150 ...

1.950,-

sE Electronics KLS 150 – Profesjonelle studiohodetelefoner med mekanisk justerbar akustikk sE Electronics KLS 150 er profesjonelle, lukkede over-ear-hodetelefoner med en mekanisk justerbar akustisk konstruksjon som gjør det mulig å tilpasse bassgjengivelsen fysisk. I motsetning til hodetelefoner med elektronisk basskontroll benytter KLS 150 en passiv akustisk løsning der bassresponsen endres mekanisk, direkte på hodetelefonene. Sammen med spesialutviklede dynamiske 40 mm-drivere, effektiv passiv lydisolasjon og en robust konstruksjon er KLS 150 utviklet for kritisk lytting, miksing, innspilling og profesjonell livebruk. Den lukkede konstruksjonen med doble øreklokkeskall bidrar til å dempe omgivelsesstøy og redusere lydlekkasje under innspilling. Myke øreputer med memory foam gir god komfort gjennom lange arbeidsøkter, mens avtakbar kabel med låsbar tilkobling, dreibare øreklokker og forsterkede konstruksjonsdeler gjør hodetelefonene godt egnet for daglig profesjonell bruk. Mekanisk justerbar akustikk – mer enn en vanlig basskontroll Den mest særegne egenskapen ved KLS 150 er den integrerte Bass Control-funksjonen. Dette er ikke en tradisjonell elektronisk bassforsterkning eller en digital EQ-innstilling. I stedet påvirkes bassgjengivelsen gjennom en fysisk, mekanisk justering av det akustiske systemet i øreklokkene. Det betyr at du endrer de akustiske forholdene i hodetelefonene, ikke bare nivået på et elektrisk lydsignal. Funksjonen er helt passiv og krever verken batterier, DSP eller ekstern programvare. Justeringen gjøres med separate dreieknapper på hodetelefonene, plassert under de avtakbare dekslene på øreklokkene. Tydelige markeringer gjør det enklere å finne tilbake til en tidligere innstilling og opprettholde en konsekvent lydreferanse. For lydteknikere gir dette muligheten til å tilpasse bassgjengivelsen til ulike arbeidsoppgaver. Ved kritisk miksing kan en kjent innstilling brukes som referanse, mens en annen bassbalanse kan være ønskelig under innspilling, monitorlytting eller livearbeid. De avtakbare dekslene beskytter også dreieknappene mot utilsiktede justeringer, slik at den valgte innstillingen ikke endres når hodetelefonene brukes eller transporteres. Spesialutviklede 40 mm-drivere for detaljert monitorlytting KLS 150 benytter spesialutviklede dynamiske 40 mm-drivere med neodymmagneter. Konstruksjonen er utviklet for å kombinere detaljert lydgjengivelse med kontrollert bass og lav forvrengning. Det oppgitte frekvensområdet strekker seg fra 12 Hz til 28 kHz, noe som gir gode forutsetninger for gjengivelse av både dype bassfrekvenser og fine detaljer i diskantområdet. Den kontrollerte bassgjengivelsen er spesielt nyttig ved arbeid med bassgitar, basstromme, synthbass og andre lydkilder der balansen i det lave frekvensområdet er avgjørende. Med en impedans på 39 ohm kan hodetelefonene brukes med mange profesjonelle lydkort, hodetelefonforsterkere og andre kompatible lydkilder. Effektiv passiv lydisolasjon med Dual-Shell-konstruksjon KLS 150 har en lukket konstruksjon der øreklokkene er bygget opp med doble skall, en såkalt Dual-Shell-konstruksjon. Denne løsningen er utviklet for å gi effektiv passiv lydisolasjon og redusere lydlekkasje mellom hodetelefonene og omgivelsene. Under vokalinnspilling bidrar isolasjonen til å redusere lekkasje fra hodetelefonene til mikrofonen. Ved innspilling av akustiske instrumenter og andre følsomme lydkilder kan dette bidra til renere opptak med mindre uønsket lyd fra hodetelefonene. For FOH- og monitorteknikere er isolasjonen også verdifull i støyende miljøer, der det er viktig å kunne lytte til enkeltstående signaler uten å bli unødvendig forstyrret av scenelyd og publikum. Isolasjonen er helt passiv og benytter ingen aktiv støydemping. Komfort for lange studioøkter Under lange innspillings- og mikseøkter er komfort en viktig del av arbeidsmiljøet. KLS 150 har ergonomisk utformede øreputer med memory foam som tilpasser seg hodets form og bidrar til jevn trykkfordeling. Øreputene er trukket i kunstskinn og bidrar samtidig til god tetning rundt ørene, noe som er viktig både for lydisolasjon og konsekvent bassgjengivelse. Med en vekt på 335 gram er KLS 150 konstruert for å kombinere stabil passform med god komfort. For brukere som foretrekker et annet materiale, finnes også velurputer som ekstrautstyr. Robust konstruksjon for studio og turné KLS 150 er konstruert for regelmessig bruk både i studio og på turné. Glassfiberforsterkede komponenter kombineres med korrosjonsbestandig fjærstål for å gi en slitesterk og stabil konstruksjon. Den avtakbare kabelen har en låsbar tilkobling som reduserer risikoen for at kabelen løsner utilsiktet under arbeid. Øreklokkene kan dreies 90 grader, noe som gjør det enkelt å lytte med ett øre ved for eksempel FOH-arbeid eller rask kontroll av enkeltstående signaler. Hodetelefonene kan også foldes sammen på flere måter for enklere oppbevaring og transport. Lasergraverte referansemarkeringer gjør det lett å stille hodebøylen tilbake til en tidligere posisjon. Fleksible tilkoblinger og praktisk tilbehør KLS 150 leveres med en rett, avtakbar kabel på 3 meter og en skrubar adapter fra 3,5 mm til 6,35 mm jack. En adapter fra 3,5 mm til USB-C følger også med for tilkobling til kompatible digitale enheter. I esken finner du dessuten avtakbare deksler til øreklokkene, et verktøy for å åpne dekslene og en beskyttende oppbevaringspose. For ytterligere tilpasning finnes tilbehør som velurputer, spiralkabel, oppbevaringsetuier og alternative deksler til øreklokkene. Viktige egenskaper Profesjonelle lukkede over-ear-hodetelefoner for studio, innspilling, miksing og livebruk Mekanisk justerbart akustisk system som fysisk påvirker bassgjengivelsen Passiv Bass Control uten DSP, batterier eller elektronisk EQ Separate basskontroller med tydelige markeringer for repeterbare innstillinger Spesialutviklede dynamiske 40 mm-drivere med neodymmagneter Frekvensområde fra 12 Hz til 28 kHz Dual-Shell-konstruksjon for effektiv passiv lydisolasjon Øreputer med memory foam og kunstskinn Avtakbare deksler som beskytter bassinnstillingene Glassfiberforsterkede komponenter og korrosjonsbestandig fjærstål Avtakbar 3 meters kabel med låsbar tilkobling 90 graders dreibare øreklokker for monitorlytting med ett øre Sammenleggbar konstruksjon og lasergraverte referansemarkeringer USB-C-adapter og beskyttende oppbevaringspose inkludert Tekniske spesifikasjoner Type: Lukkede over-ear-hodetelefoner Drivere: Spesialutviklede dynamiske 40 mm-drivere Magneter: Neodym Bassjustering: Mekanisk, passiv akustisk Bass Control Øreklokkekonstruksjon: Dual-Shell Frekvensområde: 12 Hz – 28 000 Hz Impedans: 39 ohm Følsomhet: 98 dB Maksimal inngangseffekt: 1 600 mW Øreputer: Memory foam med kunstskinn Dreibare øreklokker: 90 grader Kabel: Rett, avtakbar 3 m kabel med låsbar tilkobling Tilkobling: 3,5 mm jack Adaptere: 6,35 mm jack og USB-C Mål (L × B × H): 166 × 83 × 200 mm Vekt: 335 g Dette følger med i esken sE Electronics KLS 150 hodetelefoner Avtakbare deksler til øreklokkene Verktøy for å åpne dekslene Rett, avtakbar 3 m kabel Skrubar adapter fra 3,5 mm til 6,35 mm jack Adapter fra 3,5 mm til USB-C Beskyttende oppbevaringspose Ofte stilte spørsmål om sE Electronics KLS 150 Hvordan fungerer den mekaniske bassjusteringen i KLS 150? KLS 150 har et passivt akustisk system som justeres mekanisk direkte på hodetelefonene. Justeringen endrer de akustiske forholdene som påvirker bassgjengivelsen. Dette er en fysisk akustisk justering, ikke digital EQ eller elektronisk bassforsterkning. Har KLS 150 et fysisk justerbart akustisk kammer? KLS 150 har et mekanisk justerbart akustisk system i øreklokkene som endrer bassresponsen fysisk. Den nøyaktige interne mekanismen er ikke nærmere spesifisert av produsenten. Trenger bassjusteringen batterier eller programvare? Nei. Bass Control fungerer helt mekanisk og passivt, uten batterier, DSP eller programvare. Kan KLS 150 brukes til profesjonell miksing? Ja. KLS 150 er utviklet for kritisk monitorlytting og miksing. De spesialutviklede 40 mm-driverne og den mekaniske bassjusteringen gir mulighet til å arbeide med en konsekvent lytterreferanse. Egner KLS 150 seg til vokalinnspilling? Ja. Den lukkede Dual-Shell-konstruksjonen gir effektiv passiv lydisolasjon og bidrar til å redusere lekkasje fra hodetelefonene til mikrofonen. Har KLS 150 aktiv støydemping? Nei. KLS 150 benytter passiv lydisolasjon gjennom den lukkede konstruksjonen med doble øreklokkeskall og tettende øreputer. Kan hodetelefonene brukes til FOH og livemonitorering? Ja. KLS 150 er også utviklet for profesjonell livebruk. Den passive lydisolasjonen, robuste konstruksjonen og de 90 graders dreibare øreklokkene gjør dem godt egnet for FOH- og monitorteknikere. Hvilket tilbehør følger med KLS 150? Hodetelefonene leveres med en rett 3 meters kabel, en skrubar adapter fra 3,5 mm til 6,35 mm jack, en USB-C-adapter, avtakbare deksler til øreklokkene, et åpningsverktøy og en beskyttende oppbevaringspose.

sE Electronics RN17 Solo ...

11.950,-

Designed with Mr. Rupert Neve, the RN17 redefines the capabilities of an SDC. This is the world's first pencil microphone with a large-scale, hand-wound, ultra high performance transformer. The second product of the sE / Rupert Neve collaboration, work on the RN17 began with a discussion between Rupert and Siwei Zou on the merits and problems of small-diaphragm condensers. "I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.'" According to Siwei, "The SDC's problem is that they have a very clear sound - the SPL is high, but the sound is very cold, not like with a large diaphragm. The quality of the transformer can make the sound much, much better - but with a small transformer, nobody can do it." "Rupert told me, 'I want THIS transformer.' I said, 'That transformer is too big. This is a small-capsule microphone. Impossible.' He said, 'I want the impossible to be possible.'" THE SMALL DIAPHRAGM With a 15mm diaphragm (the world's smallest production gold-sputtered diaphragm), the transient response of the RN17 is unparalleled. Such a small capsule reacts extremely quickly, and is therefore adept at picking up the most delicate of high-frequency content. However, a tiny diaphragm usually results in a lack of low-frequency response. How to counter this? THE MASSIVE TRANSFORMER Made obvious by the unusual chassis shape, the RN17's transformer is substantially larger than the norm. This full-scale transformer was custom-designed by Rupert Neve specifically for this microphone - and nobody has been designing audio transformers longer (or better) than Rupert Neve. With an audio transformer of this magnitude, the RN17 is able to put out astonishing clarity across ALL frequencies - not just the highs. The midrange is detailed and forward, the lows are full and accurate, and the whole microphone has a balance and headroom never before achieved with a small-capsule microphone. MATTE BLACK FINISH The matte black finish minimizes the level of visual attention drawn to the microphone when used on stage or in the studio, allowing it to blend into the background. ADDITIONAL CAPSULES The RN17 ships standard with a cardioid capsule, but an omnidirectional capsule is also available for purchase separately. CUSTOM SHOCK MOUNT Every RN17 includes a custom-designed, sturdy, protective, and easy-to-use shock mount, which is essential to reducing the unwanted effects of vibration or knocks to the supporting microphone stand. Capsule Type: Hand-Crafted True Condenser Diaphragm: 17.2mm Gold/Mylar Directional Pattern: Cardioid (omnidirectional capsule available separately) Frequency range: 20 Hz - 20 kHz Impedance: 200 Ohms Sensitivity: 5.96 mV/Pa (-44.5dB) Sensitivity (Figure-8): 2.51 mV/Pa (-52dB) Max SPL: 131 dB (0.5% THD @ 1kHz) Signal to Noise Ratio: 76 dB Self Noise: 18 dB(A) (cardioid), 15 dB(A) (omni) Matching Connectors: XLR3F Power requirement: 48V phantom Weight: 320g / 11.32oz Diameter: 44 mm (transformer), 17mm (capsule) Length: 200 mm Se video her.

Om oss

Meny

Totalt:

Filter

Filter

Søkeresultater

Lyd

Totalt:

El.gitarer

Type/Modell

Stålstrengs gitarer (Western)

Nylonstrengs gitarer (Klassisk)

Forsterkere

Produsent

Effekter og pedaler

Produsent

Dunlop

Type

Rekvisita og Tilbehør

Reimer

Strenger

Bass Forsterkere

Bass Rekvisita

Bassgitarer

Perkusjon

Skarptrommer

Cymbaler

Hardware/Stativer

Basstrommepedaler

Trommeskinn

Evans

Remo

Stikker m.m.

Aktiv PA

Lydkort

Studio Monitorer