Lyd

Hovedbilde Adam Audio S5H Main Monitor ...

135.395,-

ADAM S5H The S5H is a powerful main monitor custom-designed for the demanding rigours of reference listening in the world’s most expansive studios and control rooms. The three-way S5H was conceived, as its name suggests, to be used in a horizontal orientation and features two 10-inch Extended Linear Excursion (ELE) bass drivers, newly designed by ADAM expressly for the S Series. Like the LF ELE units on all the other members of the range, the S5H’s woofers feature ADAM Audio’s proprietary Symmetrical Magnet Assembly (SMA) guaranteeing that low-frequency audio remains tightly controlled and free of distortion at all times. The all-important mid-range frequencies are handled by ADAM Audio’s new hybrid DCH. This innovative 4-inch MF driver was also newly developed by ADAM Audio exclusively for the S Series and combines the sonic advantages of cone and dome drivers in a single, one-piece unit. Together with the S-ART treble driver — the latest iteration of ADAM Audio’s widely respected folded-ribbon tweeter, now produced to tighter tolerances than ever before — the resulting combination produces a powerful but unfatiguing sound, with a palpable sense of depth: the last word in high-resolution, natural-sounding audio reproduction. The off-axis responses of the treble and mid drivers remain extremely accurate thanks to the addition of high- and mid-frequency waveguides milled from solid aluminum: ADAM Audio’s newly developed Mid-range and High-frequency Propagation Systems (MPS and HPS). The resultant stable, wide-ranging dispersion ensures that teams of more than one person can work in the loudspeakers’ sweet spot simultaneously, as is often necessary in larger control rooms. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end. No fewer than three separate amplifiers power the drivers: a 700 W Class D design for the bass drivers, a 300 W Class D for the mid range and a 100 W Class D unit for the S-ART tweeter. With its innovative features, advanced design, generous headroom and enormous dynamic range, the S5H takes its rightful place as ADAM Audio’s flagship reference monitor: an extraordinary loudspeaker offering audio reproduction to the very highest standards of fidelity. German Handmade Precision S-ART Tweeter with HPS Waveguide 4" Dome / Cone Hybrid (Carbon) with MPS Waveguide 2 x 10“ Woofer (Hexacone) Cumulated Amp. Power RMS: 1100 W Frequency Response: 22 Hz - 50 kHz Max. SPL Per Pair at 1 m: ≥131 dB AES3 Digital Inputs And Various Expansion Options NB! Adam Audio gir 5 års garanti, dersom du registrerer produkter du kjøper av oss: https://www.adam-audio.com/en/warranty-terms/

Adam Audio S5V Main Monitor ...

117.195,-

ADAM S5V Designed for medium-sized and larger studio control rooms, the S5V main monitor offers all the raw power studio professionals would expect from a reference speaker of its class, but also reproduces full-bandwidth, high-resolution audio with complete accuracy and clarity. ADAM Audio’s Extended Linear Excursion (ELE) bass drivers and Symmetrical Magnet Assembly (SMA) technology were developed especially for the S Series, and the 12-inch bass driver on the S5V benefits from both concepts, offering a quality of reproduction without equal in terms of accuracy, dynamic range and freedom from coloration. The 4-inch DCH MF driver, with its unique hybrid dome/cone construction, handles the important mid-range information with extreme precision, while ADAM Audio’s S-ART folded-ribbon tweeter, handmade in Berlin to the tightest possible tolerances, produces breathtaking highs and ensures the soundfield is presented in all of its most delicate, filigree detail. The off-axis responses of the treble and mid drivers remain extremely accurate thanks to the addition of high- and mid-frequency waveguides milled from solid aluminum: ADAM Audio’s newly developed Mid-range and High-frequency Propagation Systems (MPS and HPS). The resultant stable, wide-ranging dispersion ensures that teams of more than one person can work in the loudspeakers’ sweet spot simultaneously, as is often necessary in larger control rooms. The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end. A Class D 700 W amplifier drives the S5V’s bass unit, with further Class D designs providing 300 W and 100 W to the DCH mid and S-ART treble drivers respectively. Combining the legendary precision of ADAM Audio’s proprietary drivers with the power of the company’s amplification, the S5V is a reference monitor for truly discerning audio professionals at work in the most expansive listening environments. German Handmade Precision S-ART Tweeter with HPS Waveguide 4" Dome / Cone Hybrid (Carbon Composite) with MPS Waveguide 12“ Woofer (Hexacone) Cumulated Amp. Power RMS: 1100 W Frequency Response: 25 Hz - 50 kHz Max. SPL Per Pair at 1 m: ≥128 dB AES3 Digital Inputs And Various Expansion Options NB! Adam Audio gir 5 års garanti, dersom du registrerer produkter du kjøper av oss på deres nettsider: https://www.adam-audio.com/en/warranty-terms/

Adam Audio T10S Aktiv ...

5.695,-

The T10S is a powerful yet compact active subwoofer, designed to extend the bass response of any nearfield studio monitor. However, the subwoofer’s performance, features and connectivity are engineered specifically to complement ADAM Audio’s T5V and T7V speakers. Equipped with a down-firing 10˝ woofer and a 130 W Class-D amplifier, the T10S’ frequency response ranges from 28 Hz to 120 Hz and offers an impressive max. SPL of 104 dB. An internal adjustable two-channel crossover allows calibration of the bass signal and provides optimal performance of the total system. The options at the rear of the subwoofer allow for varied adjustments which compensate for room acoustics or they offer more control for satellites attached. While reciting the T Series design language, the T10S is one of the most compact subwoofers in its class, which allows it to be easily integrated in any studio environment. The acoustic performance was optimized by four high grade flexible rubber feet that prevent the sound from exciting the floor and a spacious rear facing bass reflex port for an optimized airflow. Amp. Power RMS: 130 W Frequency Response: 28 Hz - 120 Hz Max. SPL at 1 m: ≥104 dB Optimized for T Series studio monitors

Adam Audio T5V Aktiv Monitor ...

2.195,-

The new Adam Audio T5V is a highly affordable two-way nearfield monitor and optimized for small control rooms. With its 5" woofer the bass-frequency response of the T5V extends to 45 Hz. The new U-ART tweeter, a breakthrough solution for use in high-resolution recording and mixing on a budget, goes up to 25 kHz and is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio's flagship S Series monitors. The waveguide's highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working. A beveled cabinet with a rear-firing bass reflex port and a small footprint allows placement anywhere in your room, no matter how small, and contains built-in DSP-controlled driver crossovers and equalization as well as multi-way analog connections. Powered with a 50 W Class D amplifier for the woofer and a 20 W Class D amplifier for the U-ART tweeter, the T5V produces SPLs of up to 106 dB per pair. Excellent acoustic characteristics, small dimensions and an outstanding cost/performance ratio make this studio monitor perfectly suited for use in small control rooms in music, video and broadcast production. If you need to hear more bottom end, the T5V is compatible with the ADAM Sub7 and Sub8 subwoofers. Specifications: U-ART tweeter 5" woofer Inputs: XLR & RCA HPS Waveguide Amplifier Power: Tweeter 20 W [RMS], Woofer 50 W [RMS] Frequency Response: 45 Hz - 25 kHz Max. Peak SPL per Pair: 106 dB HF and LF Cut/Boost ± 2 dB Warranty: 5 years [2 year parts and labor warranty, plus an additional 3 years available with product registration]

Adam Audio T7V Nearfield ...

2.595,-

ADAM T7V Nearfield Monitor The T7V is a two-way studio monitor designed for vertical use in a nearfield application. The T7V features a 7” woofer that provides bass extension down to 39 Hz, while the U-ART tweeter’s diaphragm provides pristine and extended high-frequency response up to 25 kHz – virtually unheard of in monitors in this price range. The U-ART tweeter is fitted to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series studio monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working. On the rear side of the T7V’s beveled cabinet, a rear-firing bass reflex port joins a sturdy metal backplate that’s home to the analog input connections. The U-ART tweeter is powered by a 20 W Class-D amp, while a 50 W Class-D amp serves the woofer. These new powerhouses yield an impressive maximum of 110 dB SPL per pair. The wide frequency response, high dynamic range, excellent transient response, wide sweet spot and small footprints make the T7V perfectly suited for use in small control rooms for music production, video post-production and broadcast production – a great fit for the modest budgets that many facilities need to work with. The ADAM Sub8 subwoofer is the perfect match to complement the T7V to extend the capabilities of monitoring in the bottom end. NB! Adam Audio gir 5 års garanti, dersom du registrerer produkter du kjøper av oss: https://www.adam-audio.com/en/warranty-terms/

Adam Audio T8V Aktiv Monitor ...

3.695,-

ADAM AUDIO T8V The T8V is an affordable, professional 2-way powered studio monitor with an 8˝ woofer and ADAM Audio’s latest addition to the T Series. Designed around the same technology, features and build quality as its smaller siblings, the T8V provides best-in-class characteristics and sound performance. The T8V impresses with a multitude of features that bring real benefits to the user: The U-ART tweeter’s 4:1 velocity transfer ratio, in combination with the new Class D amplifiers’ high dynamic range, yield respective max. peak SPL of 118 dB per pair. The tweeter, which extends up to 25 kHz, works as a team with the HPS Waveguide. This allows an optimal radiation of the high frequencies, which means the advantage of a more controlled, larger usable sweet spot during monitoring. With a bass extension down to 33 Hz, the T8V is especially suitable for users who produce bass-heavy music. The T8V is the perfect studio speaker for those who have always wanted to work with an 8“ monitor from ADAM Audio, but where budgets have been insufficient. The 5-year warranty gives users additional security and the certainty of having purchased a quality product. * U-ART 1.9” Accelerated Ribbon Tweeter with HPS Waveguide * Polypropylene 8” woofer and rear-firing bass-reflex port * Cumulated Amp. Power RMS: 90 W * Frequency Response: 33 Hz - 25 kHz * Max. SPL Per Pair at 1 m: ≥118 dB NB! Adam Audio gir 5 års garanti, dersom du registrerer produkter du kjøper av oss: https://www.adam-audio.com/en/warranty-terms/

AER AG8 II Active Monitor

13.920,-

AG8 Akustisk-monitor forsterker med 3 innganger. Hybrid 60W/4 ohm, 8" dobbelkon høyttaler system. AG8 beviser att AER`s akustiske system ikke bare er comboforsterkere. Den høye lydkvaliteten gjør att de med fordel kan brukes som PA eller monitorsystem. Selv om AG8 mest anvendes som komplement til AER`s forsterkere, f.eks. Compact 60, så er det ett frittstående produkt som passer i alle sammenhenger der bra lydgjengivelse er ett krav. Mål: 33x26x26 cm Vekt: 8,5 kg

Aim Audio ESSENCE Stormembran ...

4.464,-

Aim Audio ESSENCE Cardioid Condenser Microphone Made in Berlin, Germany, the ESSENCE is a new high-performance studio mic that is a world first. It comes with a host of unique, useful and innovative features, including our patented switchable Transformer/Electronic Output stage. From a direct, beautifully open and fast response to smooth and intimate sounds with sparkling harmonics and deep lows, ESSENCE is surely going to become a top choice wherever and for whatever source you wish to use it on. Add to this a fresh look, backlit and tactile controls, reversible orientation, built-in Peak Level Metering, a hand-built 1” Gold Sputtered Mylar true condenser capsule (externally polarized) and you have one of the finest audio products to ever hit the market - all at a price/performance ratio that defies regular convention. Main Features • Cardioid Studio Condenser Mic • Developed by an experienced team of experts in audio, with multiple patented features • All-metal housing with unique oval design • Class-Leading Audio Performance (>140 dBA internal headroom) • Switchable between Electronic or Transformer Balanced Output stages • Custom-wound Toroidal Audio Transformer with VITROPERM core • 1” Large Diaphragm True Condenser (Gold Sputtered Mylar) • Sound chosen by blind listening tests, using our industry leading panel • -10 dB Pad, plus 80 Hz Low Cut • Integrated Peak-Level Metering • Backlit Controls (dimmable and lockable) • Built-in direct-to-stand mounting • Powered by regular 48 V Phantom Power • Made in Berlin, Germany The sound of success The sound of any microphone starts with the capsule. We developed the Aim sound by carrying out a number of double blind tests with a team of leading studio engineers, musicians, artists and audio professionals across the world. Along the process and to find out what capsule style and tonality worked best with our custom electronics, we also compared each of these tests by ear and included checking these results randomly, against some of the most popular and best competitor mics on the market. Our chosen handmade, externally polarized, dual 1” capsule features a 6 micron gold-sputtered genuine Mylar diaphragm, isolated brass backplates with the finest quality tensioners and a customized ring connector. We also use Teflon coated wires, as this improves the S/N ratio to our own and separate Hi-Z electronics. It really is a work of art. ESSENCE’s cutting edge electronics are also extremely important to the sound. For all of our PCBs (also made in Berlin), we selected the highest quality components throughout - despite the cost, to maintain and exceed audio performance from many other designs that our team have been involved in. We also wanted to achieve a very low noise floor and a flat internal response without compromising on the audio quality, so we have a total number of four separate PCBs in each microphone, to minimise crosstalk and provide a leading-edge internal headroom of 140 dBA+. Plus, the entire mic is powered just by regular 48 V Phantom Power! Change the Output Mode Transformer or Electronic Output stage? Why not have both in the same mic! Despite being a huge challenge, we made it happen and now for the very first time, you can instantly swap between these two distinct types of output and choose exactly which style best suits your source, at source and at the same level. For our Transformer-based circuit, the Aim Audio team developed a Custom Wound Toroidal Transformer with a nanocrystalline VITROPERM core. This special design doesn’t sound harsh or just add distortion, but it provides a slightly thicker and richer LF, plus a slightly airy top end and a slower transient response. Useful for all sorts of audio; from aggressive or velvety smooth vocals to heavy guitars or a brass section, this mode gives a beautifully open sound with shimmering harmonics. While our super clean Electronically Balanced Output will react much faster with transients and can handle higher SPL, even at ultra-low frequencies. Perfect for catching fast moving audio like shiny drum overheads or tracking acoustic guitars, without any ‘smearing’ of the audio, this mode gives stunningly transparent and natural recordings. It captures all the detail in the HF but without adding a zingy quality that some condensers can be prone to. See it your way To make the controls easy to see in dark and moody stages and studios, Aim’s LED backlit controls on ESSENCE show exactly what settings the mic is set to, at a moment’s glance. All of the controls can be easily dimmed to three levels or even turned off, as required. You can also easily lock the buttons too, to prevent accidental changes. Catch the Peaks and Rumbles Many interfaces, mic-preamps and even DAW meters don't always show fast clipping peaks before they can irreversibly damage a take. So, we fitted a simple Peak LED Level meter to ESSENCE which will flash Orange when the level is approaching the ‘danger level’ and will go Red to show when you should use a Pad. The mic itself won’t be distorting, so you can turn this feature off if you are using a high-end device. The Low Cut Filter at 80 Hz and a gentle Roll Off Filter at 110 Hz are useful for helping to reduce wind noise, close proximity effect or even vibration, assisting you to get the best sound possible for your recordings. Take the Shock ESSENCE is equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Aim’s custom capsule holder is also made from a superior rubberised Anti-Vibration material, meaning it will protect your takes from most knocks and bumps that could ruin a recording. However, for the absolutely best shock-mounting experience, the optional ORBIT, our revolutionary patented multi-position shockmount, and the SENTRY magnetic Pop Filter are also available. Topping things off, ESSENCE includes a branded Velcro cable tie and a Vegan-Leather mic carry pouch to keep the microphone free from dust when not being used. ESSENCE Technical Specs Transducer Type: True Condenser Frequency Response: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ: 24.1 mV/Pa (rel. 94 dB SPL) Signal-to-Noise Ratio: 86 dBA (rel. 94 dB SPL) Polar Pattern: Cardioid Equivalent Noise Level: 8 dBA Maximum SPL: 140 dB (at 0.05% THD - no pad) Pad Switch: -10 dB LF Cut-Off Filter: 80 Hz

Aim Audio INSPIRE + PACK ...

9.274,-

Aim Audio INSPIRE + PACK Aim… Ready… Record! The Aim Audio INSPIRE + Pack includes the trailblazing and exquisite INSPIRE microphone and the ORBIT Shockmount kit. Both have been entirely conceived from the ground up, to help you make better recordings. Made in Berlin, Germany, the INSPIRE is a new high-performance studio mic that is a world first. It comes with a host of unique, useful and innovative features, including our patented switchable Transformer/Electronic Output stage. From a direct, beautifully open and fast response to smooth and intimate sounds with sparkling harmonics and deep lows, INSPIRE is surely going to become a top choice wherever and for whatever source you wish to use it on. Add to this a fresh look, backlit and tactile controls, reversible orientation, built-in Peak Level Metering, a hand-built 1” Gold Sputtered Mylar true condenser capsule (externally polarized), along with the revolutionary ORBIT Shockmount, complete with the SENTRY Magnetic Pop Filter, the INSPIRE + PACK is one of the finest audio products to ever hit the market - all at a price/performance ratio that defies regular convention. Main Features • Multipattern Studio Mic and Shockmount Package, in custom fitted case • Developed by an experienced team of experts in audio, with multiple patented features • All-metal housing with unique oval design • Class-Leading Audio Performance (>140 dBA internal headroom) • Switchable between Electronic or Transformer Balanced Output stages • Custom-wound Toroidal Audio Transformer with VITROPERM core • Dual 1” Large Diaphragm True Condenser (Gold Sputtered Mylar) • Sound chosen by blind listening tests, using our industry leading panel • 5 Switchable Polar Patterns, with voltage reached indication • -10 and -20 dB Pad options, plus 80 Hz Low Cut or 110 Hz Roll Off switches • Integrated Peak-Level Metering • Backlit Controls (dimmable and lockable) • Built-in direct-to-stand mounting • Powered by regular 48 V Phantom Power • Included Custom ORBIT Shockmount, with adjustable clamp angle and Resorber Ring • Included SENTRY Magnetic Reversible Pop Filter • Made in Berlin, Germany The sound of success The sound of any microphone starts with the capsule. We developed the Aim sound by carrying out a number of double blind tests with a team of leading studio engineers, musicians, artists and audio professionals across the world. Along the process and to find out what capsule style and tonality worked best with our custom electronics, we also compared each of these tests by ear and included checking these results randomly, against some of the most popular and best competitor mics on the market. Our chosen handmade, externally polarized, dual 1” capsule features a 6 micron gold-sputtered genuine Mylar diaphragm, isolated brass backplates with the finest quality tensioners and a customized ring connector. We also use Teflon coated wires, as this improves the S/N ratio to our own and separate Hi-Z electronics. It really is a work of art. INSPIRE’s cutting edge electronics are also extremely important to the sound. For all of our PCBs (also made in Berlin), we selected the highest quality components throughout - despite the cost, to maintain and exceed audio performance from many other designs that our team have been involved in. We also wanted to achieve a very low noise floor and a flat internal response without compromising on the audio quality, so we have a total number of four separate PCBs in each microphone, to minimise crosstalk and provide a leading-edge internal headroom of 140 dBA+. Plus, the entire mic is powered just by regular 48 V Phantom Power! Change the Output Mode Transformer or Electronic Output stage? Why not have both in the same mic! Despite being a huge challenge, we made it happen and now for the very first time, you can instantly swap between these two distinct types of output and choose exactly which style best suits your source, at source and at the same level. For our Transformer-based circuit, the Aim Audio team developed a Custom Wound Toroidal Transformer with a nanocrystalline VITROPERM core. This special design doesn’t sound harsh or just add distortion, but it provides a slightly thicker and richer LF, plus a slightly airy top end and a slower transient response. Useful for all sorts of audio; from aggressive or velvety smooth vocals to heavy guitars or a brass section, this mode gives a beautifully open sound with shimmering harmonics. While our super clean Electronically Balanced Output will react much faster with transients and can handle higher SPL, even at ultra-low frequencies. Perfect for catching fast moving audio like shiny drum overheads or tracking acoustic guitars, without any ‘smearing’ of the audio, this mode gives stunningly transparent and natural recordings. It captures all the detail in the HF but without adding a zingy quality that some condensers can be prone to. See it your way To make the controls easy to see in dark and moody stages and studios, Aim’s LED backlit controls on INSPIRE show exactly what settings the mic is set to, at a moment’s glance. All of the controls can be easily dimmed to three levels or even turned off, as required. You can also easily lock the buttons too, to prevent accidental changes. Multi-Pattern Wheel with Stabilisation Indication INSPIRE is equipped with 5 distinct Polar Patterns (Cardioid, Wide Cardioid, Super Cardioid, Omni and Figure-8) via the Pattern Select Wheel. In addition, the backlit LED in the wheel will flash until the correct polarization voltage or switching settings have been reached, making it super handy when audibly testing what pattern works best for your source, at speed. Catch the Peaks and Rumbles Many interfaces, mic-preamps and even DAW meters don't always show fast clipping peaks before they can irreversibly damage a take. So, we fitted a simple Peak LED Level Meter to INSPIRE which will flash Orange when the level is approaching the ‘danger level’ and will go Red to show when you should use a Pad. The mic itself won’t be distorting, so you can turn this feature off if you are using a high-end device. The Low Cut Filter at 80 Hz and a gentle Roll Off Filter at 110 Hz are useful for helping to reduce wind noise, close proximity effect or even vibration, assisting you to get the best sound possible for your recordings. Front or Back? During development, we asked ourselves “do the switches belong on the front or rear?” For a vocalist who wants to record themselves, having the switches right on the front would make the most sense, but if an engineer wants to control and see the settings or you want to record a guitar amp etc. the rear does make it much easier to maintain access. As INSPIRE has a highly matched dual capsule and a symmetrical acoustic design, it meant that we could simply switch between both sides and maintain the sonic signature, no matter which side is in use. Simple and effective, in any of the three Cardioid modes, the FRONT and BACK controls will switch and invert the entire orientation of the microphone. This means that all the controls practically will move from the front to the back of the microphone and/or vice versa, to best suit exactly how you want to use it! Take the Shock INSPIRE is equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Aim’s custom capsule holder is also made from a superior rubberised Anti-Vibration material, meaning it will protect your takes from most knocks and bumps that could ruin a recording. However, for the absolutely best shock-mounting experience, the INSPIRE + Pack includes ORBIT, our revolutionary patented multi-position shockmount and the SENTRY magnetic Pop Filter, as part of the package. Made from extremely strong Long Glass Reinforced Nylon, ORBIT is lightweight and very simple to use. Many shockmount designs can be fiddly, hard to adjust and a pain getting the exact angle you need for the mic to be pointed at your source. Just like with our microphones, ORBIT has had years of development in working out how to make a better shockmount system. In addition, to get closer to sound source and to make the controls on the microphone easily accessible (especially when the mic is in the cradle), we settled on a half-open/open front design. After very many man hours of physical testing, we chose to not use regular rubber-band style of elastics that can sag over time and also introduce all sorts of resonances. Instead, we developed our own solid nylon based Lyres to afford the best shock-mounting possible. But what if you want to use INSPIRE’s Back mode and not have the mount in the way of the controls or peak LEDs? No problem! With our patented mechanism, you can easily change the angle of the mounting position by 190 degrees, to suit whatever direction you want to ‘Aim’ the capsule at. Side mounting, front, back or any position in between, the twist clamp mechanism can be operated single-handedly, while the mic stays secure in the custom clamp. This also makes ORBIT great for overheads or for miking up amps etc. In addition, the integrated removable cable relief clip helps to reduce rumble and handling noise. Top out the POPs Aim mics have a great integrated dual Steel Mesh pop filter, but to help catch the very worst plosives we developed the SENTRY Pop Filter. The pop filter itself is made with a coated stainless steel, with acid-etched hexagonal holes that have been aligned precisely. These holes and the distance between the filter and capsule have been specifically worked out to give the best airflow, all helping to catch great vocals, with an acoustic performance that’s perfect for plosive control. SENTRY’s surface area also curves around the microphone, so movement should not be an issue, all helping you to achieve the best vocal tracking experience you can. Easy to place, SENTRY uses custom integrated magnets in four positions. These feature a very high quality localised magnetism to ensure it doesn’t interfere with the microphone’s electronics and means that it will always stay exactly where you put it. It’s also reversible to either direction, so if you want to use the REAR mode on INSPIRE with a vocalist and still see the controls and peak indicators, you can! A number of shockmounts on the market have their own resonance that can get into recordings. ORBIT is open at the front, for control access, plus as ORBIT is designed to be lightweight yet extremely strong, we used new materials which meant there can be some small unavoidable resonances. However, with the SENTRY installed, these are completely cancelled out. But for those times when you don’t need a pop filter, we developed the Magnetic Resorber Ring. This just drops onto the top when not using the SENTRY - the magnets will do the rest for you and help to give the best audio performance. But that’s not all Topping things off, INSPIRE + PACK includes a custom moulded hard carry case, a branded Velcro cable tie and a Vegan-Leather mic carry pouch. INSPIRE Technical Specs Transducer Type: True Condenser Frequency Response: 20 Hz - 20 kHz Sensitivity at 1 kHz into 1 kΩ: 13.5 mV/Pa (rel. 94 dB SPL) Signal-to-Noise Ratio: 86 dBA (rel. 94 dB SPL) Switchable Polar Patterns: Cardioid, Wide Cardioid, Super Cardioid, Omni, Figure-8 Equivalent Noise Level: 8 dBA Maximum SPL: 140 dB (at 0.05% THD - no pad) Pad Switches: -10 and -20 dB LF Cut-Off Filter: 80 Hz LF Roll-Off Filter: 115 Hz

Aim Audio ORBIT Shockmount

995,-

Aim Audio ORBIT Custom Shockmount Kit Many years in development, the Aim team precisely worked out how to make the ultimate mounting solution for our mics. But we went even further than that and came up with something really special. All Aim Audio mics are equipped with an integral direct-to-stand mount thread in the base of the microphone, which makes setting up in tight spaces a breeze. Plus, Aim’s custom capsule holder is also made from an anti-vibration synthetic rubber material, rather than a rigid plastic that’s used in many other mics. However, for the absolutely best shock-mounting experience and if you want additional mounting options, we’ve developed the ORBIT, our revolutionary and patented multi-position Shock Mount system, along with the SENTRY Magnetic Pop Filter as part of the kit. Main Features • The Ultimate Shock-Mount System for Aim Audio Mics • Easy to set up, mics just securely slide in and you're done • Open front design, for ease of control and getting closer to sources • Patented 190 degree adjustment angle of the mounting position, makes positioning a breeze • Custom non-sagging Lyres, achieves superb rumble attenuation • Removable cable relief clip, keeps things tidy but also helps reduce cable-borne rumble • Magnetic Resorber Ring, reduces resonances • Reversible SENTRY Magnetic Pop Filter, perfectly aligns with capsule • Acid etched holes in coated stainless steel filter, directs airflow to catch plosives and avoid loss of HF • Made from long Glass-Reinforced Nylon, making it lightweight and virtually indestructible Innovate, not imitate We’ve all been there - with many shock-mount designs they are fiddly to setup, hard to adjust and a pain getting the exact angle you need for the mic to be pointed at your source. Not to forget, with some of these classic designs, you also don’t always have the confidence that your precious mic is secured firmly. Well ORBIT is no ordinary shock mount and as it is so easy to use and setup, you’ll wonder what you ever did without it. Take the Shock Made from extremely strong Long Glass Reinforced Nylon, ORBIT is lightweight and very simple to use. Just like with our microphones, ORBIT has had years of development in working out how to make a better shockmount system. In addition, to get closer to sound source and to make the controls on the microphone easily accessible (especially when the mic is in the cradle), we settled on a half-open/open front design. After very many man hours of physical testing, we also chose to not use regular rubber-band style of elastics that can sag over time and also introduce all sorts of resonances. Instead, we developed our own solid nylon based Lyres to afford the best shock-mounting possible. With our patented mechanism, you can easily change the angle of the mounting position by 190 degrees, to suit whatever direction you want to ‘Aim’ the capsule at. Side mounting, front, back or any position in between, the twist clamp mechanism can be operated single-handedly, while the mic stays secure in the custom clamp. This also makes ORBIT great for overheads or for miking up amps etc. In addition, the integrated removable cable relief clip helps to reduce rumble and handling noise. Top out the POPs Aim mics have a great integrated dual Steel Mesh pop filter, but to help catch the very worst plosives we developed the SENTRY Pop Filter. The pop filter itself is made with a coated stainless steel, with acid-etched hexagonal holes that have been aligned precisely. These holes and the distance between the filter and capsule have been specifically worked out to give the best airflow, all helping to catch great vocals, with an acoustic performance that’s perfect for plosive control. SENTRY’s surface area also curves around the microphone, so movement should not be an issue, all helping you to achieve the best vocal tracking experience you can. Easy to place, SENTRY uses custom integrated magnets in four positions. These feature a very high quality localised magnetism to ensure it doesn’t interfere with the microphone’s electronics and means that it will always stay exactly where you put it. A number of shockmounts on the market have their own resonance that can get into recordings. ORBIT is open at the front, for control access, plus as ORBIT is designed to be lightweight yet extremely strong, we used new materials which meant there can be some small unavoidable resonances. However, with the SENTRY installed, these are completely cancelled out. But for those times when you don’t need a pop filter, we developed the Magnetic Resorber Ring. This just drops onto the top when not using the SENTRY - the magnets will do the rest for you and help to give the best audio performance. ORBIT Specs Compatibility: Aim INSPIRE, Aim ESSENCE SENTRY Pop Filter Attachment: 4x localised Neodymium Magnets Mounting Options: Brass insert directly screws to a regular 5/8″-27 microphone stand. Accessories Supplied*: Brass 3/8″(9.5mm)-16 thread adaptor (*excl. Americas), branded Velcro cable tie

AKG C214 Kondensatormikrofon ...

5.990,-

Stormembran-mikrofonen C 214 er designet som et rimelig alternativ til klassikeren C 414. C214 har den samme 1" kapsel som sitter i C414 B-XLS. Mikrofonen har fast nyrekarakteristikk, basskutt og 20 dB dempeledd. The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.

AKG C314-S ...

19.990,-

AKG C314 | kondensatormikrofon med fire karakterisitkker, stereopar Profesjonell kondensatormikrofon med fire valgbare karakteristikker og meget lav egenstøy. Mikrofonen har to matchede C414XLS mikrofonkapsler, montert i et integrert oppheng som minimerer resonans og mekanisk støy. Elektronikken er hentet fra C214, og summen av dette er en egenstøy på kun 8 dBA. C314 har mekaniske brytere for -20 dB pad, basskutt (-12 dB per oktav @ 100 Hz) og variabel karakteristikk (kardioide, omni, superkardioide og 8-tall). Det finnes også en overload LED, som lyser rødt dersom du overstyrer mikrofonen. Storebror C414 ble lansert i 1971, og er blant de mest allsidige stormembranene på markedet. I tillegg til å være en klassiker som stereo overhead, er den også velegnet til akustiske instrumenter og vokal. Lillebror C214 er en en-membrans kardioide, og egner seg spesielt godt til gitarkabinetter og kor.

AKG C414 XLS Mikrofon ...

15.590,-

AKG C414 XLS mikrofon med stormembran, kondensator, 9 karakteristikker. Klassisk stormembran kondensatormikrofon for universalbruk. Referansemikrofon når det gjelder opptak av alle typer akustiske instrumenter. C414 XLS har samme akustiske karakter som C414 B-ULS, den mest populære versjonen av C414 siden 1971. 9 valgbare karakteristikker fra 8 talls- til supernyre. 3 dempeledd (-6/-12/-18dB) 3 alternative basskutt for (160/80/40Hz) å redusere støy fra for eksempel vind, scenevibrasjon etc. Ledsignal som lyser rødt når signalet klipper. Leveres i metalletui med strikkoppheng og popfilter.

AKG C451B Kondensator ...

5.290,-

AKG C451 B småmembranmikrofon, kondensator Akustisk identisk med den legendariske C1 mikrofonen. Presis frekvensuavhengig kardioide. Takket være et ekstremt lett membran er mikrofonen nesten ikke sensitiv overfor handlingstøy. Tåler svært høyt lydtrykk uten forvrengning (155dB SPL).

AKG C516ML MicroMic clip on ...

2.290,-

Miniatyr svanehalsmikrofon for bruk på trekkspill, gitarkabinetter, piano og lignende. Leveres med en festebrakett som skrus fast i underlaget, mikrofonen kan fjernes enkelt ved transport. The C516 ML professional miniature instrumental microphone, part of the MicroMics family, is designed for use on accordions, pianos, guitar speakers and keyboard/organ cabinets The C516 ML comes with a wide variety of mounting materials, such as screws and adhesive pads for easy installation on the instrument or amp, and an A400 adapter plate for easy mounting onto wireless body-pack transmitters PT40/45/450/470.

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