KMA Stereo AB/Y Switcher ...

1.443,-

KMA Machines Stereo ABY Consistent Stereo Connectivity “To A and B or not to B, in stereo - that is the question.” Enrico Shakespeare, ye-olde scribe of Berlin There’s nothing new about ABY boxes. They’re a very commonly used accessory and a staple part of many setups out there. But if they are so common, then why is it so difficult to find one in a stereo format that’s well built, noise-free AND affordable? This is a question we kept encountering as we use many stereo devices daily here at KMA, plus we know that a lot of users are just as mesmerised by the wide sonic worlds of stereo as we are. So, we made a killer stereo ABY switcher to use here at our workshop. In the process we found it so useful, so we decided to make it available to the world too in a pedal format. Whether you’re looking to switch or combine your stereo input signal between two separate destinations or switch or combine two separate stereo input signals into a single output, the KMA Machines STEREO ABY pedal is a dependable little helper for your tonal quest. Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use. So, all you have to do is choose your path and perform! Main Features • Passive Stereo ABY pedal, with active switching • Sends a stereo input to two separate stereo outputs, separately or combined • Sends two stereo inputs to one stereo source, separately or combined • True Bypass • Active silent relay-based soft switching, heavily reduces mechanical noise and pops • Omnidirectional for 2 into 1 or 1 into 2 operation, plus in Stereo! • Distinct LED colours, to indicate your selected signal path at a glance • Durable compact enclosure for years of reliable switching • Top-mounted jacks, will fit into any setup • Made in Berlin, Germany • Power by opt. 9 V PSU  (9 V DC, centre -, 2.1 mm, >40 mA max. current draw) KMA’s STEREO ABY features a fully passive design for the best signal integrity, along with our True Bypass active silent relay-based soft switching. While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/ instruments/devices into your chain. However, the actual switching is taken care of by our reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud clicks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes. The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling our boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you’ve selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B. This neat accommodating Stereo device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply. In addition, without tooting our own horn too much, it just looks awesome. All helping to make it feel right at home amongst the artistic landscape that is your pedalboard. What’s not to like? So, will you choose A, B or both? With the KMA Machines ABY Stereo, the fate of your signal is in your hands!

KMA Stereo Headphone Amp

2.190,-

KMA Machines - STEREO HEADPHONE AMP Freedom to create… wherever and whenever! A few years ago, KMA released ENDGAME, which is our ultimate end-of-chain utility device. Featuring IR Cab Sims, Power-Amp simulation, True Stereo Doubling, Stereo FX Loop, Aux-in, Bluetooth, Dual Headphone Amp and much, much more, it’s basically Thanos’ gauntlet with all of the infinity stones in it. However, not everyone needs all this power all the time, sometimes just one or two infinity stones will do. This is why we made the STEREO HEADPHONE AMP - a simple, compact and great-sounding dual headphone amplifier with AUX in, Bluetooth, pass-thru as well as Stereo Ins and Outs. Meaning you can practice, explore and create in full ear-gasmic stereo. This new little box in KMA’s Utility line will add high-quality headphone monitoring to any rig, wherever and whenever you want it. Main Features: • Exceptional and Powerful Headphone Amp • Hear the end of your pedalboard • Dual Headphone Outputs, with large level control • Aux Input - Bluetooth Audio or 3.5 mm Stereo Analog • Aux/Main Mix/Blend Control • Premium Analog and high-headroom audio, with high-impedance input circuitry • Flexible internal signal routing - full Mix or Buffered Thru Outputs • Auto Detect TS/TRS 6.35 mm Inputs and Outputs - Stereo or Mono • Made in Berlin, Germany • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, <250 mA current draw at max load, not included) Taking those pristine and powerful dual headphone output stages as well as the flexible AUX features from ENDGAME, we have created what we believe to be the definitive, yet still affordable, pedal stereo headphone amp. You can use it as a standalone clean device or you can place it after your amp-sim of choice. Maybe you want a simple way to incorporate backing tracks into your setup? Well, you can do that with the AUX in and Bluetooth features. For example, this could allow you to trigger samples and/or full tracks via your phone or computer. In addition, it’s full Stereo In and full Stereo Out, so you can incorporate your divine stereo effects as well and output it to a stereo interface, mixer or PA. With the large Phones Control, it is one knob to rule them all! This controls the master output level for the headphone amp, allowing you to find the perfect volume to suit your needs and since it’s got some proper size to it, you can actually adjust it with your feet on the fly, if required. The INPUT LEVEL knob allows you to tweak the input gain to match whatever you have running into the device, be it an instrument, amp-sim or a full signal chain full of effects. While the in-built CLIP LED delivers visual feedback and will blink red if you’ve set the input a bit too hot. You can also run it hot on purpose and send the pre-amp into saturation. It’s actually very musical and has a similar vibe to a blown out or pushed channel strip on a mixing console. So even though it’s just a small simple control, don’t be shy to experiment with it a bit. Placed directly before the Main Outputs, the AUX Input is a super solution for feeding a backing track or any other stereo signal into the outputs, making the STEREO HEADPHONE AMP perfect for many purposes including practicing. Whether streaming via the built in Bluetooth or connecting via the mini Stereo analog 3.5 mm jack, the resulting audio signal will be present via either of the two Headphone Outputs and the Main Outputs. Plus, the MIX control allows you to blend anywhere between the core input signal and the AUX Input Don’t want the Aux Input to be present on the Main Outputs though? No problem, just press the Output Mode push button from FULL to THRU in order to remove the AUX path from the main outputs easily, effectively turning STEREO HEADPHONE AMP into a strong, clean buffered stereo out for your rig. If you’re anything like us, then you probably already have a pretty decent pedal collection. So of course, we had to make our very own headphone amp Full Stereo to accommodate everything from direct and dirt simple to stereophonic surreal soundscapes. But what if you want to use it in Mono? No problem. How about Mono In and Stereo Out? A cinch! STEREO HEADPHONE AMP automatically detects what you have connected up and will sum the unused path to the centre. Even if it is in Mono - Mono mode, the Aux input will also still be in Stereo via your headphones, so practice away without losing your head! Last, but by no means least, we added another trick up the STEREO HEADPHONE AMP’s sleeve for live musicians. If, like many performers today, you use IEMs, you may want more of your own level or have an easy and simple way to blend your own monitoring levels. Many musicians can experience a slight delay between their own signal and what comes back from the monitor mix depending on the type of connections used and this is even more prevalent with many digital consoles. In addition, if there are not enough aux sends on your rig, sometimes you may not be able to hear yourself in stereo either. So, by using the analog AUX input for your monitor mix in and the STEREO HEADPHONE AMP’s headphone out to your wired IEMs (or connected to your own IEMs wireless set up) you will have more direct control over your own levels. In this case though, just set the Output Mode push button from FULL to THRU to not pass the Aux input section to the Main Outputs - no more arguing with the engineer for “more me” - you have your own control! Phew, even though we’ve not yet mentioned how cool it is that the KMA Bear’s eye lights up, it still seems so much more than the “Bear Necessities” of what might normally be considered a run-of-the-mill utility device. Come on in to finally sink your own claws into true headphone monitoring for the modern musician!

KMA Tyler Deluxe The Advanced ...

3.121,-

KMA Machines TYLER DELUXE The Advanced Freq Splitter Do you remember the sounds coming from the woods, as a rough and towering man was wielding his frequency-splitting axe? Driven by nature’s most primordial force, that man then dropped his simple axe, picked up his power saw and evolved into something more. Something bigger, stronger and more versatile. Standing tall is TYLER DELUXE - the ultimate frequency-selective signal-splitting tool, ideal for developing new sounds and leading your creativity down new inspiring parallel paths.  Main Features:  • Two-Channel Signal Splitter - Variable 12 dB/oct. Low/High-Pass • Fully-Isolated and Transformer-based FX Loop Sends • Variable Clean Blend and Mix controls - for the perfect blend of highs and lows • Loop-dedicated and main Phase-Inverters • Relay-based soft-switching • Separate Buffered FX-Loops for each filter • Active Level Control - up to12 dB boost • Made in Berlin, Germany • Powered by 9 V PSU         (9 V DC, centre -, 2.1mm, ~100 mA max. current draw) KMA Machine’s TYLER (active and variable two channel crossover/signal splitter) has successfully found its place on many bass and guitar players’ boards around the world, helping them refine and define their tone. However never to stand still, we at KMA Machines decided to step up the game and create a more advanced, versatile and flexible solution, based on the great feedback from our users. The heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths (both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let’s dive into everything that makes this pedal DELUXE. Since the original TYLER was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with TYLER DELUXE! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancelation. The next new must-have feature is there to ensure the transparency of your setup and because we know it's important to you and to us, we added the good old CLEAN blend.  So far so good, but the deluxe delights don’t stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter-frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow TYLER's evolution, we added another claimed feature. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.  Modern times brings modern needs, so TYLER DELUXE is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.  Some fun examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the high-pass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the HP LOOP footswitch and you will never turn off TYLER DELUXE again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and TYLER DELUXE will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any of your dirt pedals, for a very pronounced and punchy sound all coming from one amp.  If there ever was a Swiss army knife for your tone, then TYLER DELUXE must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

KMA Wurm 2 High-Gain ...

2.226,-

WURM 2 Refined HM2-Style High-Gain Distortion Refine the Terror from Below Slithering across the ravaged landscape, the behemoth advances. With each thrust, the beast drags thousands of years of grinding grief and mauling malice that’s ready to be unleashed upon the world yet again. There is no escape. You either stand in its path and get torn asunder or join the legendary beast, receiving the blessing of its dark distorted powers and sawing sonic screams. The choice is easy. All hail the mighty WURM! With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy ‘doom and gloom’ distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be. Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA’s now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before. • High-Gain Metal Distortion pedal • Modern take of the classic and now sought-after original Boss HM2 MIJ • Wide range of metal-distortion tones - from chainsaw, to plain evil and gritty • Highly configurable 4-band active EQ • 3 distinct types of EQ frequency controls to tailor your tone - now accessible on the front • Compact enclosure with top-mounted jacks - will fit into any setup • True Bypass, with silent relay-based soft switching • Handmade in Berlin, Germany • Powered by opt. 9 V PSU   (9 V DC, centre -, 2.1 mm, 50 mA current draw) Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre - the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion. We, of course, kept the iconic active HM-2 dual-band EQ section, but added two more bands, giving a much wider range of tones to tailor your evil and gritty distortion sound. On top of that, each band has an internal trim-pot to change the centre frequency and fine-tune your tone further if the need arises. For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic ‘chainsaw’ High-Mids character. However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds! However, with all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings.   So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out. The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

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