All Pedal DEVIL’S TRIAD Jeff ...

4.890,-

DEVIL’S TRIAD Jeff Loomis Signature Distortion / Boost / Delay / Reverb Designed in collaboration with Jeff Loomis (from Nevermore and Arch Enemy) in order to be an all-in-one solution for his live and studio performances, the DEVIL’S TRIAD offers particularly crafted high-gain / lead toners which Jeff fine-tuned over his career. The DEVIL’S TRIAD is an overdrive / distortion pedal that features a boost, a delay and a reverb, as well as a complete routing system that can adapt to every configuration types, from beginners to professionals. Main Features • Jeff Loomis Signature Overdrive / Boost / Reverb / Delay Effects Pedal • All- in one solution that works as pedalboard preamp, in front of an amp or routed through an amp’s effects loop • Analog Op-Amp drive section with soft LED-clipping - from expressive overdrive to powerful distortion that tightens up any amp and accentuates pick attack • Analog Op-amp- Boost with up to 20 dB of added volume • Digital Delay with 50-500 ms delay time • Digital Plate Reverb • 2 TS inputs and outputs for multiple routing options for Drive/Boost and Delay/Reverb sections • True bypass Switching • Made in the USA • Powered by a regular 9 V DC PSU (centre -, 2,1 mm, 160 mA current draw) The DEVIL’S TRIAD is a power house of pedal tones in a single package, with the Drive section feeding into the Boost, which then cascades into Reverb and Delay. To give you the most flexibility possible, the DEVIL’S TRIAD was designed with separate IN and OUT jacks for the Reverb/Delay section. This allows routing the Reverb and Delay effects to your amplifiers effects loop while still allowing you to use the Drive and Boost to shape the tone and gain at the front end of your amplifier’s signal path, just like Jeff Loomis does! To use all effects in one signal path, you can simply plug your Guitar into Input A and run a second cable from Output B into your amplifier’s input. In addition to that, DEVILS TRIAD can be used as a preamp, by plugging Output B into the FX Return of your amplifier’s effects loop, bypassing the amp’s preamp entirely. The pedal’s tone, gain and level controls will now function as the front end of your amplifier. DEVIL’S TRIAD is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Cornerstone Nucleo Reverb ...

5.290,-

Cornerstone Nucleo Cornerstone’s latest pedal – built in collaboration with YouTuber Paul Davids – brings you the haunting echoes of Austria’s Zwentendorf nuclear power plant in a new signature ambient reverb pedal. The idea began with Paul Davids’ visit to a nuclear power plant in search of the world’s most insanely beautiful reverb. There, he was inspired by the sound of the plant with all its unique reflections. This sound has now been captured in the Nucleo. Paul Davids' has collaborated with Cornerstone for a new signature ambient reverb pedal, the Nucleo – which is inspired by the natural reverb of a nuclear power plant. Many of Cornerstone's previous releases, including the Klon/Bluesbreaker-inspired Colosseum, have centered around emulating the tones of classic players, such as Stevie Ray Vaughan and Robben Ford. The Nucleo, though, is a different beast entirely. Inspired by Davids’ visit to the Zwentendorf nuclear plant in Austria, the Nucleo looks to offer the sort of reverbs you'd experience from an abandoned reaction chamber, but has also been bestowed with granular synthesis, modulation, pitch shifting, freeze effects, and plenty more to take its ambient capabilities beyond typical realms. His visit to the plant led to Davids experiencing what might just be the world's most incredible natural reverb. Uniquely, Zwentendorf was never brought online after a change in public sentiment in 1978, meaning he could plug in and play in a reactor that, if it were functioning, would be deadly. Microphone manufacturer Lewitt Audio, which was the brains behind the trip, created an Impulse Response out of Davids' nuclear jamming, but now that reverb and swathing magic has been bottled in a user-friendly stompbox. Its two biggest dials control the 'Reactor' size, from a lo-fi room reverb and upwards, and the Blend of the effect. There are controls for the Modulation, Pitch, and Speed of the resulting 'verb, as well as Decay, Tone, and Freeze (volume) dials. Finally, there are two footswitches for Bypass and Freeze. Cornerstone has also said the pedal can save presets for quick interchanging between the best voices players can muster, and will also have MIDI functionality to bolster its viability in live settings. “Usually you hear it coming out of your amp or from your speaker,” David had said of the reactor’s reverb while standing in the heart of it, guitar in hand. “[Here you’re] drenched in reverb, you feel it all around you… this is very inspiring.”

Death By Audio Dream Station ...

3.490,-

Death By Audio Dream Station Stereo Reverb and Delay Pedal  The Dream Station is like two Death By Audio pedals in one! It’s an instant mood creator, blending DBA-style reverb and delay to plunge your signal into a vivid fantasy hallucination. Three filter settings let you radically shape the tone and character of the effects, opening up a myriad of soundscapes at your fingertips and exploding your sound into super-wide stereo. From shimmering, lush pads to wild slapback insanity, ping-pong comb filtering, and swirling atmospherics, the Dream Station delivers a full palette of sonic reflection for bending reality and dreams alike. In this compact package, you can create any combination of echo and reverb with the Dream Station’s easy-to-use interface and feel the power of a full-stereo ambience in our smallest reverb ever. With the three filter settings, you can explore different spaces from airy and bright, dark and moody, and full-range digital. And when you really want to go crazy, crank the ECHO F-BACK to blow your bandmates away. Part of Death By Audio’s Destroyer Series, the Dream Station sports the line’s signature look: a compact footprint, glowing vintage-style LED display, and minimal controls that conceal a world of sonic madness. Each Destroyer pedal delivers a distinct, over-the-top effect in a smaller, stage-friendly box - together forming a family of beautifully chaotic tone machines in stereo. Main Features: • Stereo Reverb and Delay pedal • Perfect for both mono and stereo chains, because of the onboard input configuration switch • TS/TRS and TS to TRS compatible • Switch between continuous or muted trails when bypassed with the internal Trails Dip Switch • Mode Switch for changing the filter settings for the delay and reverb o Bright: Low frequencies are filtered out for a splashy, airy “tape” sound o Full: No filtering; a complete, uncoloured tone for a clean “digital” sound o Dark: High frequencies are filtered out, creating a warm analogue-style sound • Controls for Mix, Reverb Time, Echo Time and Echo Feedback • Top-mounted Jacks • Hand-made in New York, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 95 mA current draw, not included)

Death By Audio Reverberation ...

3.050,-

Death By Audio Reverberation Machine Pedal SUPER DREAMY REVERB YOU CAN OVERLOAD A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. CONTROLS Vol: Controls the master output volume. Altitude Control:  This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb: Blends in the amount of reverb. Dark/Light Symbol:  Dark cavernous reverberation to  bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** . SPECIFICATIONS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.

Death By Audio Rooms Stereo ...

5.490,-

SPACE REFLECTIONS ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS  FREQ: Controls the frequency parameter of the current mode. DEPTH: Controls the depth parameter of the current mode. TIME: Controls the reverb time in all modes. DRY: Controls the volume of the dry signal, from -inf to 20x gain. FX: Controls the volume of the reverb signal, from -inf to 20x gain. ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions: 5.95" x 3.86" x 2.96" (including hardware). Weight: 18 oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter).  Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in. MODES AND PARAMETERS: FREQ knob : DEPTH knob   1 - ROOM: Tone of Decay : Pre-Delay A classic reverb that simulates many different rooms. 2 - DIGIT: Delay Time : Delay Feedback A filter matrix verb capable of creating otherworldly resonances and fractured repeats. 3 - PEAK: Filter Frequency : Filter Resonance A super intense bandpass filter combined with an ambient reverb. 4 - GATE: Decay Tone : Gate Response Time A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. 5 - WAVE: Modulation Frequency : Modulation Depth Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. 6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right) Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Dreadbox DARKNESS Stereo ...

2.990,-

Dreadbox DARKNESS Stereo Reverb Darkness is the deficiency or absence of light. I Love You But I’ve Chosen Darkness… Dreadbox DARKNESS is a Digital True Stereo Reverb effect pedal and it is a result of a collaboration with Sinevibes. Technically, the Dreadbox DARKNESS is a Granular Pitch Shifter, followed by the famous large Reverb found on their Typhon synthesizer and ending up to a gate generator. In addition to this, there is also a micro looper that can hold up 150ms of the input signal, in order to create a freeze effect. Experimenting is strongly suggested. By combining two of Sinevibes’ exquisite Algorithms, the Dreadbox team took things even further by extending the code and making these suitable for use as an effect pedal. Dreadbox favours open architecture in most of their devices, so instead of having several switched algorithms, DARKNESS has a single versatile and flexible formula, that can create from Small and Smooth Reflections up to Huge Shimmering and Endless Reverbs. Main Features: • Stereo Shimmer Reverb Effects Pedal • 32bit @ 48kHz Digital Effects Processor • Decay times up to 30 seconds • Selectable Pitch Shift (+/-12 semitones) with variable mix amount for shimmering sounds • Variable Time Scale with Modulation (Triangle or Sample & Hold) • Fully Adjustable Dry/Wet Balance up to 100% Wet • Freeze/Micro Looper function - loops 150 ms of the input signal • True stereo inputs and outputs - suitable for audio, line or instrument level input up to 2Vpp level • 2-Pole Damping Filter (High Pass or Low Pass) • Versatile switchable Gate effect with variable Attack and Release Times • Switchable Reverb Tails • Secondary Reverb and Gate control functions o Holding down ON Footswitch accesses secondary Reverb controls o Holding down HOLD Footswitch accesses Gate Controls • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 150 mA current draw)

Dreadbox RAINDROPS Stereo ...

2.970,-

Dreadbox RAINDROPS Stereo Delay / Pitch Shifter / Reverb The Dreadbox RAINDROPS is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echoes to a different level. It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echos, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs. RAINDROPS offers Delay times from 50ms up to 1 sec with tap tempo, while above 700ms it starts to become lo-fi and some dirt is added to the repeats. Its three distinct alrorithms make it useable as a standard delay, Modulated Delay, Shimmering Delay, Delay with Reverb on the repeats, simple lush Reverb, pitch shifted Delay or plain Noise Machine. The true stereo in and outs and the preset memory for each algorithm make it a versatile companion for creating subtle ambience to vast soundscapes. Main Features: • Stereo Delay, Pitch Shifter, Reverb Effects Pedal • Hybrid circuit with multiple delay stages and ICs • Delay times from 50ms up to 1 sec with tap tempo • 3 selectable algorithms with preset memory for each o Modulated Delay o Pitch-Shifted Delay o Large Lush Reverb • True stereo inputs and outputs - suitable for audio, line or instrument level input up to 2Vpp level • Analog dry signal path with Hybrid Delay and Digital Reverb paths • Tap Tempo with multiple division settings (accessible via secondary knob control functions) • Switchable Delay Tails • Secondary control functions accessible by holding down the ON Footswitch • Silent CMOS Buffered Bypass Switching • Powered by opt. 9V DC power adapter (2.1 mm, center -, 220 mA current draw)

EarthQuaker Devices ...

2.970,-

Afterneath V3 Enhanced Otherworldly Reverberation Machine EarthQuaker Devices has taken everything that was great about the original Afterneath and made it even better: 9 new Modes, CV/expression pedal control over the Drag parameter, Trails/No Trails Switching, helping to push the already unflappable Afterneath into a whole new realm. The Afterneath V3 sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard (or sorceress, if you prefer) and the cave is your instrument’s signal, vast, expansive and magical. Do you go inside? Roll a D20 to proceed! • Same otherworldly reverb algorithm built from an adjustable cluster of short delays • Ranges from scattered individual delays to an immersive wash of atmospheric reverb • New control over the Drag parameter with 9 unique modes of user-selectable sweep.  These new modes of operation push the already unflappable Afterneath into a whole new realm:     1. Unquantized: Smooth, unquantized response over the operating range     2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up     3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage-controlled oscillator     4. Chromatic Scale: Quantized 1v/octave to the chromatic scale     5. Major Scale: Quantized 1v/octave to the major scale     6. Minor Scale: Quantized 1v/octave to the minor scale     7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale     8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths     9. Octaves: Quantized 1v/octave to omit all but octaves • Flexi-Switch™ - allows for momentary and latching-style operation from a single footswitch • Silent soft-touch switching with True Bypass • Tails/No Tails switching • Voltage or expression pedal control jack for the Drag parameter • All analog dry signal path and a totally digital effect signal path • Powered by regular 9 V DC PSU          (centre -, 2.1 mm, ~100 mA current draw) Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics. Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal… Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counter-clockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex. Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counter-clockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb! Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counter-clockwise and the delay lines will begin to pull apart for a scattered ping-pong delay effect. The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV. The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counter-clockwise for less. Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath V3 does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb. The Afterneath V3 features a completely analog dry signal path, totally digital delay path, buffered bypass with Flexi Switch Technology and a tails/no tails option on bypass. Each and every Afterneath V3 is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.

EarthQuaker Devices Astral ...

3.350,-

Astral Destiny An Octal Octave Reverberation Odyssey We’d like to take this opportunity to welcome you and your instrument of choice to a vast new world of octave reverberation. Unrelenting, radicalized reverb for the modern world; an array of haunting, unearthly delights and ethereal sonic sorcery designed to take you on a deep journey through both time and space. This is your new destiny should you choose to accept it (which we assume you have if you’ve gotten this far…). Anyhow, welcome to your new Astral Destiny. The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect. Main Features: • Powerful modulated octave reverb pedal • 2 modes of operation     Live Mode – all controls operate manually     Preset Mode – recalls stored settings for each control • 8 reverb modes with 8 user editable presets:     Abyss – Huge reverb with no octave effect     Shimmer - Adds an upper octave to the reverb tail     Sub - Adds a lower octave to the reverb tail     Sub Shimmer - Adds an upper and lower octave to the reverb tail     Astral - Adds an upper and lower octave combined with a regenerating tail     Ascend - Upward pitch bending; best used on sustained notes and chords     Descend - Downward pitch bending; best used on sustained notes and chords     Cosmos - Adds a regenerating fifth to the reverb tail; best used on sustained notes and chords • Stretch feature - doubles the reverb length while adding an adjustable pitch bending effect • Assignable expression control • Silent soft-touch switching with True Bypass • Buffered bypass switching with Tails/No Tails operation • Voltage or expression pedal control jack for any parameter • All analog dry signal path and a totally digital effect signal path • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, ~100 mA current draw) Astral Destiny features a completely analog dry signal path, totally digital delay path, buffered bypass with and two different bypass states - Tails or Full Bypass. Tails Mode, which the is the pedal’s stock setting, allows the reverb to naturally decay after the effect is bypassed, slowly letting you drift back from your ethereal dream state into the waking world. Full Bypass, on the other hand, will cut the reverb effect completely when the effect is bypassed and instantly throw you back into cold clutches of reality. Let your fate spin out of control by pressing the Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch. While a short tap will immediately change the pitch, holding the Stretch footswitch depressed gives you a temporary pitch bending effect with the speed of the of the pitch bending effect created by holding the Stretch footswitch easily adjusted by turning the Length knob. While the Astral Destiny offers two different modes of operation, it ships in Live Mode, where each control will operate manually, laying out your fate for you, clearly visible. Preset Mode in contrast lets you chose from one of the 8 unearthly, ethereal factory preset reverb fates, 1 for each reverb mode, the Astral Destiny comes with. Each of these can be edited or completely overwritten just like when the ancient Fates plucked or cut the strings of ones destiny. Save settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length and recall them instantly. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets. But beware! - There is no undo for preset saving, so make sure you are not overwriting your favorite sound, especially when you are saving presets from Live Mode! – Once the string of your fate is cut, there is no turning back on your destiny. Freely express any aspect of your Astral Destiny - Shipping with the EXP jack mapped to the Depth control, the expression control can also be swiftly assigned to Length, Rate, Tone, or Mix, plus different EXP assignments can be saved in each preset and you can also use Control Voltage with the EXP Jack. Each Astral Destiny is built one at a time by a team of Los Angeles-based robots and a handful of real life humans in the occupied Erie territory presently known as Akron, Ohio.

EarthQuaker Devices Avalanche ...

5.190,-

Avalanche Run V2 Ambient Alchemy The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. Taking you into the aural exploratorium without having to break open the user manual every time you want to open up your inner eye and get free is no easy task. We are using a high powered proprietary DSP platform to recreate all the characteristics of all our old favorite delay and reverb machines while still retaining a simple, yet flexible workspace.   • Stereo reverb and delay • V2 features an updated algorithm for an even better stereo image • 3 delay modes and tap tempo - Normal, Reverse and Swell • Expression input - For hands-free control over pedal parameters • True bypass - Silent soft-touch switching • Analog dry-through • Top-mounted jacks - for effortless pedalboard implementation The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush reverb. It features complete control over delay time, repeats, mix and voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In Normal mode, the Avalanche Run functions as a straightforward delay and reverb. In Reverse mode, the delay line is in reverse and the reverb remains in normal mode. In Swell mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar. The Avalanche Run features an expression jack that can be assigned to one of six different controls using the EXP selector switch. It also features Tap Tempo with six different ratios accessed via the Ratio selector switch. The Avalanche Run can also be run in True Bypass mode or Buffered Bypass mode for trails and features 5 different tail lengths including Infinite for lo-fi and continuously degrading pseudo-looping. The Tap switch also has a few other cool secondary functions. While in Normal and Swell mode, you can send the Avalanche Run into self-oscillation by holding down the Tap footswitch. In Reverse, mode holding down the Tap switch will flip the delay back into Normal mode and return to Reverse mode once released!   Each and every Avalanche Run V2 is completely assembled, wired and tested by total human beans in the tiny tundra town of Akron, Ohio.

EarthQuaker Devices Dispatch ...

2.580,-

Dispatch Master V3 Still packed to the brim with crystalline delays and seemingly endless reverberating soundscapes, the renowned Dispatch Master V3 now features EarthQuaker Devices proprietary flexi-switch for seamless switching between standard latch mode and cool momentary operation, seeing you create everything from dreamy lingering soundscapes to short glitchy bursts of ambience. An all-time EarthQuaker Devices favourite just got even better! • Digital delay & reverb in one pedal - with 1.5 seconds of delay time • Independent control over delay and/or reverb effects • Flexi-Switch™ allows for momentary and traditional latching-style switching from a single footswitch • All-analog dry signal path • Silent soft-touch switching • True Bypass Now the same brilliantly simple and easy-to-use digital Delay & Reverb Device includes EarthQuaker Devices’ proprietary Flexi-Switch™ Technology. Exclusive to EarthQuaker Devices effects pedals, Flexi-Switch™ allows for traditional latching and/or momentary-style switching from a single silent relay-based true-bypass footswitch.   To use the Dispatch Master V3 as a standard effects pedal, press the switch once to activate the effect, and press again to bypass. For momentary operation, press and hold the footswitch, and the Dispatch Master will remain active for as long as the switch is held. Once the switch is released, the effect is bypassed.   The Dispatch Master’s hi-fi delay and reverb sounds and intuitive control set have made it a staple of pro pedalboards around the globe. It features a dynamic reverb that goes from natural and roomy to cavernous and deep, up to 1.5 seconds of delay time, and a dialled-in delay Repeats control delivering anything between a single echo to infinite repeats without unpleasant digital artefacts or runaway self-oscillation. Its simplicity has made it a popular “always on” effect for players who want to add a touch of ambience and slapback to their clean tone, and its lush ambient sounds make it a perfect fit for modern and experimental players.

EarthQuaker Devices Ghost ...

2.580,-

Ghost Echo™ Vintage Voiced Reverb You hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you! Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix, but we like to think of it more as how scary the overall effect is. *Not actually haunted. Or are they? Switching This device is true bypass and uses electronic relay-based switching. Audio will not pass without power. Power This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

EarthQuaker Devices Ledges ...

2.490,-

Ledges Tri-Dimensional Reverberation Machine Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it’s everything you’ve ever wanted and needed out of a reverb.   The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb’s longest setting is the Hall (H) reverb’s shortest setting, the Hall reverb’s longest setting is the Plate’s (P) shortest setting, and the Plate’s longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals™-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever. Main Features: • Reverb effects pedal • From classic, standard reverb tones such as 80s slapback reverb to bigger room everb styles and truly big, boomy and echoey cathedral-like hall reverb sounds at the turn of a knob • 3 effects modes o Mode R: The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up o Mode H: The Hall setting becomes really big, boomy, and echoey with distant reflections o Mode P: The Plate setting creates bouncy reflections that recycle and reverberate forever • 2 modes of operation: o Live Mode – Green LED-  pedal will operate exactly where the controls are set, any changes will have no effect on the presets unless saved o Preset Mode - red LED - recalls stored settings for each control, actual control settings will be ignored • 6 easily user-editable and accessible preset slots • Silent soft-touch relais-based switching with Buffered Bypass and trails • Flexi-Switch Technology for latching and momentary operation • EXP jack with user-assignable expression pedal or Voltage control pedal control over any parameter • All-analog dry signal path and digital effect signal path • Made in Akron, Ohio, USA • Powered by regular 9 V DC PSU     (centre -, 2,1 mm, 75 mA current draw) Ledges can go from an ‘80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you’ll hear clearly by adjusting your gain.   In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.  

EarthQuaker Devices Towers ...

3.930,-

EarthQuaker Devices - Towers Stereo Reverberant Filter Towers teleports your sound into a vast stereophonic expanse, weaving it into its unique resonant filtered feedback networks. Reflections hang in the air and move in and out of a sprawling multidimensional soundscape, where they don’t just fade away—they radiate, breathe and drift endlessly into the void. The filter frequency offers three distinct modes of navigation: Manual Mode puts the player in charge of the filter frequencies.  Envelope Mode where playing dynamics breathe and morph into everchanging filter movements. LFO Mode where the player surrenders control to a slow-moving oscillator that sweeps across the stereo field.

Electro Harmonix Holy Grail ...

2.460,-

Electro Harmonix Holy Grail Max EH XO Unik klangpedal fra Electro-Harmonix med Spring,Hall, Plate og Reverse reverb i tillegg til mer! Nøyaktig hva XO står for vet nok bare Mike Matthews, men en kvalifisert gjetting er at det står for ”extra ordinary”. Da Electro Harmonix lanserte sin Nano-serie for et par år siden tok man et første trinn bort fra de store boksene og begynte å lage pedaler i mindre chassis med færre knotter. XO-serien er fortsettelsen på denne omstillingen og man har redesignet alle gamle store pedaler og bygd dem inn i et mer moderne stålchassis som tar mindre plass på pedalbrettet. Her finner du alt fra delaypedaler til ringmodulatorer, alle med den typiske Electro Harmonix-twisten. The Holy Grail Max shares the Holy Grail’s remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max’s multi-function control lets you adjust decay or reverse time. With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.

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