Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise Parting ...

4.299,-

Parting Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Main Features: • Glitch Delay/Reverb Crushing Modulation Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Aux footswitch for tap tempo, half clock speed, or preset switching • Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal • Analog Dry-Through • Expression and MIDI control over all parameters • MIDI clock I/O for external tempo syncing • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Available in 3 Colourways - Green (standard), Purple and Stone • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included) Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Old Blood Noise SCOOCH Tap ...

436,-

Old Blood Noise Endeavors SCOOCH Tap Tempo Tap Tempo Switch SCOOCH is an external tap tempo footswitch designed for use with our Expression Ramper X3, Whitecap, and Blackcap. Simply plug scooch into the Tap In/Ext Tap jack with a TS cable and start tapping in your desired tempo! The pedal you plug SCOOCH into will handle the rest. SCOOCH Tap Tempo can be used with a wide variety of other devices as well, for Tap Tempo, Remote Switching, or other purposes: anything expecting a momentary, normally open footswitch signal through a TS cable (connecting Tip to Sleeve when pressed) will be compatible. Main Features: • Tap Tempo Footswitch • 6.3 mm TS output (configured as normally open) - for connecting any compatible tap-tempo or external switching enabled pedal • Designed to work with Old Blood Noise Endeavors effects pedals • Also compatible with any device capable of accepting momentary, normally open TS footswitch signlals connecting Tip to Sleeve when pressed • Compact form factor • No power required

Old Blood Noise Setback ...

3.345,-

Old Blood Noise Endeavors - Setback The Ultimate Reverse Pedal Building on their legacy of backwards sounds, as shown in old favourites like Rever, Minim and BL-44, Old Blood Noise Endeavors have created their most in-depth and feature rich reverse pedal yet, the Setback. Setback focuses exclusively on the magical texture of sounds in reverse, without anything else getting in the way. With a streamlined control set, the user controls sample rate, delay time and playback speed, creating pitch shift effects and much more, with all the utilitarian bells and whistles of the modern era included: stereo in and out, presets, full MIDI control and so on. From raging robot-like ring-mod sounds, shimmering harmonized pitch effects, classic reverse delays and all the way to brooding, crumbling lo-fi textures. Setback delivers it all and then some, making it the perfect companion for everything from Psychedelia, Shoegaze, Indie, Ambient and beyond. We live life forwards, but can only fully understand it backwards, hence Setback’s wealth of unique reverse effects will surely deliver inspiration, meaning and depth to your compositions. Main Features: • Reverse Effect Device • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Controls for:           o Clock (signal fidelity)           o Div (tempo subdivisions)           o Speed (playback speed for quantised pitch shift effects)           o Mix (dry/wet blend) • Sample rate from 49 kHz down to 500 Hz • Aux footswitch for tap tempo, runaway feedback, or preset switching • Alt controls for gentle volume adjustment or setting the time without tapping or MIDI clocking • Reverse delay times from ring-mod fast down to 24 seconds at lowest clock setting • Analog Dry-Through • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • Selectable Buffered Trails or True Bypass modes • Top-mounted Jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1 mm, ~ 350 mA current draw, not included)

Old Blood Noise Signal ...

4.299,-

Signal Blender Stereo Parallel Effects Chain Creator Multi Stereo Loop Pedal, Black Since its release in 2019, OBNE’s Signal Blender has become an indispensable tool for musicians looking to create parallel signal chains, or otherwise split or combine multiple signals. Now, in collaboration with 29 Pedals, the new Signal Blender Stereo boasts many worthwhile and useful upgrades from the original version. When 29 Pedals approached OBNE about improving the signal headroom and phase response of the original version for use in their own studio, a collaboration was born. Not content with only signal improvements, the team approached the whole new design in stereo, added trails switching and also added MIDI switching for integration into more complex rigs. Main Features: • Mono or Stereo Parallel Effects Chain creator • Designed in collaboration with 29 Pedals • Stereo input and output, with two Stereo Effect Loops • Option for Mono-to-Stereo splitting at the main input • Individual volume knobs and footswitches for Loop A, Loop B and Clean Signal • Trails switching for Loop A and Loop B • MIDI control of on/off and trails switches • Options for True Bypass when all switches are off • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU, scaled up to +/- 15V internally (centre -, 2.1mm, ~ 500 mA current draw, not included) Signal Blender Stereo is a comprehensive mono or stereo parallel effects chain creator. From the input, your signal forks out into multiple paths, allowing parallel blending of two effects loops (A and B) and the original input (Clean) at the output. Experience the joys of parallel routing, or expand to other use cases, like splitting a signal to three separate outputs, or combining three unique signals into one output. The simple, yet fully featured control set allows for grab-and-go utilitarianism. The A and B switches engage their relevant effects loop. Tap it to latch the on/off state, or hold it for momentary action. Signal is sent at full strength through the Send jack and the volume knob determines the amount of signal coming back into Signal Blender Stereo via the Return jack. The phase invert toggle allows phase inversion on the return when the toggle is in the up position, accounting for pedals that flip the phase. The trails toggle in the up position prevents the Return from switching off, allowing time-based effects to trail after the footswitch is switched off. In the down position, the send and return are switched on and off together. The Clean footswitch determines whether the original clean input signal is sent to the main output and the Clean volume knob determines the volume of that signal when engaged. By default, Signal Blender is designed to be stereo through the use of TRS cables, or mono through the use of TS cables, without the need to change any settings at all on the device. However, if mono input to stereo output is desired, just use the internal dipswitch to assign mono-in-stereo-out (“MISO”), then use a TS cable at the input and TRS cables everywhere else.

Old Blood Noise Signal ...

4.299,-

Signal Blender Stereo Parallel Effects Chain Creator Multi Stereo Loop Pedal, Holey Kids finish Since its release in 2019, OBNE’s Signal Blender has become an indispensable tool for musicians looking to create parallel signal chains, or otherwise split or combine multiple signals. Now, in collaboration with 29 Pedals, the new Signal Blender Stereo boasts many worthwhile and useful upgrades from the original version. When 29 Pedals approached OBNE about improving the signal headroom and phase response of the original version for use in their own studio, a collaboration was born. Not content with only signal improvements, the team approached the whole new design in stereo, added trails switching and also added MIDI switching for integration into more complex rigs. Main Features: • Mono or Stereo Parallel Effects Chain creator • Designed in collaboration with 29 Pedals • Stereo input and output, with two Stereo Effect Loops • Option for Mono-to-Stereo splitting at the main input • Individual volume knobs and footswitches for Loop A, Loop B and Clean Signal • Trails switching for Loop A and Loop B • MIDI control of on/off and trails switches • Options for True Bypass when all switches are off • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU, scaled up to +/- 15V internally (centre -, 2.1mm, ~ 500 mA current draw, not included) Signal Blender Stereo is a comprehensive mono or stereo parallel effects chain creator. From the input, your signal forks out into multiple paths, allowing parallel blending of two effects loops (A and B) and the original input (Clean) at the output. Experience the joys of parallel routing, or expand to other use cases, like splitting a signal to three separate outputs, or combining three unique signals into one output. The simple, yet fully featured control set allows for grab-and-go utilitarianism. The A and B switches engage their relevant effects loop. Tap it to latch the on/off state, or hold it for momentary action. Signal is sent at full strength through the Send jack and the volume knob determines the amount of signal coming back into Signal Blender Stereo via the Return jack. The phase invert toggle allows phase inversion on the return when the toggle is in the up position, accounting for pedals that flip the phase. The trails toggle in the up position prevents the Return from switching off, allowing time-based effects to trail after the footswitch is switched off. In the down position, the send and return are switched on and off together. The Clean footswitch determines whether the original clean input signal is sent to the main output and the Clean volume knob determines the volume of that signal when engaged. By default, Signal Blender is designed to be stereo through the use of TRS cables, or mono through the use of TS cables, without the need to change any settings at all on the device. However, if mono input to stereo output is desired, just use the internal dipswitch to assign mono-in-stereo-out (“MISO”), then use a TS cable at the input and TRS cables everywhere else.

Old Blood Noise Split | Meld ...

392,-

Old Blood Noise Endeavors Split | Meld Passive Stereo-Routing Utility Device A discovery born out of necessity, the Old Blood Noise Endeavors Split | Meld is a practical non-destructive way to manage parallel dual-mono and stereo signal paths and adds to the OBNE line of pedalboard friendly utility devices.  The 2024 updated design features a smaller even more pedalboard-friendly layout in a mini-sized enclosure and artwork created by the OKC art duo Holey Kids, one half of which also works at the brand’s Oklahoma headquarters, to perfectly fit in with the latest pedals in the OBNE's Utility series. As a routing solution that splits stereo TRS to dual mono TS signal paths (and vice versa), this little passive box of tricks is an ideal route for parallel signal paths in a myriad of creative ways.  Especially useful for stereo pedalboards and setups with devices that have TRS stereo inputs & dual-mono outputs, Split | Meld can also be used to make use of a pedal’s TRS effects loop, without the need to fiddle with TRS splitter cables that often can be poor quality and get in the way.  No power supply is needed here - simply connect and go. Main Features: • Simple stereo TRS to dual-mono TS splitter / combiner for pedal boards • Updated, smaller design with mini-sized enclosure • Practical routing solution for use with stereo pedalboards and setups • 1 x TRS to dual TS jacks • Graphic design by Holey Kids • Useful for many situations o Splits stereo TRS signals to two mono TS signals o Combines two mono TS signals to one TRS stereo signal o Replaces TRS splitter cables when using TRS FX loops of effects pedals • Passive electronics - no power needed

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Sunlight ...

4.307,-

Old Blood Noise Endeavors Sunlight Stereo Modulated Reverb Pedal Combining elements of the popular Sunlight and Procession pedals, Old Blood Noise Endeavors is proud to introduce Sunlight Stereo, the latest in the brand’s upgraded lineup of modern classic sound machines. Focusing mostly on post-reverb processing and motion, Sunlight Stereo sends its reverb through a short delay, filter and volume control, with an LFO available to modulate any and all of those parameters. This helps to create more than reverb, with flanging, chorusing, moving filters and tremolo tones all on offer. Add a dynamic element, stereo processing, low noise floor, full MIDI control and presets and suddenly you have a reverb pedal that is unique yet versatile enough to add to your library of ambient machines. From bright, sharp and pulsing to percussive and even plain weird (moving literally and emotionally), Sunlight Stereo is a reverb pedal that’s sure to conjure up a wealth of imaginative soundscapes. Main Features: • The next evolution of OBNE’s Sunlight - Modulated Reverb Pedal • Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing • Dedicated knobs to control Decay Length, Envelope Functionality, Delay Time and Feedback, Filter Frequency, Dry and Wet volume, and Rate, Depth and Shape • Destination controls for the built-in LFO • Aux footswitch for tap tempo, indefinitely held trails, or preset switching • Expression and MIDI control over all parameters • Onboard Presets, plus control via MIDI • MIDI clock in and out for external tempo switching • Analog Dry-Through • Selectable Buffered Trails or True Bypass modes • Top-mounted jacks and Soft-Touch Switching • Hand-made in Oklahoma, USA • Powered by (opt.) 9 V DC PSU (centre -, 2.1mm, ~ 350 mA current draw, not included) By adding Stereo Input and Outputs via TRS, on-board Presets, Trails, Expression control over all parameters and MIDI control, this helps to give more versatility to the sound of Sunlight than ever before. In addition, the Dynamics control introduces moving elements to the reverb, such as LFO variation depending on signal strength at lower settings. When set above noon, additional dynamic elements are introduced to the Reverb and only signals above a certain threshold are let in, meaning the decay of the reverb is decreased at the same time, to clear out existing trails. Essentially, the further you crank up the Dynamics, the more the threshold is increased, requiring louder signals to enter the reverb. You can tune this to the specific strength of your instrument and playing style, in order to create dynamic pads with Decay all the way up. The Sunlight’s Aux footswitch can be customised for momentary or latching effects, like tap tempo, infinite sustain, reverb hold or preset switching, providing flexible creative control at your feet. Save and switch between three unique on-board presets, with clear LED indicators and use the Expression Jack for hands-free dynamic control over any parameter. Adding to the pedal’s extensive flexibility, Sunlight Stereo is fully MIDI compatible, with presets being selectable via Program Change messages as well as all parameters being accessible and controllable via CC. With both Mono and Stereo routing options, plus selectable True-Bypass or Trails modes, Sunlight offers a comprehensive blend of both intuitive and advanced features for musicians that are looking to sculpt their own immersive sonic landscapes.

Old Blood Noise Visitor ...

2.786,-

Visitor Parallel Multi-Modulator Inspired by the unique complexities of running modulations in parallel, Old Blood Noise Endeavors proudly presents the Visitor Parallel Multi-Modulator. Constantly pulling, pushing, stretching and weaving in and out of each other, the sounds of the Visitor are in constant flux, seamlessly moving from familiar modulated airwaves to clouds of irregular haunting motions. With three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus), Visitor immediately inspires new modulated sounds and textures in a small and intuitive pedal format. Dual Parallel Modulation Pedal – Contains worlds of interweaving modulation Primary modulation – switchable between tremolo, chorus, and phaser Secondary modulation – switchable between tremolo and chorus Secondary knob – simultaneously controls depth, rate, and delay offset of secondary modulation Expression In – hands-free control over Secondary knob • Relay bypass switching Powered by regular 9 V DC PSU (9V DC, centre -, 2.1mm, ~46mA current draw) Visitor is meant to be a modulation pedal not easily understood with existing modulation vocabulary, but that doesn’t mean it’s difficult to use. With a toggle to switch between its 3 different types of primary modulation and well-known controls for Depth, Rate, Regen and Mix, the Visitor’s foundational modulation sound is easily tuned and controlled, seeing you set up classic or surreal resonant Chorus, Tremolo or Phaser sounds in no time. However, the elusive undulating parallel nature of the Visitor is introduced via its “Secondary” controls. The Secondary toggle switches between either Chorus or Tremolo as the parallel modulation, whereas the Secondary knob controls a host of parameters at once. Set all the way down, you only hear the primary voice, but as you turn the knob up, several things begin to shift! The Volume control quickly ramps up to unity volume, while the Rate increases steadily as you bring the knob up. The Secondary rate is also pushed and pulled by the primary LFO. This means the rate will be fastest when the primary modulation is at its peaks, and slowest as the LFO nears zero. The Depth will increase steadily and then plateau in order to not get out of control, while the Time of the delay offset of the secondary modulation will increase significantly toward the end of the sweep, where you will hear the most obvious delay effect. The Secondary knob can also be controlled via expression, for on the fly tone changes that will make your mind melt. But all of these technical words simply can’t describe the organic rising and falling textures the Visitor creates. They simply need to be heard and experienced in real life. From dual tremolo chops to warbly random vibratos, huge doubler tones, modulated reverberating slapbacks and rhythmic pulsating filter sweeps, get ready to welcome them all into your sonic life as you walk alongside the Visitor.

Omnitronic VE-2 Stativ for ...

395,-

Genialt stativ for gitarforsterkere eller andre som vil vinkle forsterker eller høyttalere litt mer mot ørene sine. Easy handling Easily detachable Especially useful for amplifiers, powered amps, top speakers etc. Stable construction The telescopic tube is additionally secured via safety-pin and screw Made of steel tube Max. load 25 kg

Orange Acoustic Pedal

1.630,-

Orange Acoustic Pedal Class A Preamp-pedal for akustisk gitar med EQ og effektretur Orange Acoustic Pedal forenar en førstklasses Preamp med alle verktøy du behøver for å forme det ultimate soundet fra din akustiske gitar, såvell live som i studio. 3-bånds EQ med parametrisk Mid og Notch-filter, effektretur, bryter for fasevending på XLR-utgangen, volumkontroll og 18V strømforsyning (inkludert) som gir ekstremt bra dynamikk. The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play.

Orange AD30HTC ...

16.190,-

AD30HTC Forsterkertopp, rør, håndbygget i England. Klassisk rørsound, 30 watt Class A med EL84: rør i sluttsteget. To kanaler med separate Gain- og Mastervolum. Ett perfekt valg for den som søker krystallklar rein lyd og vintage overdrive.   Essentially two vintage British-style amps in one, the valve rectified twin channel AD Series recaptures the warm, time-honoured EL84 sound that defined an era. These amps have gained deserved reputation among Country pickers, Bluesmen, Pop, Funk and Indie artists for their classy, bell-like cleans, breaky crunch and controlled natural compression. This amp has proved to be so popular worldwide that its specification remains unchanged, and is fast becoming the new standard in 30 watt Class A amplification. With two completely separate signal paths, each with two stages of gain and master volume controls, both channels can be set clean or coaxed into varying degrees of crunch. Channel One has a slightly mellower character, with a thick, creamy, classic voice. Channel Two produces a tighter bass response and a faster attack with more gain and a more prominent upper midrange. However you set the controls, the AD30HTC remains wonderfully receptive to various guitars and playing styles, whilst the GZ34 valve rectifier imparts its own distinct vibe for players seeking a more vintage feel and responsiveness. Pair with our PPC212OB for glassy highs and spacious cleans or expose the AD30HTC’s heavier nature with our PPC212 or PPC412 for more low end projection. Information Type Rørtopp Effekt/Rør 30W 4 x EL84 Kanaler 2 EQ 3-Band Reverb Nei Effektloop Nei Vekt 16,5kg Mål 55 x 27 x 24cm  

Orange Amp Detonator ABY-boks ...

1.430,-

Amp Detonator Aktiv ABY-box med polaritetsvender og buffrede outputs, 3-farget LED-visning så man ser hvilke utganger som er valgt også på mørke scener.   It’s a well-known fact that running two amps is not only enormous fun, but also a time-honoured way of achieving bigger tones on stage and in the studio. Whether it’s switching between two different amplifiers for their individual characteristics (rhythm and lead, for example) or using them simultaneously for huge walls of sound, pros have been employing this setup for decades. Achieving this easily, however, has always been a problem for guitar players. Poor quality passive ABY boxes/line selectors load the guitar signal down, degrading the tone and rendering the whole exercise almost pointless. Not to mention ground hum issues caused by non-isolated outputs. On the other hand, active ABY pedals are in short supply and are usually quite cumbersome. Step forward: The Amp Detonator. Featuring two buffered outputs, one with a custom designed isolating transformer, we are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market. What’s more, it’s the only active ABY switcher that can be powered by a 9V battery. The transformer output has been meticulously engineered to be as transparent as possible, whilst both outputs are buffered with a low noise, linear circuit. Drive any length of cable to your amps with no loss of clarity and switch silently between them. No more unnerving ‘thumps’ for you or the sound guy! The Amp Detonator also has a push-button polarity switch to correct common phase issues between amplifiers, keeping the tone fat and full. Finally, the tri-colour LED is a handy feature, especially on dark stages, indicating your current switching setting at a glance

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