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Forsterkere

Peavey 6505MH Mini Head ...

8.450,-

Peavey lanserte i 1992 en forsterker som den dag i dag anses for å være den ultimate rock- og metal-forsterkeren, nemlig Edvard Van Halens signaturmodell 5150. Snart 25 år etterpå er lyden den samme, men innpakningen og ikke minst fleksibilitet og funksjoner har forandret seg. To kanaler som drives av tre stk. 12AX7 forforsterkerrør og et sluttrinn med to stk. EL84-rør gir 20 watt med klassisk EVH-lyd. Effekten kan settes til 20 watt, 5 watt eller 1 watt - og er ikke det lavt nok volum kan du slå av høyttalerutgangen og kun benytte den mikrofonsimulerte utgangen (MSDI) på balansert XLR eller hodetelefon. Det samme signalet kan også sendes via USB til PC/Mac. Kanal, gain-boost på Rhythm-kanalen, romklang og effektsløyfe kan styres via fotbryter. Dette er kanskje markedets mest fleksible forsterker enten du er på scenen, i studio eller på soverommet. Liten forsterker - stor lyd! 2x EL84 power tubes and 3x12AX7/ECC83 preamp tubes Two footswitchable channels with 3-band EQ Footswitchable crunch on Rhythm channel Footswitchable reverb Footswitchable buffered effects loop Tube Status indication (T.S.I.™) circuit Impedance switch for 16 or 8ohm cabinets MSDI™ Output with XLR and ground lift switch USB output Speaker defeat switch Headphone output Attenuator switch for 20 watts, 5 watts, or 1 watt output power Mål (HxBxD): 185mm x 356mm x 197mm (høyde inkluderer føtter og håndtak) Vekt: 8 kg  
Peavey Bandit 112 Combo ...

7.550,-

Peavey Bandit 112 Combo Legendary 80w combo with two channels equipped with independent EQ and voicing switches for instant tonal variation. Affordable, powerful and with exceptional sound flexibility. The Vintage/Classic/Warm switch on the clean channel and classic/modern high gain switch on the lead channel gives its main tonal characters. It is almost like having six amps in one! It delivers authentic super clean to over the top distortion and every sound in between. Simulated speaker direct out, 3-position power level selector, 3-position damping switch, effects loop, 3-band EQ per channel, pre and post gain on lead channel, high and low gain inputs, master reverb and boost makes it adaptable to most music styles and for all types of playing situations. 100 Watts (rms) into 4 Ohms (w/external speaker) 12" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswitchable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack with level control Footswitch optional 80 Watts (rms) into 8 Ohms
Peavey Classic 20 Mini Head

8.395,-

Peavey Classic 20 Mini Head 2-channel 20-Watt all tube Mini-Head with microphone Simulated Direct ouput via XLR or USB. Revered by blues, country and rock players alike, Peavey Classic amps span the tonal landscape from vintage to contemporary with ease, and the Classic 20 MH provides that tone in a highly portable package. The all-tube, 20-Watt Classic 20 MH is powered by two EL84 power tubes and 3 12AX7/ECC83 preamp tubes. It has two channels that follow the same gain structure and voicing of the Peavey Classic series amps for pure and versatile tone. The channels share a three-band EQ, lush reverb and an effects loop. The channels, effects loop and reverb are all footswitchable. Peavey's TSI™ tube monitoring alerts players of power tube status, and in the event of a necessary tube replacement, identifies which tube needs to be replaced. Rear panel features such as a Microphone Simulated Direct Interface (MSDI™) with XLR output and USB out, speaker defeat switch and 3 position power attenuator switch make the Classic 20 MH mini head perfect for studio environments. Specifications: Attenuator switch for 20 watts, 5 watts or 1 watt output power Two EL84 power tubes and three 12AX7/ECC83 preamp tubes Two footswitchable channels with 3-band EQ Footswitchable global volume boost, reverb, and effects loop Footswitch included Tube Status Indication (T.S.I.™ circuit MSDI™ Output with XLR and ground lift switch USB Output Speaker defeat switch Headphone output. Footswitch included Impedance switch for 16 or 8 ohm cabinets Weight: 16.75 lb(7.6 kg)
Peavey Classic 30/112 ...

10.650,-

Peavey Classic 30/112 Tweed-II Classic® Series 30w 2-channel tube combo with a classic warm and powerful tone. Revered by blues, country and rock players alike, the Classic 30 all-tube 12" combo span the tonal landscape from vintage to contemporary with ease. Packed with the satisfying tones that can only come from the combination of three 12AX7 and four EL84 tubes. Add features like 3-band EQ, footswitchable dual channels, footswitchable boost and reverb and you have one of the most versatile amplifiers to be found. Classic looks, classic tone, Classic 30! Specifications: 2-channel preamp Pre- and post-gain controls on lead channel Individual volume control on clean channel Boost switch Genuine Spring Reverb with level control 3-band passive EQ (bass, middle, treble) Standby Switch Effects loop Chrome-plated chassis Classic tweed covering Four EL84s and three 12AX7s 12" Celestion Midnight 60 speaker External speaker capability Weight: 39.50 lb(17.9 kg)  
Peavey Ecoustic E110 Combo ...

6.995,-

Peavey Ecoustic E110 Combo Powerful 2-channel100w amplification system designed for acoustic instruments, vocals and line-level devices. Peavey Ecoustic 110 is a powerful, feature-packed and highly versatile 2-channel amplification systems designed for acoustic instruments, vocals and line-level devices such as samplers and audio players in performance and rehearsal applications. The Ecoustic E110 provides 100 watts of clean power into a bi-amplified system containing a 10" full-range loudspeaker and a high-frequency horn. Both channels operate independently, with 9-band graphic EQ on channel 1 and two-band adjustment on channel 2, a Notch Filter and Phase Inverter on channel 1 to control feedback, footswitchable Mute/Tuner, and more. The master section includes digital reverb, chorus and delay with channel assignment and parameter adjustment, and the foot controller allows users to access up to eight presets plus an onboard looper. Features Two independent channels 1 x 10 full-range loudspeaker plus 1 high frequency horn Nine-band graphic EQ on channel 1 Combo XLR-1/4 input on each channel Footswitchable Phase inverter for controlling feedback Notch Filter on channel 1 for controlling feedback Two-band EQ on channel 2 Master volume Reverb, chorus and delay with parameter adjustments Advanced WYSIWYG (What You See Is What You Get) technology Premium mic preamp Footswitchable tuner/mute out Up to 8 effect presets via foot controller Onboard looper with foot controller Pole mount (1 1/2" internal diameter) 100 watts of power Ecoustic foot controller included Weight: 22,5kg
Peavey Invective 120 Head

22.995,-

Peavey Invective 120 Head Designed in collaboration with Periphery's Misha Mansoor, this 120W powerhouse will help players achieve the most revered metal sounds, from clean to the most extreme of high-gain tones. Guitarists with heavier tastes looking for their next upgrade will find a sturdy solution in the new Peavey® invective.120 Head. This multi-channel amp head is perfectly suited for players to achieve the most revered metal sounds, from woody and clean to the most extreme of high gain tones. A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers quality with four matched JJ 6L6GC output tubes with top-loaded bias test points and adjustment. On the rear panel, players will find paralleled speaker outputs with impedance selector, an MSDI direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. A remote switchable rack loop and effects loop, half-power switch, and two 9VDC at 500mA auxiliary power jacks complete the back panel. On the front panel, even more options and advanced control features are available. The invective.120 Head has a single input with four key channels: Clean channel with boost drive and tone; (very) Clean channel with gain/low/mid/high/post; Lead/Crunch channel input with muting gate threshold; and Lead/Crunch channel with boost level and tone. All channels, as well as the channel select with bullet LEDs, are remote switchable. Both the Lead and Crunch channels have independent pre- and post-gain controls as well as shared low/mid/high EQ. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock. Specifications: Single input Master Resonance Master Presence Master Volume Shared Low/Mid/High EQ on Lead/Crunch channels Power and Standby switches MIDI / Footswitch Input MIDI Out/Thru 2 x 9VDC at 500mA Auxiliary power jacks Rack Loop (remote switchable) Independent Pre and Post Gain controls on Lead and Crunch channels Effects Loop (remote switchable) Lead/Crunch channel Boost Level & Tone (remote switchable) MSDI Direct Output with Level/Tone/Ground Lift Lead/Crunch channel input muting Gate Threshold (remote switchable) Paralleled speaker outputs with Impedance Selector Channel select with "bullet" LEDs (remote switchable) Half Power switch Clean channel Gain/Low/Mid/High/Post - VERY CLEAN 4 Matched JJ6L6GC output tubes Clean channel Boost Drive & Tone (remote switchable) Top-loaded bias test points and adjustment Blue Jeweled Pilot Light
Peavey Invective Mini Head ...

9.595,-

Peavey Invective Mini Head, Amplifier The best tones from its Invective big brother in a portable 20 W mini head format. In a second collaboration with Periphery guitarist, Misha Mansoor, the new invective™.MH amplifier packs all of the best tones from its 120 W big brother into a much more portable 20 W mini head format. At the heart of this little monster is a pair of EL84 power tubes shaped by three 12AX7/ECC83 preamp tubes, providing everything from pristine cleans to the infinitely chunky gated d’jent destruction. The many features of the invective.MH will satisfy even the most discerning of gear heads. The onboard T.S.I.™ (Tube Status Indication) circuit helps the user diagnose a problem with the power tubes. The bias adjustment pot is located on the top of the small, rugged chassis. Additionally, foot switches allow the invective.MH to engage or disengage the Tight voicing and any combination of Gate and Boost on the Lead channel, respectively. There’s also an independently foot-switchable buffered effects loop. In addition to the great sounds, the invective.MH has all of the recording hooks and flexibility of the other Peavey MH amplifiers, including MSDI™ (Microphone Simulated Direct Interface) Output with XLR and ground lift switch, speaker-simulated USB, speaker defeat switch, power attenuator, headphone out, and more. No matter the venue, this mini amplifier has plenty of oomph for small-to-medium sized gigs and can even work as a backline stage monitor with its attenuator switch directing power at 20 W, 5 W, or 1 W to suit the need. 20 watt (5 watt or 1 watt with power attentuator) Power attentuator EL 84 power tubes, 12AX7/ECC83 preamp tubes 2 Channels Clean channel with high & low EQ Lead channel with 3-band EQ, Tight-mode, Gate & Boost Master Resonance & Master Precence Buffered effect loop XLR DI output (Microphone simulated direct interface) TSI (Tube Status Indicator) Speaker defeat switch Headphone out Footswitch included
Peavey Nashville 112 ...

8.550,-

En "industristandard" og et must for alle steelgitarister. 80 watts forsterker med "voicing" spesiellt for steelgitar. Peavey har i alle år vært kjent for sine forsterkere for steelgitar, og denne modellen gir deg lyden du er ute etter. 1 stk. 12" Blue Marvel høyttaler, DDT høyttalerbeskyttelse. Pre-EQ send / retur for volumpedal, effektsløyfe som kan kobles inn via fotbryter, aktiv 4-bånds EQ og romklang. Fotbryter ikke inkludert. Trykk her for fotbryter. 80 Watts, 12" Blue Marvel® speaker compact size, all-plywood enclosure DDT™ compression speaker protection pre-EQ send/return patch for volume pedal footswitchable post-EQ effects loop active low, mid, mid/shift, high and presence EQ three-spring reverb preamp out/CD in and power amp in patch footswitchable effects and reverb master gain control Mål (HxBxD): 460 mm x 543 mm x 261 mm Vekt: 19,4 kg.
Positive Grid BIAS Head 600W ...

10.349,-

ULTRA FLEKSIBEL BIAS Head låter og føles som klassiske boutique rørforsterkere, men gir i tilegg en helt ny og unik fleksibilitet. Den avanserte emuleringen på komponentnivå gir deg varmen, forvrengningen og følelsen av en ekte rørforsterker da den detaljert gjenskaper forsterkeren og alle dens komponenter og hvordan disse oppfører seg i forhold til hverandre. BIAS Head fungerer for alt fra metall til jazz og er designet for fremtiden. ENKEL Å BRUKE Og få tilgang til funksjonene i BIAS Head er enkelt – bare velg en av de 25 presets som finnes og begynn å skru på knottene. Trenger du litt vreng på cleanlyden? Bare legg til et rørtrinn ekstra i preampen. Vil du at sluttrinnet skal føles mer aggressivt? Da er det bare å forandre på kretsen i sluttrinnet slik at de virtuelle sluttrinns rørene presser hardere. Alt er mulig! OMFATTENDE PROGRAMVARE Hvis du ønsker å fordype deg i en verden av forsterker oppsett så kommer BIAS Head med den fantastiske BIAS AMP Pro programvaren ($199 value), som gjør at du du kan gjenskape omtrent hvilken som helst forsterker. Og enda bedre, den gir deg muligheten til å skape en unik forsterker som passer perfekt til deg og din spillestil. Koble til via Bluetooth eller USB og åpne opp en verden av komponenter og opsjoner som tidligere bare har vært tilgjengelig via loddebolt. Velg mellom forskjellige preamps og sluttrinn. Bytt ut rør og transformatorer, legg til clipping dioder og test ut forskjellige likerettere. Alt helt autentisk og alt i real time. ALT FINNES I SKYEN Alle BIAS produkter kan kobles opp mot den unike Positive Grid ToneCloud®. Et skybasert nettsamfunn som er laget spesifikt for gitarister og musikere. Det er mye mer enn et bibliotek av presets og oppsett. Det er et sted for å oppdage nye ideer og nye lyder. Du kan dele dine oppsett med andre brukere eller du kan laste ned oppsett fra musikere, artister og studioer over hele verden. En hel verden av muligheter. AMP MATCH BIAS AMP programvaren har funksjoner Amp Match® innebygget. Den gjør det mulig å analysere en forsterker og legge til den prosesseringen som behøves for matche en custom forsterker til den originale. Du kan også laste ned tonnevis av forsterkere som andre har matchet via ToneCloud®. PERFEKT FOR SPILLEJOBBEN Å velge hvilken forsterker man skal bruke på spillejobben kan være problematisk. Rørforsterkere er ofte tunge å bære med seg og fungerer ofte best på veldig høyt volum. Derfor bruker mange gitarister flere forskjellige forsterkere på spillejobben for å dekke alle behov. Derfor er BIAS Head perfekt til spillejobben. Sluttrinnet på 600W har mer enn nok kraft til å håndtere alle typer scener. Da den i tillegg er superlett og kompakt er det bare en fryd å rigge opp anlegget til spillejobben. NÅ MED REVERB! BEAS Head har nå også innebygget reverb. Eller rettere sagt 9 forskjellige typer reverb. • Gitar forsterker med modellering på komponentnivå • 25 forsterker presets (tusenvis flere via ToneCloud®) • 600-Watt Class D sluttrinns forsterker (600 watts @8 ohms, 300 watts @16 ohms) • Glitchless Mono Effects Loop (loop muter ikke når man skifter patch) • Innbygget Bluetooth Wireless for kontroll via mobile enheter • MIDI In, Out & Thru • USB for tilkopling til Mac eller PC • Komplett BIAS AMP Pro programvare lisens ($199 verdi) • Tonecloud® Integrasjon - backup, last ned og del share presets i skyen • Pedal innganger (2) • Støtter Amp Match® • Vekt kun 5,3 kg
PRS Archon 50 1x12 Combo

16.250,-

PRS Archon 50 1x12 Combo Versatile overdriven tones and sparkling cleans with plenty of headroom. Greek for “ruler” or “lord,” the PRS Archon is a commanding 2-channel amp with versatile overdriven tones and sparkling cleans with plenty of headroom. Designed with five gain stages before the master volume, the Archon’s lead channel is voiced to cover everything from Classic Rock to Metal with full, lush distortion. The clean channel provides rich tones that retain clarity even at high volume, and there is ample headroom, creating an excellent platform for pedals. The Archon has remarkably responsive tone with incredible note separation, whether you’re playing on the clean channel or chugging on the lead. The PRS Archon is powered by 6L6 tubes, offering full, articulate tone with smooth high end and tight low end. They chug, distort, and get heavy without over-saturating, and they sing without becoming harsh. The 1x12 combo features a single Celestion V-type speaker, offering full, extended lows and sweet midrange. The compactness and portability of a “grab and go” combo design is also great for players who bring their amp along to rehearsals, studio time, and gigs. Utilizing a ‘no flash or trash’ approach, the Archon’s control layout allows for detailed and intuitive tone shaping. Each channel features volume, treble, middle, bass, and master volume controls as well as a bright switch. The 3-band EQ lets players better dial-in their desired tone, while the volume and master controls work together to command the amp’s distortion and loudness. The bright switch acts almost as a treble boost, putting a shine on the amp’s high-end without going into icepick territory. The global presence and depth controls in the Archon’s power amp section both work to modify the feedback network of the amp to unleash the potential of the high- and low-end respectively. Turning up the Presence control releases more high- mid and treble frequencies, bringing the amp’s tone forward. Depending on the tone stack and volume settings, the Presence can change the gain/ texture and loudness of the high-end, making your tone wilder and more 3-dimensional (or more “present” sounding). In addition to adding low-end, Depth adds a resonance to those frequencies that more 3-dimensionally shapes the Archon’s tone. Bottom Line: The Archon 50 delivers full, lush gain, a remarkable clean channel, and a versatile control layout that players of all genres will appreciate. Available as a 50-watt head or 1x12 combo. 50 Watt Celestion 12" V-Type 70 Watt Speaker 2 x 6L6GC Power Amp Valves, 6 x ECC83 Preamp Valves 2 Channels (Clean & Lead) with individual Master Volumes and 3-band Eq's Bright-function for each channel Presence & Depth Tube Driven Effects Loop Extension Speaker Jacks Footswitch Included
PRS HDRX 1x12 Cabinet

5.150,-

PRS HDRX 1x12 Cabinet 1x12" kabinett som passer til enhver vintage-forsterker, og en meget god match til HDRX 20 PRS HDRX speaker cabinets feature a closed-back design, delivering full-spectrum sound. The Celestion V-type speakers offer a balanced, vintage tone with crisp highs and airy lows. This speaker cabinet is expressive (not boxy) and an ideal pairing with PRS HDRX heads. And with black covering and salt and pepper British-style knitted weave grill cloth and PRS signature logo, PRS HDRX cabinets are a handsome accompaniment as well. PRS HDRX 1x12" Speaker Cabinet 70 Watt Celestion V-Type 12 Speaker 16 Ohm
PRS HDRX100 Forsterkertopp ...

38.850,-

PRS HDRX100, 100 Watt Head En 100W vintage-lydende forsterker inspirert av en av Jimi Hendrix personlige forsterkere The PRS HDRX 100 captures the flexibility, power, and balance of late 60’s British-inspired tone. A continuation of PRS’s popular HXDA amplifiers, PRS HDRX amps feature a refined control layout and a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018. Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRX 100 is driven by four EL34EH power tubes, the best pre-amp tubes available, and a custom-designed Straight Edge output transformer. The power supply and filament design make the HDRX 100 remarkably quiet with little to no amp “hum or hiss.” The PRS HDRX 100 features a 3-band TMB tone stack, 3-way bright switch, high-mid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 100 is also designed with internally bridged channels with individual volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to more easily dial in their distortion level and tone by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. Made in PRS Guitars Stevensville, Maryland, USA factory, PRS HDRX 100 amps are an exhaustive recreation of tone, a celebration of history, and a monument to modern technology. PRS has also designed matching 2x12 and 4x12 cabinets for the HDRX Amp family. Loaded with modified Celestion G12H-75 Creamback speakers, these cabinets push and punch to complete the package. “Designing the PRS HDRX was not an exercise in over-engineering – it’s a fairly straightforward build with the right parts and circuit. We kept historic specs where it made sense, and we made substitutions based on availability, safety, and experience. In the end, I think we have made a great-sounding amplifier with exceptional build quality and enough power to blow your pantleg when you play it,” Paul Reed Smith. Please note: This is a vintage stock volume amp. PRS recommends using a volume attenuator with these amplifiers. 100 Watt Head 4 x EL34 Power Amp Valves 3 x ECC 803S Preamp Valves Treble & Bass Master Volumes 3-Band EQ, Bass, Middle & Treble Precence Bright Function in 3 Modes: Bright 1, Bright 2 & Off Mid Gain Speaker out: 4, 8 & 16 Ohms 54,71 x 25,4 x 25,4 18,1 Kg
PRS HDRX20 Forsterkertopp 20 ...

9.950,-

PRS HDRX20 20 Watt Valve Head Inspirert av en av Jimi Hendrix sine egne gitartopper, men med en moderne vri The PRS HDRX 20 captures the flexibility, power, and balance of late 60’s British-inspired tone in a lower wattage package. The PRS HDRX 20 features a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018. Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HDRX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRX 20 is driven by two 5881 power tubes. Chosen for their lower power, smaller size, and organic voice, the 5881 tubes bring thick but articulate tone that drives well and breaks up beautifully in this lower-wattage amp. The PRS HDRX 20 features a 3-band TMB tone stack, 2-way bright switch, high-mid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 20 is also designed with internally bridged channels with individual treble and bass volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to dial in their distortion level and tone more easily by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. The addition of a Master Volume control on the HDRX 20, a new feature for HDRX amps, is another modern convenience. Players can use the Master Volume to control the power amp section of the HDRX, making it more user friendly for players who do not want to add a volume attenuator to their setup. PRS has also designed a matching PRS HDRX speaker cabinet feature a closed-back design, delivering full-spectrum sound. The Celestion V-type speakers offer a balanced, vintage tone with crisp highs and airy lows. This speaker cabinet is expressive (not boxy) and an ideal pairing with PRS HDRX heads. And with black covering and salt and pepper British-style knitted weave grill cloth and PRS signature logo, PRS HDRX cabinets are a handsome accompaniment as well. 20 Watt Head 2 x 5881 Power Amp Valves 3 x 12AX7 Preamp Valves Treble & Bass Volumes Master Volume 3-Band EQ, Bass, Middle & Treble Precence Bright Function in 3 Modes: Bright 1, Bright 2 & Off Mid Gain Switch Speaker out: 4, 8 & 16 Ohms 43,82 x 22,9 x 22,9 12,2 Kg
PRS HDRX50 Forsterkertopp 50 ...

35.795,-

PRS HDRX50 50 WATT HEAD En 50W vintage-lydende forsterker inspirert av en av Jimi Hendrix personlige forsterkere The PRS HDRX 50 captures the flexibility and balance of late 60’s Britishinspired tone in a powerful 50-watt amplifier. A continuation of PRS’s popular HXDA amplifiers, PRS HDRX amps feature a refined control layout and a newly-documented “Authentic Hendrix” Touring Circuit. This circuit is heavily inspired by one of Hendrix’s personal amps, purportedly used at Woodstock, which Paul Reed Smith and PRS Amp Designer Doug Sewell were able to study in 2018. Designed to push the high-end so it is very clear, but not so much that it’s harsh, the PRS HX shines without glaring and allows for aggression that can be backed off for smooth, sweet tones. The PRS HDRXX 50 is driven by a pair of EL34EH power tubes, the best pre-amp tubes available, and a custom-designed Straight Edge output transformer. The HX 50 has the documented 100 watt power supply, which makes it sound much closer to the 100 watt amplifier than a normal 50 watt amp. The power supply and filament design also make the HDRX100 remarkably quiet with little to no amp “hum or hiss.” The PRS HDRX 50 features a 3-band TMB tone stack, 3-way bright switch, highmid gain switch, and presence controls. These features mirror the historic amp and give players flexibility and increased control of their tone. The PRS HDRX 50 is also designed with internally bridged channels with individual volume controls. This eliminates the need for a jumper cable (historically used on the outside of the amp) and allows players to more easily dial in their distortion level and tone by blending the lead and bass channels’ individual volume controls, bringing more modern convenience to the amp. Made in PRS Guitars Stevensville, Maryland, USA factory, PRS HDRX 50 amps are an exhaustive recreation of tone, a celebration of history, and a monument to modern technology. PRS has also designed matching 2x12 and 4x12 cabinets for the HDRX Amp family. Loaded with modified Celestion G12H-75 Creamback speakers, these cabinets push and punch to complete the package. “Designing the PRS HDRX was not an exercise in over-engineering – it’s a fairly straightforward build with the right parts and circuit. We kept historic specs where it made sense, and we made substitutions based on availability, safety, and experience. In the end, I think we have made a great-sounding amplifier with exceptional build quality and enough power to blow your pantleg when you play it,” Paul Reed Smith. Please note: This is a vintage stock volume amp. PRS recommends using a volume attenuator with these amplifiers. 50 Watt Head 2 x EL34 Power Amp Valves 3 x ECC 803S Preamp Valves Treble & Bass Master Volumes 3-Band EQ, Bass, Middle & Treble Precence Bright Function in 3 Modes: Bright 1, Bright 2 & Off Mid Gain Speaker out: 4, 8 & 16 Ohms 54,71 x 25,4 x 25,4 10,5 Kg
PRS HX 2x12 Cabinet

11.250,-

PRS HX 2x12, Cabinet The perfect 2x12" cabinet match to any vintage sounding amp. PRS HX speaker cabinets feature a closed-back design, delivering full-spectrum sound. The Celestion G12H-75 Creamback speakers bring girth and articulation, allowing plenty of “woof” without the boom, defined midrange, and clear high-end to push from these powerful cabs. With black tolex-wrapped poplar plywood, salt and pepper British-style knitted weave grill cloth, and PRS Signature logo, PRS HX cabinets are a handsome accompaniment to PRS HX amps. 150 Watt 2 x 12” Celestion G12H-75 Creambacks 8 Ohm Poplar Plywood Cabinet Wood
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