AER Compact Classic Pro ...

22.790,-

The Compact Classic pro is aimed at classical players and their instruments. Compared to the Compact 60, the Compact Classic pro benefits from an improved 2-way speaker system, a more complex three band EQ with parametric bass and digital effect processor with carefully designed presets for classical instruments. All the features combine perfectly for the finer tonal texture of a classical instrument throughout the full audio band. It enhances the low frequency response without increasing feedback risk and creates beautiful ambiences that enrich the tone. Input 1     combined XLR/6.3 mm (1/4”) jack socket switchable as piezo, line or mic input. Special P/M mode for connecting a piezo pickup and an active electret mic capsule directly. Switchable 9 or 48 V phantom power and gain control Input 2 6.3 mm (1/4”) input jack socket as line input or piezo input, gain control Equalizer three band tone controls with bass parametric and bandwidth-switch (Q-factor) Effects digital effect processor with 16 presets Power amp 60 W / 4 ohms Analog signal processing subsonic filter, adaptive peak limiter Speaker system 2-way speaker system, 8” (200 mm) twin cone speaker plus tweeter Features adjustable aux in, headphones, tuner out, insert, line out, left/right out, parallel effect loop and footswitch (switch internal/external effect and mute channels), adjustable DI-out (pre/post effect switchable), presence control Dimensions 260 mm x 325mm x 240 mm (10.20“ x 12.80“ x 9.45“), HxWxD Weight 7.7 kg (16.9 lbs)

AER Compact Mobile II ...

22.220,-

Musicians often asked us for a system for acoustic instruments that provides AER sound and quality everywhere… independent from the mains. This is exactly what the Compact Mobile has been developed for. Based on the Compact 60, thus identical in sound, but with adapted  technology you can play without the mains for three to four hours, the intelligent power control gives a warning and saves you from lack of power during performance. Moreover it prevents the batteries from being completely exhausted. Channel 1 6.3 mm (1/4”) input jack socket as high impedance ine input stage with pad (high/low attenuation) 9 V phantom power and gain control. Channel 2 combined XLR/6.3 mm (1/4”) input jack socket as high-quality line- or balanced microphone input stage with switchable 48 V phantom power, gain control Equalizer three band tone controls for channel 1 and two band tone controls for channel 2 Colour ‘mid-cut-treble-boost’-filter Effects digital effect processor with 4 presets: 2 x reverb, delay, chorus Power amp 60W / 4 ohms, dynamic control Analog signal processing subsonic filter, low distortion RMS limiter Battery type two high–power sealed–acid batteries 6 V, 12 Ah for 3 – 4 hours of independant performance, battery power control Speaker system 8” (200 mm) twin cone speaker Features adj. aux-in, headphones, line out, DI-out, external effect loop via send and return, footswitch (internal/ external effect on/off) Dimensions 320 mm x 326 mm x 282 mm (12.60“ x 12.90“ x 11.10“) Weight 13 kg (28.7 lbs)

AER Compact XL Akustisk ...

24.430,-

Storebror till Compact 60. Samme preamp men med hela 200 watt!! Another member within the Compact family. A 200 watts discrete power amp design for additional dynamic headroom. A new speaker configuration for additional tonal range and the continuation of the well–proven features and functionality of the Compact 60.  A beautiful sounding powerhouse for those who need more volume, a more defined tone and yet the loved straightforwardness. Channel 1 6.3 mm (1/4”) input jack socket as high impedance line input stage with pad (high/low attenuation) and switchable 9 V phantom power, gain control Channel 2 combined XLR/6.3 mm (1/4”) input jack socket as high-quality line or balanced microphone input stage 48 V phantom power, gain control Equalizer three band tone controls for channel 1 and two band tone controls for channel 2 Colour ‘mid-cut-treble-boost’-filter Effects digital effect processor with 4 presets: 2 x reverb, delay, chorus Power amp 200 W / 8 ohms, dynamic control Analog signal processing subsonic filter, low distortion RMS limiter Speaker 2-way speaker system, 8” (200 mm) polypropylen low-midrange + 1” dome tweeter, light-weight neodymium alloy magnets Features ground lift, switchable 9 V phantom power, adjustable aux in, footswitch (effects on/off ), tuner, line out, adjustable DI-out, external effect loop via send/return, headphones Dimensions  320 mm x 326 mm x 282 mm (12.60“ x 12.90“ x 11.10“), HxWxD Weight 10 kg (22.10 lbs)

AER Domino II A 4-kanals ...

24.430,-

4-kanals akustisk forsterker/PA mic, line, gain kontroll, insert, pre master out, stereo ... 2x60 W / 4 ohm, 2x8" dobbeltkonet høyttalere. 16 stk. 32bit digital effekt presets. Dimension: 42x36x30 Vikt: 14 kg

AER Domino III 4-kanals combo ...

35.950,-

AER Domino III 4-kanals combo forsterker. What was supposed to be an update turned into a different class – Domino 3. Now partial stereo*, with two twin cone speakers and high performance poweramps. Two independent effect units, with 16 presets each, separately address pairs of the four equally equipped channels (1, 2 and 3, 4). * Stereo-aux, headphones out. TECHNICAL SPECIFICATIONS Channel 1 – 4 combined XLR/6.3 mm (1/4”) input jack socket switchable for instruments, line-level or phantom powered sources (e.g. microphones). Equalizer three band tone controls for each channel Colour ‘mid-cut-treble-boost’-filter Effects digital effect processor with 16 presets Power amp 2 x 100 W / 4 ohms, dynamic control Analog signal processing subsonic filter, low distortion RMS limiter Speaker system 2 x 8“ twin-cone speaker system Features switchable phantom power, ground lift, rec out, aux in, return, send, headphones, tuner, footswitch (internal/external effect on/off ), adjustable DI-out, 4 channel mute Dimensions 365 mm x 420 mm x 300 mm (14.4“ x 16.6“ x 11.8“), HxWxD Weight 16,00 kg (35.30 lbs)

AER Lily One Pickup system

2.399,-

The latest from the development department A USP (Undersaddle_Piezo) pickup system for stringed instruments. With integrated microphone in the endpin preamplifier and rechargeable battery. The pickup system is the interface between instrument and amplifier. The special features of Lily one are the design, as the system reliably monitors the charge status of the battery and gives a visual warning in good time before the battery is running low. This is done via LED on the sound hole control panel. The system is charged with the included USB jack cable connected to the endpin jack socket of the guitar. For this purpose, a standard 5V, a power bank or a PC with USB charging output is sufficient. Max. input level +10 dBV (Piezo) Max. Gain (Piezo) w/o filters +15 dbV Max Mic SPL 135dB SPL @ 10% THD Max Gain (Mic) +7dB Max. Output level +10 dB Output impedance < 50 ohms Charging 5V/0.5A max Battery Operating time (fully charged) 12h approx. Charging time 7h approx. Design and features • Low Noise Class A/B output stage • Low Noise high input impedance FET input stage • High Headroom MEMS-Microphone • Battery Low-Indicator

AER MM200 Monte Montgomery ...

23.650,-

The AER MM200 is an AER amplifier, customized to Montes needs. For straightforwardness acoustic attack or smooth Fingerstyle. 2 x 100 watts of power to handle big dynamics, high volume and the use of effect pedals Look at the images, listen to Monte Montgomery, it will fit in your backline, even if you are a fingerpicker or a Hardcore Troubadour. This is what Monte Montgomery says USA, Guitarplayer My AER MM 200 has been a constant partner onstage with me for the last 7 years. It continues to be a solid workhorse from the standpoint of dependability and consistency. It’s punchy, articulate and focused and does a truly fantastic job of producing the clarity that I need for pulling off everything from feathery harmonics to aggressive heavy fretwork. Plus, it’s so compact and easy to travel with. I also love the EQ section of this amp. Occasionally I’ll need a bit more ‘highs’ to help my tone cut through certain live situations, and the EQ section responds in a way that doesn’t push the treble into an unpleasant ‘thin’ zone but, rather assists the treble frequencies with a pleasant ‘warmth’ that I really appreciate. My AER MM 200 will continue to be a mainstay in my rig for many more years to come. TECHNICAL SPECIFICATIONS Channel 1 6.3 mm (1/4”) input jack socket as high impedance line input stage with pad (high/low attenuation) and switchable 9 V phantom power, gain control Channel 2 combined XLR/6.3 mm (1/4”) input jack socket as high-quality line or balanced microphone input stage 48 V phantom power, gain control Equalizer three band tone controls for channel 1 and two band tone controls for channel 2 Effects digital effect processor with 4 presets: 2 x reverb, delay, chorus Power amp 2x 100 W / 4 ohms, dynamic control Analog signal processing subsonic filter, low distortion RMS limiter Speaker system 2 x 8” (200 mm) extended range Features adjustable aux in, tuner, line out, adjustable DI-out, external effect loop via send/return, headphones footswitch for effects, footswitch for mute Dimensions 420 mm x 360 mm x 300 mm (16.5“ x 14.2“ x 11.8“), HxWxD Weight 15 kg (33.1 lbs)

AER Pocket Tools PTCR ...

5.995,-

  The AER Colourizer 2 is a preamplifier for instrument or microphone (vocal or instrument microphone). You insert it into the signal chain between source and next point in the audio path (e.g. amplifier or mixing desk) to produce sound improvement – your signal will be stronger, richer and more stable. Input Combo socket, XLR and 1⁄4“ jack (6.35 mm) Tone controls phase inverts the output signal-phase in relation to the input signal-phase from 0 to 180 degrees tone balance left position: +7/0 dB at 100 Hz/10 kHz mid position: +5/+8 dB at 100 Hz/10 kHz right position: -3/+10 dB at 100 Hz/10 kHz Equalizer level ±15 dB bandwidth 1.4 - 8.4 (1 octave - 1/6 octave) frequency f1: 90 Hz - 1.6 kHz f2: 680 Hz - 11 kHz Dimensions 65 mm (2.56") high 105 mm (4.13") wide 135 mm (5.31") deep Weight 420 g (0,92 lbs)

AER Pocket Tools PTDM Dual ...

8.240,-

The dual mix 2 is a high-quality „two channel“ preamplifier for instrument/line or microphone signals. The unit offers simple, efficient features just like a small mixing console: two input stages for mic, instrument and line signal with switchable 24 V phantom power. active 2 band sound eq/channel multi effect (2 x reverb, echo and chorus) stereo Aux-in line-out and DI-out headphones pre amp TECHNICAL SPECIFICATIONS Inputs channel 1 and 2 Switchable microphone or line input Combo socket, XLR and 1⁄4“ jack (6.35 mm) Equalizer two band tone controls (high and low) effects 4 effects, 2x reverb, chorus, delay Power supply voltage 24V = 0,5 A Use only supplied mains adapte Features aux in with level control, headphones, Hpf filter, mute via footswitch Dimensions 65 mm (2.56") high 105 mm (4.13") wide 135 mm (5.31") deep Weight 480 g (1.0 lbs)

AER Pocket Tools PTEQ Dual ...

5.995,-

The dual para eq is a compact, parametric 2-band-equalizer, which you can apply to a signal chain to lift or lower certain frequencies. Parametric means not only lifting or lowering, but also adjusting separately position and width of frequency bands. Thus, on the one hand, it offers the possibility of equalizing frequency error (hence the name equalizer) and suppressing feedback or resonance peaks. On the other hand, it can serve as a flexible sound control of the targeted sound change.

AER TILT System

285,-

The Gigbag compatible ampstand (Slippery safe rubberfeet) and skidproof rubberpad for your amp. Foldable with Velcro®

AKG WMS420 Trådløst ...

4.465,-

AKG WMS420 | instrumentsystem, bånd M | 826 - 831 MHz FREE YOURSELF The WMS420 wireless microphone system provides a highly flexible as well as easy to use solution. The ultra high frequency system is set up within seconds and is equally suitable on stage as well as in locations where a single- or multi channel solution is needed. The entire WMS420 wireless system consists of the SR420 stationary receiver, HT420 handheld transmitter and the PT420 pocket transmitter. The HT420 handheld transmitter is available with the patented D5 dynamic microphone acoustics. This capsule guarantees maximum rejection against feedback, reduced handling noise and the famous AKG sound. Both transmitters are shipped with charging contacts that enable the use of rechargeable batteries. Moreover the transmitters offer exceptional eight hours of operation time from a single AA size battery, which dramatically reduces the operating costs in day-to-day use. The detachable receiver antennas allow the use of professional accessories, such as antenna splitters and remote mounted directional antennas for multi channel systems. The WMS420 series includes three different bodypack sets. The head-worn set includes the high performance C555 L condenser microphone. The presenter set includes the professional C417 L lavalier microphone. The guitar set includes an instrument cable. With the AKG WMS420 system up to eight channels can be run simultaneously. WMS420 Instrumental Set 1 Bodypack transmitter PT420 1 Stationary receiver SR420 1 Instrument cable 2 Receiver antennas 1 AC adapter 1 AA size battery

AKG WMS45 Trådløst ...

3.290,-

AKG WMS45 Perception trådløst instrumentsystem med jack kabel. AKG WMS45 Perception er et trådløst mikrofonsystem bestående av mottakeren SR45, lommesenderen PT45 og instrumentkabel. Systemet har fire tilgjengelige faste frekvenser og er svært enkelt å programmere. SR 45 mottakeren har XLR og ¼" jack utganger. Lydnivå og squelch justeres på mottakeren. Frekvensbånd 863.100 - 864.900 MHz.  

All Pedal ALCMENE Klon-style ...

2.199,-

AllPedal ALCMENE Klon-style Overdrive Meet ALCMENE: a mini pedal loaded with all the authentic and famous qualities of the Klon Centaur, such as Germanium clipping diodes, gold plated circuit board, active treble control, buffer and more! Giving you more gain than the classic Klon pedal, ALCMENE will offer this sought after sound going from a light transparent overdrive to a full Germanium saturation for a more rock style. According to Greek mythology, Zeus and Alcmene had an affair from which Heracles, the slayer of centaurs was born. Staying true to form, we used only NOS 1N34A Germanium Clipping diodes in the circuit. Turn up the Gain and you turn up True Germanium Distortion! • Overdrive Effects Pedal • Based on the Klon Centaur circuit – provides light transparent Overdrive to full germanium saturation • Active Treble control for top-end boost or cut • Uses NOS 1N34A Germanium clipping diodes • Integrated Charge Pump - for higher internal voltage rails providing higher headroom • Incl. spare blank backplate for using hook and loop fastener • Buffered bypass switching • Made in the USA • Powered by a regular 9 V DC PSU (centre -, 2,1 mm, 20 mA current draw) As with all their effect pedals, Allpedal took special care in the ALCMENE’s esthetics with its metallic finish, sophisticated embossed artwork and anodized knobs. ALCMENE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

All Pedal DEVIL’S TRIAD Jeff ...

4.890,-

DEVIL’S TRIAD Jeff Loomis Signature Distortion / Boost / Delay / Reverb Designed in collaboration with Jeff Loomis (from Nevermore and Arch Enemy) in order to be an all-in-one solution for his live and studio performances, the DEVIL’S TRIAD offers particularly crafted high-gain / lead toners which Jeff fine-tuned over his career. The DEVIL’S TRIAD is an overdrive / distortion pedal that features a boost, a delay and a reverb, as well as a complete routing system that can adapt to every configuration types, from beginners to professionals. Main Features • Jeff Loomis Signature Overdrive / Boost / Reverb / Delay Effects Pedal • All- in one solution that works as pedalboard preamp, in front of an amp or routed through an amp’s effects loop • Analog Op-Amp drive section with soft LED-clipping - from expressive overdrive to powerful distortion that tightens up any amp and accentuates pick attack • Analog Op-amp- Boost with up to 20 dB of added volume • Digital Delay with 50-500 ms delay time • Digital Plate Reverb • 2 TS inputs and outputs for multiple routing options for Drive/Boost and Delay/Reverb sections • True bypass Switching • Made in the USA • Powered by a regular 9 V DC PSU (centre -, 2,1 mm, 160 mA current draw) The DEVIL’S TRIAD is a power house of pedal tones in a single package, with the Drive section feeding into the Boost, which then cascades into Reverb and Delay. To give you the most flexibility possible, the DEVIL’S TRIAD was designed with separate IN and OUT jacks for the Reverb/Delay section. This allows routing the Reverb and Delay effects to your amplifiers effects loop while still allowing you to use the Drive and Boost to shape the tone and gain at the front end of your amplifier’s signal path, just like Jeff Loomis does! To use all effects in one signal path, you can simply plug your Guitar into Input A and run a second cable from Output B into your amplifier’s input. In addition to that, DEVILS TRIAD can be used as a preamp, by plugging Output B into the FX Return of your amplifier’s effects loop, bypassing the amp’s preamp entirely. The pedal’s tone, gain and level controls will now function as the front end of your amplifier. DEVIL’S TRIAD is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

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