Source Audio AFTERSHOCK Bass ...

2.590,-

Advanced Stereo Bass Distortion Pedal - with PSU Source Audio AFTERSHOCK Bass Distortion Advanced Stereo Bass Distortion Get down and dirty with the AFTERSHOCK Bass Distortion. This powerful stereo effects pedal features a collection of meticulously crafted Distortion sounds ranging from subtly driven sustain to highly saturated distortion to thick fuzz and beyond. The AFTERSHOCK’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass/amp combination. With the powerful MIDI and Neuro control options under the hood it provides access to a vast array of additional tonal possibilities. Main Features: • Bass Distortion effects pedal • 3 distinct Fuzz engines o TUBE: a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch o HEAVY: creates an aggressive scooped sound with ample highs and thundering lows o FUZZ: offers intense germanium fuzz tones with loads of bottom and mucho grit • 128 presets accessible via MIDI • Deep customization features accessible via Source Audio Neuro App and Desktop Editor • Stereo Inputs and outputs - for multiple advanced routing options • Mini USB Port for PC connectivity (Windows and Mac compatible) and remote control • 3.5 mm control port - for connecting compatible Source Audio control devices • Selectable Relay True or Buffered Bypass Switching • Included 3.5 mm to 6.3 mm TRS cable to connect to mobile device • Powered by (included) 9V DC power supply (2.1 mm plug, center -, 165 mA current draw) Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. • TUBE: The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. • HEAVY: Heavy creates an aggressive scooped sound with ample highs and thundering lows. • FUZZ: The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. By itself the AFTERSHOCK offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Desktop Editor and Mobile App (free downloads iOS, Android, Mac and Windows). Connect the AFTERSHOCK to the Neuro Editor and access its extended equalization capabilities, stereo routing options, as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar - each algorithm can be downloaded directly to the pedal. The AFTERSHOCK is also built on dual drive platforms providing the opportunity to simultaneously run two fuzz tones in parallel, stacked, or split in stereo. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets. Job one in the development of the Source Audio One Series overdrive pedals - The L.A. Lady Overdrive, KINGMAKER Fuzz, and AFTERSHOCK Bass Distortion - was to create three great sounding, flexible, and easy-to-use pedals. Out of the box, that’s exactly what they are - plug ‘em in, select from the three onboard overdrive engines and make beautiful music… simple. But there is much more here than meets the eye (and ear) - the truly “Big Idea” behind our One Series overdrive pedals was to give musicians a second, far deeper, set of options and editing tools with which to craft the perfect tone. The Neuro Desktop Editor and Mobile App are free downloads for iOS, Android, Mac and Windows machines. The Neuro Editors vastly expand the tonal possibilities of the pedals, offering a huge collection of additional drive, fuzz, and distortion engines as well as an expanded set of editing parameters. Connect the AFTERSHOCK to the Neuro Desktop Editor or Mobile App (free download for iOS,Android, Mac, and Windows) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality.

Source Audio ULTRAWAVE BASS ...

3.233,-

Advanced Stereo Bass Distortion Pedal - with PSU The Ultrawave Bass Distortion Lab explores the ground-shaking potential of advance overdrive and tremolo effects with the bass. At the Ultrawave’s core is a dynamic and multi-dimensional approach known as multiband processing. This process splits the frequency spectrum of the signal into multiple, discrete frequency bands especially tuned to the bass, and equips each band with its own array of adjustable parameters. In the case of overdrive, the Ultrawave splits the incoming signal and provides separate drive and output level controls for each individual band. The result is a thick and punchy distortion with loads of unique overtones and dynamic interplay. Split the signal into 1, 2, 3, 4, 8, or 10 frequency bands, and apply any of the band splitting options to an exciting collection of overdrive types, including Tube, Diode, Foldback (a method of distortion often heard in the world of synthesizers), Octave Up, Negative Flip Diode, and more. 37 Different Band Splitting Options: Band Splitting options including single, 2, 3, 4, 8, and 10 bands. Each band splitting option includes several sub-sets with different band splitting frequency points. 44 Different Distortion Types: Choose from distortion/overdrive/fuzz types that include Tube, Diode, Foldback, Negative Flip Diode, Octave Up, and more. Dual Channel Compressor/Expander: Compressor features Input Gain, Threshold, Ratio, Attack, Release, and Output Gain controls with a detailed graphic monitor. Use the dual channel capabilities to isolate compression to specific frequencies. Place the compressor/expander before or after the overdrive module. Growing Library of Published Presets: For quick and easy access to a world of great tones, try sampling sounds from a vast collection of published presets created by the Source Audio team and the ever-growing Ultrawave Neuro Community. Stereo Ins and Outs: Create two entirely different presets and run them in series, parallel or run each to a separate output. Stereo options also apply to the Multiband Tremolo - use the Channel 1/Channel 2 Sync options or the Phase Offset control to create stereo ping-pong, tremolo effects. Detailed LFO Controls: Use the LFO module to control the Ultrawave's Tremolo, Morphing or Ring Mod features. Choose between a standard Sine Wave or use the Attack/Release controls to create highly customized LFO shapes. Sound Morphing: Change from one sound to another with an expression pedal, envelope follower or LFO. ​ 8 Band Graphic Equalizer Adjustable Noise Gate Assignable Knobs: Reassign all four of the Ultrawave's knobs to the parameters most useful for making quick, on-stage changes. Save a different set of knob assignments for every preset. External Expression Pedal Control: Make simultaneous, on-the-fly changes of up to three parameters with an external expression pedal.  6 Toggle Switch Accessible Presets: Quickly access up to 6 pedal presets with the Ultrawave's toggle switch. Universal Bypass — Select either analog buffered or relay based True Bypass. MIDI Capable — Connect the Ultrawave to the Source Audio Neuro Hub and access up to 128 presets with MIDI Program Change (PC) messages. Control many of the pedal’s parameters with MIDI Continuous Controller (CC) messages or assign LFO modulation speed with MIDI Clock. USB Port - Class compliant USB-MIDI allows the Ultrawave to work as a plug-and-play device with recording software running on Mac and Windows. The USB port offers connectivity to the Neuro Desktop Editor providing access to deep editing possibilities and pedal firmware updates. USB to Mobile App Connectivity - Connect the Mobile App to your Ultrawave via the USB port on the top of the pedal and enjoy two-way communication between the pedal and your Neuro Mobile App. This means you can see all of your Ultrawave preset settings on the App. in real time. (Lightening to mini Type B USB cable for iPhone) (Type-C to mini Type B USB cable for Android). Compact Design – The durable, anodized aluminum housing has a small footprint and sturdy hardware. Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs). Universal BypassTM – Select either analog buffered or relay based True Bypass.

Source Audio ZIO Analog Bass ...

3.121,-

Source Audio ZIO Analog Bass Preamp+DI All-analog Preamp and DI for Bass Guitar The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analog preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack. Main Features: • Preamp and DI effects pedal for Bass Guitar • All-analog ultra-low noise and distortion preamp • +/-12V high voltage rails for active and passive basses • Full tone-shaping control set with FOCUS high pass filter • GRIT and SCOOP modes for added tonal character options • Balanced XLR Direct Output with optional ground lift • Headphone output for direct monitoring • True Bypass Switching • Powered by (included) 9V DC power supply (2,1 mm plug, center -, 200 mA current draw) The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem – use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness. The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode’s gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up “muddy” mid-range frequencies. The SCOOP profile is based on the “Pultec Trick” – a setting commonly used with vintage Pultec Equalizers to add clarity. The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard. The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low-noise amplifier that is capable of driving low impedance studio headphones.